2020|03 - #ComposersNewMusicPlaylist
https://ioniate.com/artist/sc202003

This playlist is dedicated to the growth and development of music creators. The creators highlighted have posted their music for others to discover, while both actively seeking and providing support and constructive feedback on the music posted. 

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Thanks again to all these composers for creating such great music!

To all listeners, I highly encourage you to LISTEN - LIKE - SUBSCRIBE.

If you really want to show some love, please leave the composer a comment on their post. The more love, the more that is created :)

This week's SoundCloud playlist features 

Alejandro Vallarino
  - http://bit.ly/2Z2xhNB

Alfred Caprio
  - http://bit.ly/SC-AlfredCaprio

Angus Roberts-Carey
  - http://bit.ly/2S5jC4Q

Annie Smart
  - http://bit.ly/300b0oT

Anthony M Virgilio- ASCAP
  - http://bit.ly/2IlqQ50

Aslak Strand Sedberg
  - http://bit.ly/2lZKzwY

Austin Kleyn
  - http://bit.ly/SC-AustinKleyn

Borko Lazarevic
  - http://bit.ly/SC-BorkoLazarevic

Bruce Klepper 
  - http://bit.ly/32UszDU

Caroline-Jayne Gleave
  - http://bit.ly/SC-CarolineJayneGleave

David Olofson
  - http://bit.ly/2KM6XEV

Eli Evans
  - http://bit.ly/15of5-EliEvans

Florent Ainardi
  - http://bit.ly/2Jf5pT2

Jaco Joubert
#N/A

Jamie Rhind
  - http://bit.ly/31wdNDf

Jérémie Vinet
  - http://bit.ly/SC-JérémieVinet

Jess Henderson 
  - http://bit.ly/2YZBQNl

Jesse Voogt
  - http://bit.ly/30T1f86

Jesus Belmar Belmar
  - http://bit.ly/2OXxNux

Joshua Sohn
  - http://bit.ly/2KQFFgk

Jostein Kauserud
  - http://bit.ly/2KPVljV

Julia Lesnichy
  - http://bit.ly/SC-JuliaLesnichy

Kaustub M. Joshi
  - http://bit.ly/2VxOMnl

Khalid Mattar
  - http://bit.ly/2LBKXev

Kjell Prytz
  - http://bit.ly/SC-KjellPrytz

Lawrence Bojkovic
  - http://bit.ly/2xNZeNQ

Marvin du Chatinier
  - http://bit.ly/SC-MarvinDuChatinier

Michael Sciabbarrasi
  - http://bit.ly/2Z4S17C

Mike Malstrom
  - http://bit.ly/SC-MikeMalstrom

MrBouzouki
  - http://bit.ly/2WmIRST

Nathalie Itta
  - http://bit.ly/31ksc5t

nordic audio
  - http://bit.ly/2Ika3iY

Olas Dje
  - http://bit.ly/2VsvOP8

Ollie Woods
  - http://bit.ly/2sY3RG6

Opus Melodica (Dale Sumner)
  - http://bit.ly/2o71IFn

Paul Cassidy
  - http://bit.ly/SC-PaulCassidyOrchestrations

Rick Riccled
  - http://bit.ly/SC-RickRiccled

Rob Meijer
  - http://bit.ly/SC-RobMeijer

Ronald Roumanis
  - http://bit.ly/2Z7RrGj

Sean Batura
  - http://bit.ly/SC-SeanBatura

Sean Calvo
  - http://bit.ly/SC-RamonCalvo

Tore Thomassen
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Victor Birkan
  - http://bit.ly/2GA0adz

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IONIATE Weekly Playlists feature new music from our IONIATE group members. Members of our IONIATE groups create original works in many styles including : 

 - #Soundtrack 
 - #BattleMusic
 - #Orchestral
 - #Symphonic
 - #EpicTrailer
 - #ThemeMusic
 - #SoloPiano
 - #TrailerMusic
 - #DreamScene
 - #AvanteGarde
 - #NewMusic

You can submit music for playlist consideration via IONIATE's Playlist Submitter (http://bit.ly/IONIATE-Playlist-Submission)  or by joining one of our dedicated groups.

IONIATE GROUPS - NEW ON YOUTUBE
https://www.facebook.com/groups/181521019453661

IONIATE GROUPS - NEW ON SOUNDCLOUD
https://www.facebook.com/groups/IONIATEGROUPSNewOnSoundCloud/

IONIATE GROUPS - NEW ON SPOTIFY
https://www.facebook.com/groups/IONIATEGROUPSNewOnSpotify/

IONIATE PLAYLIST REQUEST - COMPOSER'S WEEKLY PLAYLIST
https://www.facebook.com/groups/2033343396793747/

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#IONIATE #EricSchultheiss #ComposersPlaylist #FacebookComposersPlaylist

2020|03 - The Composer's New Music Playlist

Tragic piece.
Sounds of aftermath of terrible events

Awakening #6 - Like Before

My remake of original Gothic 1 theme. 

Composed by:
Kai Rosenkranz
Video Game: 
Gothic 1

Gothic 1 Theme Cover Remake

Ladies and gentlemen, gather 'round the sonic hearth, for we're about to embark on a musical expedition that will tantalize your auditory senses and transport you to a realm where sound becomes a time machine. This is more than just a track; it's a sonic journey through the ages, a gastronomic feast for the ears.

Our melody is a guitar-based masterpiece, a siren's call that beckons you into the unknown. Picture not one, but two guitars, their parts doubling and intertwining like old lovers meeting after a long separation. It's a dance of strings that paints intricate patterns across your mind.

But here's where it gets truly mesmerizing – angular harmonic ideas that twist and turn like a serpent through the musical landscape. The harmonies defy convention, leading you down a labyrinthine path of sonic exploration. Your ears won't believe what they're hearing.

And then, the deep bass arrives, a rumbling undercurrent that resonates within your very core. It's the heartbeat of this composition, a primal force that anchors you to the ancient soil of the Sierra Norte here in Mexico.

Ah, but we're not done yet. The piano steps in, its keys a portal to nostalgia. It weaves a melancholic tale that tugs at your heartstrings, like the echoes of a long-lost memory.

Now, let's talk about the feel of the ancients. This isn't just music; it's a spiritual journey. It's as if the ghosts of the Sierra Norte have found a way to communicate through sound. Close your eyes, and you can almost see them, the indigenous people who once roamed these lands, leaving their indelible mark on the very air we breathe.

As the notes swirl and dance, you'll find yourself ensnared in elusions of psychedelic experiences, like a shamanic ritual conducted by ancient gods, their names long forgotten but their presence still lingering in the hidden corners of our minds.

But don't be fooled, for there's a hint of the creepy, a shadowy figure that lurks just out of sight. It's the yin to the composition's yang, a reminder that even in the most awe-inspiring moments, there is a touch of darkness.

This composition is a testament to the Sierra Norte, a place where every tree tells a story, and every rock whispers the secrets of time. It's inspired by the walks in these woods, the people who call this place home, and the ancient souls who once walked this hallowed ground.

So, my friends, prepare to be transported to a world where music becomes a portal to history, where the past and present collide in a symphony of emotions. It's a feast for the ears, a journey for the soul, and an experience you won't soon forget. Bon appétit, or should I say, buen provecho! 🎸🌲🎶 

#SonicExpedition #SierraNorteSoundscapes #MusicalFeast #AncientWhispers

Ancient Harmonic Sueño

This is a Main Theme of Concept i've created for a video game.
I will share more details in the future regarding the storyline.

Pass Over

Pass Over - Main Theme

ArcLight - 6.Downfall

ArcLight - 9.The Key Of The East
Keys of East and West part of the ArcLight series

ArcLight - 9.The Key Of The East

Moody track I've created that should represent the feeling of reading famous writer's personal thought. (They were probably not pleasant i would guess :))

The Diary Of Dostoyevsky

IN THE BOUNDLESS REACHES

Etude pour quatuor à cordes n°6

An Epic story about a homeless soldier making a deal with the devil. With his soul on the line the soldier has to survive 7 years without taking a bath, any other form of personal hygiene or owning a bed. Will he survive and win the deal with the devil?...... 

Read along as you listen on youtube (tohttps://www.youtube.com/watch?v=bF5E_7_7kqY&t=350s) find out, the fairytale is written in the video this time :).

This 4 Chapter work contains all, Good vs Evil, Epicnes and delicacy, Joy and sorrow, light and darkness.

Grimm Brothers Bearskin

Damals und Heute

Harpsichord

Comet Of Love - Betsalel

3rd chronological track in my Awakening series. 
Simple soundscape representing a resting time around the campfire. 
Unlike most of my compositions, this track is mostly based around recorded instruments. 
Hope you like it. 
Any critique is highly appreciated. 

Enjoy!

Awakening #3 - Campfires In Rain

Final Battle

Eric Schultheiss stands at the vanguard of contemporary composition, forging a unique path that bridges the rhythmic drive of global percussion with the infinite possibilities of digital sound. As a composer, percussionist, and educator, Schultheiss is acclaimed for his hybrid electro-acoustic works—pieces that fuse the organic pulse of drums with orchestral richness and the sonic innovation of modern electronics.

Rooted in a Southern California upbringing steeped in progressive rock, classical discipline, and the improvisational freedom of jazz, Schultheiss draws on a vast tapestry of influences. His music channels the off-kilter accents of Stewart Copeland, the lyrical intensity of Neil Peart, the storytelling depth of Peter Gabriel and Sting, and the progressive artistry of Genesis, Dream Theater, and Spock’s Beard. This synthesis results in compositions that are as intellectually rigorous as they are emotionally evocative.

Currently, as Head of Percussion Studies and Electro-Acoustic Composition at the Middle Tennessee Conservatory of Music, Schultheiss is an outspoken advocate for the DAW as a true instrument. In his hands, digital workstations become canvases for sonic experimentation, allowing for real-time orchestration, microscopic precision, and the layering of polyrhythms and timbres that would be impossible with traditional notation alone. He champions technology not as a shortcut, but as an authentic extension of the composer’s voice.

Signature works such as Lights Twinkle—a Christmas percussion-ensemble piece blending Japanese Taiko, harp, and haiku-inspired vocal textures—showcase his ability to unite tradition with innovation. Airidea’s Journal explores the dialogue between structure and freedom through dance-driven percussion and atmospheric synths, while As You Sleep and Terminal Memory reveal Schultheiss’ penchant for ambient soundscapes, introspective melodies, and cross-media collaborations. His compositions have been commissioned for film, dance, and multimedia productions, performed by leading ensembles, and praised for their intricate interplay of rhythm and resonance.

As an educator, Schultheiss is dedicated to shaping musicians who are not only technically skilled but also creatively fluent in both acoustic and digital modalities. At the Middle Tennessee Conservatory, he mentors young composers in hybrid techniques, polyrhythmic structures, and DAW-based workflows, encouraging them to embrace technology as a creative partner. His influence extends beyond the classroom, as he helps students gain visibility in the digital era and equips them to thrive in an evolving musical landscape.

Through his relentless curiosity, innovative spirit, and commitment to artistic growth, Eric Schultheiss is redefining what it means to be a composer in the 21st century. His work is a testament to the power of bridging tradition and technology, and to the limitless frontiers that await those willing to explore them.

Orchestrating Fantasy, creating legends!

Hey there! I’m Borko, and I’m on a quest to become Video Game Composer.
I find myself utterly geeked out on fantasy, and my music—oh, it reflects that affliction.

But, I'm not hard-stuck on one genre.
I dabble in other styles, sometimes even complete opposites on a spectrum.
As they say thou, Jack of all trades is a master of none. That's the reason i place Epic Fantasy Orchestration in the center. 

With that being said, fellow adventurers, if you are working on a video game that requires music to shine brighter, feel free to contact me. 📜

Awakening #3 - Campfires In Rain

Borko Lazarevic

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