mixing & mastering works [heavyweight.pro]

Father and Sons Records and Tapes has been doing great things for electronic music throughout 2015. Keeping with tradition, the Polish collective are preparing a compilation to round off their year of successes suitably. Set to drop next month via Requiem Records, eleven gleaming electronic fruits are brought forth from members of FASRAT's family tree including Naphta, Das Komplex, label boss Maciek Sienkiewicz and – one Poznan local whose name has erupted (rightfully so) as of late, Selvy.

His laid back joint for FASRAT comes up trump(et)s on our cards. Soaked in indulgent reverbed hi-hats, its cheeky and mellow nature chimes in tune with recently Debuted sounds emanating from Distant Hawaii and Smallville camps. One to undoubtedly watch in the coming months.

Catch FASRAT's Compilation #1 dropping in full on 7th December.

Pre-Order

Selvy "The Trumpet" - Boiler Room Debuts

"Father And Son Records And Tapes" saw the light of day in 2015, among the swarming polish scene. Led by Maciek Sienkiewicz, the imprint already tots up five releases and comes up this week with its first compilation. It features tracks by Selvy, Jazxing, Sienkiewicz himself and Das Komplex amongst others. Today we're giving you an exclusive stream of the Coyote remix of "Like A Fish" by Das Komplex : a peaceful dubby trip which will surely enlighten your day. Enjoy!

PREMIERE : Das Komplex - Like A Fish (Coyote Remix)

[JP] 
Ghetto Instituteの初となる作品はポーランドのトライ・シティエリアを活動拠点とするdrewnofromlasによるEP。シカゴフットワークを生演奏するというスタイルを打ち出した世界的にも希有なバンド。彼らのサウンドはポーランドを始め世界的に支持を広げている。今回リリースされるのは彼らのLP“trudne wakacje”より“Moc”と“ilekolwiek”。ラフでダーティーなサウンドが際立つJuke／Footworkを、より繊細で洗練されたものに昇華させた快作だ。今作は国境を越え日本のプロデューサー達がリミキサーとして起用されている。同じくJuke／Footoworkをバンドスタイルで表現する大阪のSatanicpornocultshopのリーダーUghの解釈で再構築されたmocを始め、Dagshenma、食品まつりaka foodman、Hiroki Yamamura、Kent Alexander、Oshirijimaといった個性的な面々が名を連ねる。 

[EN] 
@dfl is a Polish band from the area of Tri-city. It came to be recognizable as one of the first crews playing Chicago Footwork with the use of life instruments. ‘moc’ and ‘ilekolwiek’ tracks, from their ‘trudne wakacje’ LP, present a subtle and modern version of the dirty and quite often rough music from the Windy City. Both the tracks, as the band itself, became inspiration and an important reference point for other footwork producers. 

The first release of the Ghetto Institute is an attempt to create yet another version of ‘moc’ and ‘ilekolwiek’. All the invited producers come from Japan. It is the country where the @satanicpornocultshop band as the first one went instrumental. Its leader, Ugh, prepared one of the versions of ‘moc’, the rest belongs to @dagshenma, @shokuhin-maturi, @hiroki-yamamura2, Kent Alexander (member of @paisleyparks crew), @oshirijima. 

[PL] 
drewnofromlas to polski zespół rozlokowany w okolicach Trójmiasta. Dał się poznać jako jeden z pierwszych składów grających Chicagowski Footwork z wykorzystaniem żywych instrumentów. Za sprawą utworów ‘moc’ i ‘ilekolwiek’ z płyty ‘trudne wakacje’ drewnofromlas przedstawili subtelną i nowoczesną wersję tej brudnej i często szorstkiej muzyki z Wietrznego Miasta. Oba utwory, jak i sam zespół, stały się dla innych wykonawców footworkowych inspiracją oraz ważnym punktem odniesienia. 

Pierwsze wydawnictwo Ghetto Institute to próba stworzenia innych wersji ‘mocy’ i ‘ilekolwiek’. Wszyscy zaproszeni producenci pochodzą z Japonii. To właśnie w tym kraju zespół Satanicpornocultshop jako pierwszy zaczął grać footwork instrumentalnie. Jego lider, Ugh, przygotował jedną z wersji ‘mocy’, a za resztę remiksów odpowiadają: Dagshenma, Foodman, Hiroki Yamamura, Kent Alexander (członek ekipy Paisley Parks), Oshirijima.

Thanks to all producers who took part in this release: Dagshenma, Foodman, Frosen Pine, Hiroki Yamamura, Kent Alexander, Oshirijima, Ugh. And last but not least much thanks to drewnofromlas.

Mastering: @heavyweightpro 
Artwork and rubber stamp: Krzysztof Matuszak [http://lubilato.tumblr.com/]

ilekolwiek/moc remixes

trudne wakacje

drewnofromlas - Ilekolwiek / moc remixes

Album Dokalski / Cieślak / Miarczyński / Steinbrich jest efektem spotkania czterech muzyków, których łączy zainteresowanie free jazzem, muzyką improwizowaną, muzyką współczesną oraz tzw. instant composition. Premiera płyty będzie miała miejsce 26 września 2016 r.

Tematy Olgierda oraz wspólnie wyimprowizowane kompozycje tworzą interesującą mozaikę, która dzięki interakcji muzyków i ich bezkompromisowości nabiera spójnego charakteru. Intensywne granie przeplata się z minimalistycznymi kompozycjami; preparacja i sonoryzm idą ramię w ramię z klasycznym podziałem ról instrumentów; free jazz współgra z tematami niemalże filmowymi, a klasyczna produkcja jazzowa łączy się z elementami dubbowo-industrialnymi. 

Płyta jest podsumowaniem projektu Jacka Steinbricha zrealizowanego w 2016 r. w ramach stypendium Prezydenta Miasta Lublin. Muzycy kilkukrotnie spotykali się w Lublinie, a efektem spotkań były wspólne koncerty i nagranie.

Materiał nagrano w składzie: 
Olgierd Dokalski - trąbka
Tadeusz Cieślak - saksofon altowy i sopranowy
Jacek Steinbrich - kontrabas
Jakub Miarczyński - perkusja, instrumenty perkusyjne.

Nagranie: Jarek Rudnicki
Miks: Michał Kołowacik
Mastering: Paweł Bartnik
Projekt okładki: Sławomir Księżniak

Dokalski/Cieślak/Miarczyński/Steinbrich - Poranny Chodnik

“FASRAT Compilation #2” to owoc współpracy pomiędzy Father And Son Records And Tapes - wytwórnią prowadzoną przez Maćka Sienkiewicza oraz Requiem For Disco, czyli nowym sublabelem Requiem Records.

Nieznany album (2016-11-16 13:03:02)

Oil Stains "Here Comes My Train" Das Komplex Remix

Third outlines tape produced by @skipcluborchestra

Skip Club Orchestra - groove 3.1 (side A)

EABS: 
www.facebook.com/ElectroAcousticBeatSessions
@eabs_eabs
www.instagram.com/eabs.pl

Astigmatic Records:
www.facebook.com/astigmaticrecords
@astigmaticrecords
www.instagram.com/astigmaticrecords
twitter.com/astigmaticrec

The growth in popularity of jazz music in recent years has been described as a renaissance or new chapter for the genre. Attracting new audiences has seen a growth in acclaim for international artists including Kamasi Washington & The West Coast Get Down collective or BadBadNotGood. This resurgence has also been felt within british jazz scene. Musicians such as Yussef Kamaal, Shabaka Hutchings, Ruby Rushton, Nubya Garcia or Moses Boyd have put a new stamp on jazz music by fusing elements of classic jazz with modern sounds. Polish septet, EABS applies a similar philosophy to their music, blending traditional Polish Jazz with sounds from other genres, thus creating a new and personal interpretation of modern jazz. 

EABS debut album entitled “Repetitions (Letters To Krzysztof Komeda)” is a dedication to Polish Jazz legend Krzysztof Komeda. This album is an analysis of conscientiously selected compositions by Komeda between 1962-1967. EABS explores some of Komeda’s lesser-known compositions featured in ballet etudes, movies, short films, documentaries, animations and compositions illustrating Polish poems recited in German. 

Carefully chosen compositions, the background of the movies for which the music had been written and Marek Pędziwiatr’s lyrics all add up to “Repetitions” being some kind of a concept album about the condition of the human soul in the 21st century. The questions one may ask might be similar to those which could have been asked by the artists witnessing post-war debris: will history come full circle? Lack of knowledge, flourishing idiocracy, aggression, aiming for conflicts, shortage of community spirit and love may lead to another doomsday. Perhaps we simply aren’t able to see the impending doom now… Just like in a poem by Czesław Miłosz, “A Song on the End of the World”, to which Krzysztof Komeda wrote “Waltzing Beyond”. 

EABS have created their unique compositions by employing an approach exercising the idea of “reconstruction from deconstruction” where sampling and looping are merged with jazz improvisations. The injection of hip-hop, jungle, funk, gospel and electronic music add a futuristic tone to the tracks. However EABS have made a conscious decision to ensure their nod to Komeda enables the spirit of the Polish Jazz to remain alive. Michal Urbaniak another Polish Jazz legend is the only guest on the album. His violin can be heard on the track “Free Witch And No Bra Queen/ Sult”.

EABS band:
Marek Pędziwiatr - piano, synths, vocal 
Vojto Monteur - guitar 
Paweł Stachowiak - bass 
Jakub Kurek - trumpet 
Olaf Węgier - tenor sax 
Marcin Rak - drums 
Spisek Jednego - turntables

EABS - Free Witch And No Bra Queen / Sult ft. Michał Urbaniak

EABS - Pingwin VI

kIRk - Za ostatni grosz
Format: 7" single
Release: 14.06.2017

A. kIRk - Za ostatni grosz
B. kIRk - Nie ma co silić się na naturalność

---

Zespół kIRk wybudza się z chwilowego letargu i od razu przechodzi do rzeczy. „Za ostatni grosz” to tytuł najnowszego wydawnictwa kwartetu - siedmiocalowego winylowego singla z dwoma mocnymi utworami: „Za ostatni grosz”, inspirowanego piosenką o tym samym tytule z repertuaru Budki Suflera i równie nieoczywistego „Nie ma co silić się na naturalność”. To ledwie kwadrans muzyki, a zdaje się opowiadać całą, przeszło 15-letnią historię tej trudnej do zdefiniowania, międzystylowej załogi. Elektronika i akustyka, optymizm i melancholia, melodia i dysonans. kIRk uwodzi, ale nie narzuca się. Przynosi muzykę fabularną, choć bez słów. Jest w tym radość z grania i z bycia razem. Jest też gitara Wojtka Kwapisińskiego, która wiedzie kolektyw jeszcze dalej i głębiej.

Płyta ukaże się w czerwcu, a kwartet wyda ją własnym sumptem. To będzie kolejny rozdział długoletniej historii zespołu - pełnej zwrotów akcji i estetycznych wolt. Rozdział, którego pierwsze zdania wypowiedziane zostaną 14. czerwca w warszawskim klubie DZiK podczas premierowego koncertu singla i pierwszego publicznego odtworzenia teledysku do utworu „Za ostatni grosz”.

---

The kIRk band just woke up a form a brief yet quite a deep nap and goes straight to the point. “Za ostatni grosz” (eng. “For that last cent left”) is the title of their newest release - a 7” inch vinyl single consisting of two massive tracks - “Za ostatni grosz” which was inspired by the Polish pop rock hit from the 80s by the one and only Budka Suflera, and a similarly unobvious tune named “Nie ma co silić się na naturalność” (eng. “There is no point in trying to be natural”). The disc which last just a bit more than quarter of an hour seem to grasp the whole, almost 15 year long, history of this hard to define, eclectic crew. Electronics and acoustics, optimism and melancholia, melody and dissonance, all of those mix together in these two, carefully crafted tracks. kIRk seduces the listener but doesn’t impose anything upon him or her. It brings a narration told without any words. It brings the joy of playing and - just simply - being together. It comes assisted by Wojtek Kwapisiński on guitar, who leads the collective even further and deeper.

The single will be self-released by the band in the middle of June. It will become a succeeding chapter in the years long, adventurous history of the band. A chapter, which will commence on July 14th in Warsaw, in the club named DZiK, where the band will premiere their new material and screen the video, made to the “Za ostatni grosz” track.

A. kIRk - Za ostatni grosz

No matter where the winds may blow, what storms may come or what pirates will do, the Transatlantyk ship is still sailing. Navigated for the last three years by Zambon out of Berlin, ultimately avoiding the shallow waters of the generic and constantly patrolling the seas in search of exciting sounds. After all that sailing the label just had to replenish its ranks with some fresh faces - those still capable of voyaging into the unknown. Joining the crew is a young gun TAMTEN, who by day serves as a vinyl pusher in Warsaw's finest Side One record store. What he does by night is not the matter of this short text, but we are sure he does a lot of it. Hence his love for all things distant - from subaquatic pads and floating riffs, to new-age-y siren voices, otherworldly effects and percussion drenched in reverb. There is a lot of similarly distant, sun-bleached material on this five tracker, full of a druggy and hippy Balearic feel. Beautiful ambient jam 'Przebudzenie' is the stand out track, but 'Znaki Czasu' is equally as good with its simple, yet memorable melody, reminding of dawns and sunsets on some God forsaken beach. Sultry deepness of 'Nieznajoma' is followed by enchanting digital exotica of 'Wyrocznia' and wavey trip-hop cut 'Po Burzy'. Overall its one of the strongest EPs that Transatlantyk managed to co-opt into its growing catalogue. Definitely one for the dreamers.

LISTEN ON YOUTUBE

PREMIERE : Tamten - Znak Czasu

Utwór z płyty "Ich dzike serca", która ukaże się w 26 kwietnia 2018 roku nakładem Fundacji Kaisera Söze.

Trzy lata po „III” kIRk wraca z nowym longplayem. „Ich dzikie serca” to koncept-album z wyrazistą dramaturgią, zwrotami akcji i mocnym finałem. „Ich dzikie serca” to historia o śmiałkach, którzy wyruszyli odkrywać nieznane. Opowiada o ich zmaganiach z niezbadaną przestrzenią, o lęku i podnieceniu, które odczuwali będąc milion lat świetlnych od domu, o przemianie, której doświadczyli w obliczu spotkania z obcym. To płyta o głodzie poznania, przekraczaniu granic i szaleńczej wręcz odwadze, a zatem – o człowieczeństwie po prostu. „Ich dzikie serca” stanowi kolejny etap poszukiwań zespołu zapoczątkowanych w zeszłym roku siedmiocalowym wydawnictwem „Za ostatni grosz” (z pamiętną interpretacją przeboju Budki Suflera).

Three years since the release of “III”, kIRk returns with “Ich dzikie serca” (“Their Wild Hearts”), a brand new concept album typified by a distinct storyline, narrative twists and turns, and a gripping finale. “Ich dzikie serca” (“Their Wild Hearts”) is a story of intrepid daredevils who have ventured out into the unknown. It treats of the attempt to tackle the uncharted territory, of fear and excitement that they experienced million light years away from home, of the metamorphosis that they underwent upon encountering the Other. This is a record of the thirst for knowledge, of transgression and recklessness, of – in a nutshell – humanity as we all know it first-hand.

“Ich dzikie serca” (“Their Wild Hearts”) constitutes yet another phase of the band’s creative exploration initiated last year on “Za ostatni grosz” [“For the Last Cent”], a seven-inch vinyl single featuring their memorable interpretation of Budka Suflera’s evergreen.

Ich dzikie serca

Rekonesans

kIRk - Rekonesans

Mastering by Centrala

Release date: May 2012

Released by: Moonshine Recordings 
Release/catalogue number: MS008 

6Blocc meets Bungalo Dub - Revolution

Mastered by Centrala 

Released by: Moonshine Recordings 
Release/catalogue number: MS003D 
Release date: Jan 16, 2012 

JingBong Ting feat Ziggi - Cry Murda (Roommate Remix)

Naphta:
@spacenaphta

Astigmatic Records:
@astigmaticrecords

After a well received debut album, ‘7th Expedition’ (Transatlantyk), numerous vinyl EP’s including Studio Barnhus, OMENA, Father And Son Records and Tapes, and several live acts, which have taken him to South Korea and Japan; Musician, DJ and Producer Naphta, a graduate of RBMA in 2011, returns with a new LP, “Naphta & The Shamans”. 
 
Naphta’s use of creative sampling is his foundation. Whilst recording his first LP, Naphta was gifted with samples sent by musicians from around the world. However, with the new  album the creative process changed. The artist stepped away from sampling and turned to instruments, an electric and bass guitar, percussion, keys and drum machines. Despite his departure from sampling, influences from African, Jazz and Electronic music can still be heard, but these are secondary to the prominent presence of Psychedelic Rock. ‘Sending tracks around the Globe is interesting and  leads to cool effects but this time I wanted to place emphasis on my interpersonal interactions with the musicians  I collaborated with.’ - Naphta says.
 
The result of this new approach is an exciting 10 track LP, where Purple Dubstep is mixed with Jazz, Psychedelic Rock is blended with UK Funky and Shamanic Dub is fused with Ambient. The LPs story is bound together by the first and last tracks, ‘Dim Daybreak’ and ‘Pale Dusk’ both featuring the vocals of Jaq Merner, lead vocalist of Kroki. ‘I’m escaping from making music with the use of vocals, specifically lyrics, which can change at any time. However, in this case, Jaq sang abstract phrases, which helped to create and emphasise a sense of escapism, the key theme of the album.’ - Naphta says.
 
A variety of genres are drawn upon to create the story of this album. ‘Explorer’s Judgement’ takes influence from Disco, Dubstep shapes  ‘Stalking Knights’, Indie Rock is channelled in ‘Frozen Paths’ and Dub is featured in ‘Firelink Strine’. Here, Naphta cherry picks the elements from each genre which best fit his vision. ‘Recreating  the past or paying homages isn't my main priority. Throughout my life, I have found that I've been accompanied by a variety of different music, and for this reason I strive to show diversity in my compositions.’ Naphta says.
 
‘Naphta & Shamans’ is a thrilling album with an exciting, yet unexpected style, shape-shifting in sound. You may hear Shamanic percussion or the rhythmic sounds of the drum machines, but nevertheless you can still hear it's the same artist who recorded ‘7th Expedition’. ‘In contrast to my debut album, I didn't create a narrative to accompany the music. I decided to allow the music  to tell the story through sound, and that's why the order of the tracks is so important. I want the listener to be able to follow a story, identify a main character and discover their fate. In some sense I have taken influence from the narration technique of Hidetaki Miyazaki, creator of the game series ‘Dark Souls’, which had a massive impact on me. The album is constructed with cyclic listening, everyone can discover something different and change the narrative  - Naphta says.
 
This album is the result of a collective effort. The ample list of contributors credited on the album reflect the many jam sessions held during its creation. Marcin Mrówka (Bluszcz) assisted with the development of compositions and production. Electric guitarist, Vojto Monteur and base guitarist  ,Paweł Stachowiak both from EABS can be heard on some of the tracks. Also, Bartosz Kruczyński (Ptaki, Earth Trax) makes a guest appearance, just to name a few. The cover by Zbiok Czajkowski reflects an ambitious narrative. ‘I wanted something that would connect with psychedelia and also give a nod to Kitsch. Something along the lines of Iron Maiden covers, ‘World of Warhammer 40K, fantasy’. A cover which could suggest the story of the album, but not necessarily.’

Naphta & The Shamans

Naphta - Explorer's Judgment

Buy Cykada "Cykada" album here:
✔️Bandcamp: http://bit.ly/2SG1CCt
✔️Sounds of the Universe: http://bit.ly/2SPzxZp
✔️asfaltshop.pl: http://bit.ly/2SMk5xn
✔️SideOne: http://bit.ly/2STTs9C

Follow Cykada:
https://facebook.com/Cykadasound/
https://www.instagram.com/cykada_sound/

Follow Astigmatic Records:
https://facebook.com/astigmaticrecords/
https://astigmaticrec.bandcamp.com
https://soundcloud.com/astigmaticrecords
https://www.instagram.com/astigmaticr...
https://twitter.com/astigmaticrec

In the last few years London has become the centre of the Jazz Renaissance. A new burst of energy and attitude brought by young musicians, equally inspired by the likes of John Coltrane, Pharaoh Sanders or Sun Ra, as well as Madvillain, J Dilla, Flying Lotus and Floating Points, has brought a welcomed freshness to the London Scene. This exciting new environment brought a group of young musicians together, all with a mutual desire to discover a new form of expression. Together they created Cykada.

Cykada is a band of established musicians on the London scene, having played in groups including, Myriad Forest, EZRA Collective, Maisha, Where Pathways Meet, Family Atlantica and Don Kipper. Bassist Jamie Benzies is the spine of the project, along with Tilé Gichigi-Lipere, also a fellow former member of the legendary band Myriad Forest and Drummer Tim Doyle aka Chiminyo, together were the first members of Cykada. Jamie mentioned in one interview:

"I became more keen on doing something which has a longer vision. Where you get together with people you know you can work with, people you love sharing a space with and you take your time, you make sure you’re enjoying your music and as that comes, everything else comes."

Trumpeter Axel Kaner-Lidstrom, Saxophonist James Mollison and secret weapon Guitarist Javi Pérez complete the ensemble. Tilé shows a unique and indispensable role within the band, aside from playing keys, he is programming, processing and modifying the sounds of the instruments, a massive factor in creating the distinctive vibe of the band. Cykada’s unique vibe is a testament to its members and the crucial role they each play in the creative process. 

Cykada is an energetic bomb of unique style. It engages distant poles, analog worlds crashing with electronics, eastern influences crossing with western, harmonising nostalgic moments with dancefloor bangers. It seems that Western Africa is just bordering with Eastern Europe, where Turkish music high fives Flamenco and all of this is wrapped up with the fundamentals of the London club scene. There are so many inspirations that it may seem impossible to unite them, however they make it happen, creating layers of devastation, beauty and intrigue.

40 minutes of music built as 5 compositions, were recorded in December 2017 in the Total Refreshment Centre. The self-titled debut album Cykada will be released on 22th of March 2018 by Astigmatic Records. The preorder of the album is available at the Sounds of The Universe and Bandcamp.

Cykada

Preorder Vinyl & CD

Cykada - Dimension Stepper

Anna Jantar - Dżinsowe Maniery (Karol Aleksander & Bisti Edit)

Pre-order

Pejzaż - Uważaj Jak Tańczysz (Holiday 80 Rework)

Cykada have forged a unique and infectious sound that merges raw grooves, electronics and influences from across the world to create music to dance to with the spontaneity of jazz. The collective’s highly anticipated debut album is set for release on the 22nd March via Astigmatic Records.
 
In the last few years, London has become the spiritual home of the ground breaking new jazz movement. A new burst of energy and attitude brought by young musicians, equally inspired by the likes of John Coltrane, Pharaoh Sanders or Sun Ra, as well as Madvillain, J Dilla, Flying Lotus and Floating Points, has brought a welcomed freshness to the London Scene. This exciting new environment brought a group of young musicians together, all with a mutual desire to discover a new form of expression. Together they created Cykada.
 
Cykada is a band of established musicians on the London scene, having played in groups including, Myriad Forest, EZRA Collective, Maisha, Where Pathways Meet, Family Atlantica and Don Kipper. Bassist Jamie Benzies is the spine of the project, along with Tilé Gichigi-Lipere, also a fellow former member of the legendary band Myriad Forest. Along with Drummer Tim Doyle aka Chiminyo, they were the first members of Cykada. “I became more keen on doing something which has a longer vision. Where you get together with people you know you can work with, people you love sharing a space with and you take your time, you make sure you’re enjoying your music and as that comes, everything else comes”, says Jamie. Trumpeter Axel Kaner-Lidstrom, Saxophonist James Mollison and secret weapon, Guitarist Javi Pérez complete the ensemble.
 
Tilé shows a unique and indispensable role within the band, aside from playing keys, he is programming, processing and modifying the sounds of the instruments, a massive factor in creating the distinctive vibe of the band. Cykada’s unique vibe is a testament to its members and the crucial role they each play in the creative process.
 
The collective’s debut album ‘Cykada’ is an energetic bomb of unique style. It engages distant poles, analogue worlds crashing with electronics, eastern influences crossing with western, harmonising nostalgic moments with dancefloor bangers. It seems that Western Africa is just bordering with Eastern Europe, where Turkish music high fives Flamenco and all of this is wrapped up with the fundamentals of the London club scene. There are so many inspirations that it may seem impossible to unite them, however they make it happen, creating layers of devastation, beauty and intrigue.
 
40 minutes of music built as 5 compositions, were recorded in December 2017 in the Total Refreshment Centre, London.
 
Cykada is Jamie Benzies (Bass), Tile Gigichi-Lipere (Keys/Programming), Timmy Doyle (Drums), Axel Kaner-Lidstrom (Trumpet), James Mollison (Saxophone) and Javi Perez (Guitar).

** DEBUT ALBUM RELEASED 22ND MARCH VIA ASTIGMATIC RECORDS

Order Record

Exclusive Premiere: Cykada "Creation" (Astigmatic Records)

Various Artists @ Few Quiet People - Scary Playgrounds 
20.12.2012
https://soundcloud.com/kirkkirk
www.fewquietpeople.com

kiRk feat. Pan Borman - Problemy

Mastering for The Same duo who remixed Chromatics track. 

Chromatics - Tick Of The Clock (The Same Remix)

www.heavyweight.pro

We're mixing & mastering studio service. We listen carefully to you and your music. Then we individually adapt the techniques and tools to each actual project. Our goal is to give you more from the sound and more of the sound. Sound on the highest technical level, always taking into account the specifics of different audio formats and translation of recording to commonly used listening systems.

Contact: info@heavyweight.pro

Follow us on Facebook: https://www.facebook.com/heavyweightpro