Uwe Dierksen, trombone

Héctor Moro, electronics

© 2006

shadows

Ernesto Molinari, contrabass clarinet

Uwe Dierksen, trombone

SWR Vokalensemble

Rupert Huber, conductor

© 2004

tocando mañana

Eva Reiter [electric viola da gamba] & Héctor Moro [percussion]

Recorded live at Schloss Solitude, Stuttgart 2014

© Eva Reiter & Héctor Moro - 2014

Impro

Débora Vilchez: voice, kaos pad, percussion
Héctor Moro: live electronics, recording & mixing

Recorded live at Schloss Solitude, Stuttgart, summer 2014

© Vilchez / Moro 2014


Vilchez • Moro: Tres

Johanna Borchert: prepared piano & devices
Héctor Moro: live electronics

Recorded live during rehearsals in Berlin, spring 2015

© Johanna Borchert / Héctor Moro 2015

Borchert • Moro: II.

Johanna Borchert: prepared piano & devices
Héctor Moro: live electronics

Recorded live during rehearsals in Berlin, spring 2015

© Johanna Borchert / Héctor Moro 2015



Borchert • Moro: I.

εὐλυσία
for eight bass clarinets

commissioned by Fie Schouten with fonds of the "Eduard van Beinum Stichting" for the "'Amsterdam Basklarinet Festijn 2016"

Armand Angster, Heinz-Peter Linshalm, Petra Stump, Fie Schouten, Laura Carmichael, Tobias Klein, Marij van Gorkom, Stephan Vermeersch - Bass Clarinnets

Live recording, Bimhuis Amsterdam, january 2016

Photo by John Prins - johnprinsfotografie.nl

εὐλυσία

L'Ouverture
für improvisierendes Klavier & Orchester (2016-17)

Johanna Borchert, Piano 
Jenaer Philharmonie
Bernd Ruf, Cond.

Improvisation, Johanna Borchert
Composition, Héctor Moro

Live recording, february 16th, 2017

Photo©Jenaer Philharmonie

L'Ouverture

"exsequiis" 
für bassklarinette, klavier, zwei sopranstimmen, violine, viola & violoncello (2016)

exsequiis

"fogwill" (2013) für saxophon quartett

Sonic.Art–Quartett: Ruth Velten, Alexander Doroshkevich, Adrian Tully, Annegret Schmiedl

Aufnahme der Uraufführung - Berlin, 2013

fogwill

'Gold' (2019) for concrete and processed sounds

After the painting 'Gold' (150cm x 220cm, acrylic & crayon on jute) by Marie-Laure Schmidt

© Marie-Laure Schmidt | Héctor Moro

'Gold'

('Nature') 2019
for concrete and processed sounds

After some paintings by Peter Holl

www.peterholl.de

Natur

Composer, percussionist and electronic musician Héctor Moro studied classical percussion and composition at the 'Universidad Católica' in Santiago de Chile.
Afterwards, he made post graduate studies with Mathias Spahlinger (composition) and Bernhard Wulff (percussion) at the 'Musikhochschule Freiburg' in Germany. 

Recipient of many grants and scholarships (DAAD, Akademie Schloss Solitude, Künstlerhof Schreyahn, Akiyoshidai International Art Village, Bellagio Center of the Rockefeller Foundation, Künstlerhaus Lukas in Ahrenshoop); he also has received commissions from the Ensemble Modern, the SWR Vokalensemble, the Neue Vocalsolisten, the Junge Deutsche Philharmonie, the Pro Helvetia Stiftung, the Eduard van Beinum Stichting and the Ibermúsicas Foundation, among many others.

His music has been performed at the most importants Festivals for Contemporary Music and Concert Halls like Eclát Stuttgart, Musica Viva Munich, Alte Oper Frankfurt, Hellerau Saal Dresden and the Konzerthaus Berlin.

Through his work with Eva Reiter, Johanna Borchert, Sascha Armbruster, Uwe Dierksen, the late Wolfgang Stryi ; as a member of the Trio Frissons and as founder and artistic director of the ensemble 'Laborintus', he has been doing an exhaustive research into the realms of Improvised and Electronic Music.

He has also taught Experimental Music ('Improvisation and New Music') at the 'Universität der Künste' (University of the Arts) in Berlin.

Héctor Moro

Popular tracks