sonic narrative of pieces, spoken word, sound objects, and space.

The title was derived from Vietnamese, and as one of the core roles I played in the show, it means the phenomenon has reached its entire development and has taken on a new form of status. 
I wanted to share this excerpt from a forty-minute work with you because this is the time text became almost inaudible and sunk in the resonance:
這裡有太多噪音
一次又一次的反覆說著
時間將抹平一切
只留下空間的共振
還有心裡的感覺
－
這是我在2021年十月的作品，一個聲音敘事曲。
標題是越南文，越南人是我在秀裡演的其中一個核心角色之一，代表的是一個狀態達到完整發展然後成為一個新的。
全曲40分鐘，我選其中的27秒的原因是因為這裡經由反覆錄播的台詞沈沒在空間的共振裡了，台詞是：
這裡有太多噪音
一次又一次的反覆說著
時間將抹平一切
只留下空間的共振
還有心裡的感覺

Performed in Taipei, Taiwan Oct. 16, 2021, 寶藏巖音廟

Yun-Chih: Chín Muồi (2021) [Excerpt]

Improvisation on guitar testing out the attack detection in a Max patch which will function as providing an accompanying part composed from banks of pre-recorded guitar phrases. The banks will be categorized by event type, such as, plucked, strummed, body hit, slide, etc. 
Already working in the attack detection part of the patch- but as the patch develops the capabilities of detection will widen to include attack, pitch, duration of “event”, and technique . This knowledge will effect a probability chart that determines which prerecorded samples should be triggered.


Improvised Duo for Solo Guitar (Work In Progress)

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Echoes of woodblock from Peking Opera

The piece uses the single sound material, which was a wood percussion instrument in Peking opera named ‘Bang Zi’. The composer managed to keep the cultural characteristic of the sound by manipulating the samples on various levels. With the development of textures changing from simple to complex, and the groove of the rhythmic patterns become more intensive as the development of the emotion, also, it accumulates the energy for the climax. The whole development of the piece is a metaphor of the life cycle. A man from innocent to mature, when life goes to the end, it actually turns into the beginning of a new life, it is the continuation of the past.

Echoes of woodblocks from Peking Opera

Violin: Yun-Chih Huang
Guitar and composition: Daniel Kéry

Recorded in Brno and Amsterdam, May 2020.

BaoBei

Step outside the world and feel yourself charging with the power of the supernatural! Feel the enlightenment and energy run through your veins.

Transcendance

Fly high above the clouds blissfully, far away from the earth. Feel the breeze of the blowing winds, as sometimes it can blow gently, and at other times it can blow with exhilarating power.

Yun-Chih: Chín Muồi (2021) [Excerpt]

Yun Chih

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