Name: Burn The Grand Ballroom To The Ground by Shade Structure in Glorious Rock -- Amazing Music
Duration: 2 min 6 s
Description: I have no idea what this song is about. Part of my discarded rock opera on young arsonists in love.

such a great Byrds meets Replacements sound!

i'll always love that late 80s early 90s indie rock sound, great man!

Glorious Rock -- Amazing Music

original song written and recorded by mary cigarettes

jimmy page

I didn't mean to be so overly demanding
I didn't mean to be so clinically mundane
The double beating in my heart has stopped responding
I think I mustered up a new kind of pain

CHORUS
Its a blast
Its another year of endless shame

Put the tick into the box and call out bingo
And join the singers in the pointless refrain
My name is on your lips in gobbledegook lingo
There's something niggling at the back of my brain

CHORUS

Another Year of Endless Shame

thats just what she'll do

W-Was that a gunshot?

(Intro)
Gotta cut it up, gotta cut it up—-yeah!
Just because, just because
Gotta cut it up, gotta cut it up—-yeah!
Just because, just because

(Chorus)
Play my beats loud, rock and move the crowd 
Just because, just because
make it real, keep it real, underground feel
Just because, just because


Just because, just because

Just because, just because

(Verse1)
Sometimes, cold as ice, twice is nice
Gotta cut it up, added some flavor to the slice—
Honed and crafted, chop and dice
Fire and heat,— free—-, no price
Gotta cut it up, added flavor to the slice
Price been paid, rampage and raid
Just because, just because
Since back in the day, yo I got it made
flat tops and fades
Now I’m rockin braids,
Basement, rooftop, outdoors more
Just because, just because

(Verse2)
So here I am again, memory
Like finding a long lost friend
A focused pattern, that never seems to really end
That loops and repeats, 
Over and over again
Over and over again,

Time passes, old and new trends,
It’s simply not an option, so how can I pretend?
Just enough rope, to run to the end
Before the same Pattern, pulls me back again
before the same pattern, pulls me back again
pulls me back again

(Chorus)

(Verse3)
If the world feels heavy, let the music lift, 
To ease every burden, let the rhythms shift
party through the night, no worries relief
hip-hop strength, brings a melody of peace

Just Because

Ray (https://soundcloud.com/user-364196783-552705040) and I went back to the well, and came back with this.

You Oughta See

J’AI RÊVÉ DE VOUS
VOUS M’AVEZ RÊVÉE
ET PUIS ON S’EST RÉVEILLÉS

WAS I IN YOUR DREAMS LAST NIGHT
YOU WERE IN MINE SO I FIGURED I MIGHT
COS WE ALL DREAM OF EACH OTHER
YES WE ALL DREAM OF ONE ANOTHER
ALL WILL BE FINE LAST NIGHT YOU WERE MINE

I’LL BE IN YOUR DREAMS TONIGHT
YES I’LL BE AROUND SOMEWHERE AFTER MIDNIGHT
COS WE ALL DREAM OF EACH OTHER
YES WE ALL DREAM OF ONE ANOTHER
AND OUT OF SIGHT AT NIGHT WE REUNITE

WE ALL DREAM OF EACH OTHER
YES WE ALL DREAM OF ONE ANOTHER
AND BY THE LIGHT OF THE MOON SHINING BRIGHT
TONIGHT YOU WILL BE MINE

WE WERE FRIENDS WE WERE FRIENDS

DREAMS (Lyrics) + Barbara Browning vocals

Magma Flow

A special Thank You to Brandy Nicole Hammock for letting us use her beautiful poem, 'Oh Savannah, I Long for You'. 
Instrumental, Production by Oussama Arichi
Vocals, Mix, Production by Nadia Selvaggi
Trumpet by Francisco Grillo
Lyrics by Brandy Nicole Hammock: https://medium.com/@telleroftalesinbooks/a-poem-about-savannah-georgia-f4cbc67898ab

O Savannah by Oussama Arichi & Nadia Selvaggi w/ Francisco Grillo

big bubbles...no troubles :-)
remembering ellis ...beggs and howard...really good times for me

Buoyant Density

Stephen TexMex Shaman–@texmex-shaman did a really nice remix on this song so I thought I'd share this version.
****
Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition
Llanpsych -- @llanpsych -- Tez – Epiphone Les Paul electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass, and Roland organ
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production

Hope That You’re Happy Remix (Eclectic Collective with Joe Stroffolino)

My mum always played the piano in her slippers, her mother did not want her to damaged the instrument.  She even took her slippers to the Guildhall School of Music and Drama exam, she thought everyone played the piano in slippers. So I recorded a favourite track of hers, in one take, which I was very happy with, though I did shed a tear as I put my slippers on.

The music for "Blueberry Hill" was composed by Vincent Rose with lyrics written by Larry Stock and Al Lewis. The song was turned down by another publisher until being bought and published in 1940 by Chappell & Company. The song was recorded over ten times that year.

Blueberry Hill (Vincent Rose, Larry Stock & Al Lewis)

Thanks to and inspiration from John Lennon's 1968 BBC interview at the National Theatre and the incredibly nostalgic poem 'I Remember, I Remember' by Thomas Hood.

If You Got Soul

If you got soul
You gotta roll

When I was a boy
It would be easy for me to try
To believe all the words that were written in the books
By the seers and the gods on high
Sky high
There's a lie in the lie
That they want you to buy
It's a lie that you can't ask why
But now I am older
Got that weight off my shoulder
Lift my finger up and point to sky

No soul destroyer's gonna
rock and roll her baby
No state infraction's gonna
Suppress the action now
Insanity attack
Distortion of the fact
Maniacal quack
Dehumanising
An automatic fact
The stick is in the back
Establishments react
Do they see their own writing
On the wall?
Do they see their own writhing
At all?

If you got soul
You gotta roll
And we the people
We gotta get to go

When I was that boy
It would be easier for me to fly
But now I am older
Got that weight off my shoulder
Lift my finger up and point to sky
Sky high
It was a child's sweet ignorance
But oh so little joy
To know I'm further off from heaven
Than when I was a boy

If you got soul
You gotta roll
And we the people
We gotta get to go

The 1969 plays; vocals, backing vocals, 12 string electric guitar, electric guitar, bass, piano, organ, mellotron, drum loop sequencing.

Produced and mixed by The 1969, mastered by The 1969, additional mastering by John Marc Bimonte @ Sharp Guy Productions.

Recorded October 2017

If You Got Soul

A music hall experiment in 3/4 time waltz, drums in the style of Manic Depression by the Jimi Hendrix Experience, another poke at social conventions and my distaste for conformity...

Portrait Of Absinthe Minded Polly

Harriet's sister lives life wantonly
Uninvited attentions are welcomed with glee
But all eyes are on Etta 
For she's tres jolie
Oh they just can't see

They just can't see
Why?

To forget Sir Walpole Ratchett
You sit on your mother's casket
Drowning droplets of green pleasure 
With Earl Grey tea

Wilhelmina declines ooh la la
Attending occasions 
With perfect sang froid
But they all laugh with Etta
For she's fancy free
So what about thee?

They just can't see...
Why?
 
To forget their expectations 
Of class and society
You decline to entertain 
Any notion of propriety

Portrait of absent mine dead Polly
Where did you go?

They just can't see.

The 1969 plays; vocal, vocal harmonies, bass guitar, electric guitar, 12 string electric guitar, piano, electric harpsichord & hammond organ plugins, drum loop sequencing.

Produced and mixed by The 1969, mastered by The 1969, additional mastering by John Marc Bimonte @ Sharp Guy Productions

Recorded September 2018

Portrait Of Absinthe Minded Polly

I have no idea what this song is about. Part of my discarded rock opera on young arsonists in love.

Burn The Grand Ballroom To The Ground

The cameraman
“The Camera Man” by Three Photons is an indie-blues rock track with strong 60s/70s experimental vibes and gritty, analog production. It blends crunchy rhythm guitars, ambient leads, and emotionally raw lyrics that explore themes of isolation, media distortion, and urban disillusionment.

I imagine a cameraman sees a lot of things he doesn't want to see or believe ;-)
Written by Tim Griffis July 2020
mix 1: July 21, 2020, lead vocal panned left (experimental 60s/70s) 

Technical Details
Recorded at Princeton Studio
Tim's Guitars
Rhythm: Gibson Les Paul Standard
Lead1: Gibson Les Paul Standard
Bass: Fender Squire

Mics: Neumann TLM 67
Drums: arranged by TG
Software: Pro Tools
Vocals: TG

Mixer: API 24 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor)
Final mix down to a MARA MCI JH110 1/4inch 2-track at 15 ips using ATR Master Tape. 


Lyrics

Verse 1
It's a camera eye
I look away
or I go blind
it ain't pretty
livin alone in this dirty city

Chorus 1
Just like Elvis
when he hit his prime, I shoot at the TV
I hate lookin in the camera eye
when you're staring at me

Verse 2
Hey girl
it ain't pretty
going on down on this empty life
you sure are witty
I can't stand one more lie....

Chorus 2
Just like Elvis
when he hit his prime, I shoot at the TV
I hate lookin at the camera eye
when you're staring at me

Outro
Just like Elvis
when he hit his prime, I shoot at the TV
I hate lookin at the camera eye
when you're staring at me
Just like Elvis
when he hit his prime, I shoot at the TV
I hate lookin at the camera eye
when you're staring at me

The cameraman

Have a listen to my album "Curiosities Of Outsider Art" (Sept 2025). Quirky and interesting tunes.
Thank you for listening!

I try to write with rich lyrical details and self-deprecating humor about the human condition. Plus, that unique Shade Structure sound!  It sounds best with headphones. Thanks for any comments, reposts or likes.

Discography: Available under Album tag on my Soundcloud main page. 
* Curiosities Of Outsider Art (Sept 2025)
*All this Useless Beauty (2025)
*Rockers (2024) 
*Arrhythmia & Blues (2024)
* The Curse Of A Good Looking Ghost (2024)
* Low Profile (2024)
* Smilers (EP 2023)
•Short Songs For Tall Minds"  (2022)
•Friends, They're Gonna Get Your Story Wrong (2021)
•A Suburban Dadaist With Some Store Bought Beats (2021)
•All Feel and No Technique (2020)
•This Is How I Spend My Nights (2019)
•California Songs (2018-2019)

All sounds contained within are home-made/DIY recordings. Most songs are short stories, as I am influenced by Musicians & Writers like Raymond Carver, Warren Zevon, Mountain Goats, Tom Waits, Mark Eitzel,  Randy Newman, Destroyer, Steely Dan, Captain Beefheart, Loudon Wainwright III, Leonard Cohen & The National. Most songs have the lyrics on the song page. Thank you for listening!

There is so much talent and variety here, and most of the people are pretty cool too. I love being part of this community. Listening to your music and being heard in return is enough.

Still reading? OK I'm gonna muse a bit. It's hard to fully convey how much this forum has meant to me. There are people I've never met that feel very much like old friends -- and in a very real way they are.
If I follow someone I make every effort to listen to and support their efforts. It's certainly not a transactional relationship but I do tend to limit my follows to people who engage in mutual listening and engagement.

Burn The Grand Ballroom To The Ground

Shade Structure

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