Through the Sky: 25 Amazing new songs from the SoundCloud community

Produced by Martin Reed.
https://youtu.be/udFgtgijCkA

Beware Of The Fake People - INC VIDEO

Flying Chocolate Take2

Imagine a video-drone flying by free, blossoming, restored Ukraine. Soon.
Представьте видео-дрон, летящий над свободной, цветущей, возрождаемой Украиной. Скоро.
Уявіть відео-дрон, що летить над вільною, квітучою Україною, що відроджується. Незабаром.

Lately loving play Atruria Oberheim rendition OB-Xa VST, lead sound in verses 2, 3. Backed by Buchla Easel embellishments and Pigments synthlines. Main ballsy bassline is by ANA2, subbass is MiniMoog. Played with Push 2 Ableton Live 11, mastered with UAD, IK, and FabFilters. The cover art made with PhotoLeap app on iPhone. For the future Analogue album. ☮

Musically yours! ~ S.P. ~
~ @samprock ~ @prockjet ~ @art-of-nonsense ~ @silent-zen ~

Analogue

megaprockram

Flyby

Cool Dope Artist Oanna(https://soundcloud.com/oceannessence)
Words,Vocals and art work- Oanna
Other works -Tot.
 Another ver here(But almost same) https://soundcloud.com/oceannessence/scarecrows-ft-tot
Thank you for Listening& Peace!

Emo Search-Oanna（Prod.Tot.）

The epic saga, ‘Land of ZED’ continues! About 1 year ago, Uziel, Stonerjazz and I started a collaborative prog rock style concept album around the concept of ‘Johnny and his Magical Squeezebox’. We’ve been having a lot of fun playing with different styles, breaking all the musical rules, and writing our own soundcloud inspired mythology. 

For the past 3 songs we’ve been working with a new collaborator, Francesca (a.k.a. Zed) who has added a cool new twist to our sound.
And on this track we’re pulling in a fifth artist who contributed an amazing set of lyrics: Jo Richter (a.k.a. Sonic Structures and Silent Stretches). Thanks for joining us!

Check out the whole story (so far) here: soundcloud.com/tea_are_sea/sets/land-of-the-zed
---
Vocals, drums for part 1, and keys by Jeff / Stonerjazz @user-911083679
Lyrics for part 2, vocals, and artwork by Uziel @user-455619833
Synth, drums, mix, and production for part 2 by Francesca/ Zed @zed4209819
Synths and production for part 1 and final overall mix by Terry / @tea_are_sea
Lyrics for part 1 by Jo Richter / Sonic Structures and Silent Stretches @sonic-textures 
---
Lyrics:

Pt. 1

the shining stone
deep in the mountains
the golden glow
brought forth by fountains
raising in moonlight
raising in moonlight
the golden note
created a player
weaving the node
to cross the mire
of red-shifting ire
of red-shifting ire
the jet black stone
deep in the mountains
wailing in woe
brought forth steep chasms
sucking up moonlight
sucking up moonlight
night‘s dim vibration
created a slayer
cloaked in delusion
trouble to sire
with red-flaring fire
with red-flaring fire
oh, flyers beware
the world is on fire
oh, walkers beware
of footing the mire
oh, jonny beware
never to tire
never to tire

Bickering bikers boyish bravado..emboldened they sly and Jellyfish Souls.
To Plant a finicky trickity fine bomb.
in the administrational heart of Zed.
in the mountain's monstrous mouthcave
Where Roy resides and cruelty is King.
For fear of ferocoius felines prowling the ring.
Imposed by the iron imposter this fine will ask
each creature looking more than three feet ahead
to forfeit three loaves of of freshly baked bread.
Those that cannot comply will lose the sight in one eye…

Pt. 2

Crystalizing at caverns edge
Mouth all shining as we make our descent
We outta be... weary and beware
Perhaps more troubles ahead?
Guided ourselves past the terrors
Into starlight shifting patterns
Of stalactites in space underground
We out to be wary and beware
Perhaps in this beautiful world
More troubles...
Ahead?

The Administrational Heart (Land of the ZED #9) w/ Uziel, Zed, Stonerjazz, and lyrics by Jo Richter

For the defenders of Ukraine.

Written, recorded and produced by K Gennery.
All instruments played by K Gennery except the wonderful main piano's and beautiful BV's by Alise Kirtley. 
Image not my own.

Thank you Alise for being so generous with your time and talent and coming to work in my very basic home studio, with ancient gear and an ancient bloke. You helped to make the record exactly what I had imagined. It truely needed a gifted pianists touch and not my rough and heavy mitt's.
Twas a delight spending time with you. 

Heres the actual open mic performance.
https://youtu.be/CLDW8ZK1J-g

And Alise performing a cheeky little number at the very same open mic.
https://youtu.be/7PvJ6utVoC8

A few links to my fave songs from Alise and her band, The Bearing.
https://youtu.be/ixaPvRT08Is
https://youtu.be/ZE168NXoXJU
https://youtu.be/p3sm6Buu1ec


The story:
I wrote this song on my acoustic guitar and started to record it that way, but just wasn't getting the vibe as I did when played live. I tried various ways to get it down with the guitar including an electric...nope, nothing happening.
So I  then thought maybe it wants to be a piano song but my wooden, plonkey key skills were not up to the task. About this time I was thinking possibly the song was not that good. Maybe I was feeling the emotion from the lyrics and not the melody. So I decided to play it at the next open mic, along with two other new songs and I asked the audience to pick which to record next. They all said this one.  On the way to sit back down Alise, who I knew was an amazing piano player, said, "Thats a beautiful song". So, I tried my luck and replied, "I'm just not getting it down with the guitar, what the song needs is a classically trained pianist, anyone spring to mind?" Alise smiled and said, "I would love to be involved". I was tickled pink.






Lyrics:
So many of us fall, cause we all heard the call,
to bleed blue and yellow.

For this is our own home, dust will cover our bones, forever,
we'll never concede.

If I can't be found, lightening marks the ground,
 if I can't be found, lightening marks the ground,
where I once stood.

Keep or children safe, teach them of our bravery.
Death in defiance, we'll never be compliant to invasion,
cause this is our nation.

If I can't be found, lightening marks the ground,
 if I can't be found, lightening marks the ground,
where I once stood.

Where I Once Stood

Fly In The Sky

From the EP "Short Songs For Tall Minds" Soundcloud 2022
Lyrics:
She demands satisfaction
It's a chemical reaction
We are strangers on the dance floor
But she'll never take you home
The lady she likes to live alone
Lady likes to live alone
The Lady likes to live alone

She lives herself in the light
Yeah, in the zietgeist
She doesn't need anyone
Hogging the remote
Or overestimating their charm
Like little boys
That never ever say their prayers
Leaving their mess around
Both literary and figuratively
The Lady likes to live alone 
 Lady likes to live alone
She don't want to pick up your phone
The Lady likes to live alone

(oh yeah) that Lady she lives alone
She don't need you hanging around her throne
She says: you're an okay lover (all right)
But she tired of talking about it
She tired of waking up in the middle of the night
When your crying in your sleep
The Lady likes to live alone...

The Lady Likes To Live Alone

Naked Sky

Celestial Intermediary

DO YOU REALLY KNOW 
HOW MUCH WE REALLY DO 
LOVE YOU?
 A BROTHER IN LAW CAN BE A BROTHER TOO YOU KNOW 
YOUR STICKING CATS FACES ALL OVER THE PLACES
 IS ONE REASON MORE TO LOVE YOU 
BUT
 LET’S GET SERIOUS BOY DELIRIOUS  YOU ARE LIKE
 DRESSED UP AS A LORD CHANGING THE OIL OF YOUR CAR 
OR SPEEDING DOWN A SLOPE THAT EVEN NOT THE POPE 
ON HIS HOLY SKIS  WOULD COPE WITH 
DO YOU REALLY KNOW HOW MUCH WE REALLY DO LOVE YOU?

WHAT’S THE MATTER WITH US WHAT’S THE MATTER WITH YOU 
WHY DO WE LOVE YOU SO MUCH?

DO WE REALLY KNOW HOW MUCH WE REALLY DO LOVE YOU? 
WANNA HAVE A BEER? KANSAS CITY HERE I COME 
ME NO ENGINEER  BUT WE STILL COULD CHEER AND STRUM 
I’D LIKE TO SHAKE THE PAW OF VIRGINIA WOOF 
AND VISIT YOU FOR A GOOF 
YOU DON’T REALLY KNOW HOW MUCH THEY REALLY DO LOVE YOU 
YOU DON’T REALLY KNOW HOW MUCH I REALLY DO LOVE YOU 
DO YOU REALLY KNOW HOW MUCH WE REALLY DO LOVE YOU 
DO YOU REALLY KNOW HOW MUCH WE REALLY DO LOVE YOU?

DO YOU REALLY KNOW? (Lyrics) song for David

Maniacs

Space Watcher 2023

123 Soleil

3rd and final track from last 2022 album *Ov Stocchastic Rality and Agile Vibration*

Full album

Agitated Neuron↯ - Peak Hour Ov Dicing Paradigms

Now there are two BARP2600 in the collection, finally. How does two 2600 sound together? Well I guess that needs almost an endless answer but here is one example in a bit of madness...or beautiful music as I call it. 
2 x BARP2600 + Piano.
Korg SQ-1 sequencer.
FX=reverb

Artwork by Randy Mora: https://www.randymora.com/

Squids Are Ok

Tonight Us

From the new album: Blink Twice - Other Locations [Expanded Edition]

https://moodexhibit.bandcamp.com/album/blink-twice-other-locations-expanded-edition

Other Locations was originally released in 1996 on the German record label Broken Seal. It was the first CD release from Blink Twice and the label's second release.
At the time there was a zine culture in electronic music, where artists would send their cassettes through the mail to different underground music zines for review across the globe. It was really the only way to get one's music heard.
After putting out numerous cassettes in the early to mid 1990s, Blink Twice had earned a reputation as a unique dark ambient artist in America.
www.discogs.com/artist/48238-Blink-Twice

The dark mysterious sound of Blink Twice resonated in European countries, with favorable reviews in the Slovakian zine Crewzine, the Belgian leading electronic magazine Side-Line, Phosphor, and Wounded magazine from Lithuania. Blink Twice was also featured in American industrial magazines Outburn and Industrial Nation, as well as sonic-boom
sonic-boom.com/review/blink.twice-1.html

The sound of Blink Twice earned comparisons to artists like early Delerium, Dead Can Dance, Nightmare Lodge, SPK, and some of the Cold Meat Industry roster from Sweden such as Raison d'etre, Morthound, and Deustch Nepal. Although generally classified under the genre of "dark ambient", Blink Twice utilized much more melody and percussion than most ambient. Many tracks display the melodic layering and tribal percussion that are showcased in some current Mood Exhibit material.

"Other Locations" is finally available here on the Mood Exhibit Bandcamp page, Robert Salchak's official distribution for all his music.
It includes a large selection of bonus material from the era (1993-1996) that was either never released or only available on cassette.

Hidden as the last track is an epic nearly 15 minute tribal ambient excursion that can only be described as Dead Can Dance era Spiritchaser" (1996) meets Delerium era "Spheres I"(1994)

It is an essential historic document for followers of Mood Exhibit, as well as any fan of dark ambient/neoclassical/tribal/cinematic sounds.

Blink Twice - Subsistence

Hi! Check out my Album "The Curse Of A Good Looking Ghost". Songs about drinking and death . A good time had by all! Thanks for listening.

I try to write with rich lyrical details and self-deprecating humor about the human condition. Plus, that unique Shade Structure sound!  It sounds best with headphones. Thanks for any comments, reposts or likes.

Discography: Available under Album tag on my Soundcloud main page. Free Downloads/ Always Free
* Low Profile (2024)
* Smilers (EP 2023)
•Short Songs For Tall Minds"  (2022)
•Friends, They're Gonna Get Your Story Wrong (2021)
•A Suburban Dadaist With Some Store Bought Beats (2021)
•All Feel and No Technique (2020)
•This Is How I Spend My Nights (2019)
•California Songs (2018-2019)
All sounds contained within are home-made/DIY recordings. Most songs are short stories, as I am influenced by Musicians & Writers like Raymond Carver, Warren Zevon, Mountain Goats, Tom Waits, Mark Eitzel,  Randy Newman, Destroyer, Steely Dan, Captain Beefheart, Loudon Wainwright III, Leonard Cohen & The National. Most songs have the lyrics on the song page. Thank you for listening!

No reposts or follows here
And I don't check messages here

You only get a like from this page if you are on a playlist

The Lady Likes To Live Alone

Shade Structure

Recent comments

Kurt Mottershead

Sam Prock

Kevin C. Browne

JM Antoni

Related tracks