sounds awesome Heidi!!!! Love it...and the picture too!

Great voice. You remind me the great Tori

Beautiful sounds! Have you thought about trying some additional chord changes? :-)

sounds great, wish I could see you perform live :-)

live video from Pete's Candy Store here: http://www.youtube.com/watch?v=7eSutxXrSik

krishna

Yo, thanks for listening.

https://jippy.bandcamp.com/album/beat-tape-38

38. Style Fantastic

"I Liked Science Fiction More When It Was Only Fiction" It's a track from the FFA album "A Straight Line is an Infinite Circle"
https://famousforgottenartists.bandcamp.com/album/a-straight-line-is-an-infinite-circle

Be careful what we wish for, it could become reality. And maybe we don't like it anymore.

I Liked Science Fiction More When It Was Only Fiction

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Untitled

Effortless

Effortless (Instrumental)

Soap Opera

Soap Opera (Instrumental)

Please consider visiting: 
https://gofund.me/3a56487a

Reem sent me these beautiful vocals. I added a little reverb in my home studio and I'm sharing in hopes that you will learn more about her family/help me spread the word. Gift if you can! 

Thank you, 
-Heidi

🍉 Reem Sings

Full album release Friday, February 27, 2015

Current members: Heidi Harris // Tea Leigh // Decrepit Jaw // Annie Levey // Jessica Nickel // Alex Busi // Marbar 

On Not Flamingos:
Heidi Harris - vocals and synth
Tea Leigh - supporting vocals
Jessie Shaffer - violin and supporting vocals
Decrepit Jaw - tape loops
Alex Busi - percussion
Native/Naive - organ
artwork: Eta http://etadormesuipescivolanti.blogspot.nl

Next scheduled show, January 14th at The Way Station 8pm. 
With live streaming for those who can't make it to Brooklyn. 
The Way Station: http://waystationbk.blogspot.com

CD RELEASE SHOW: Friday, February 27, 2015 $10 @ Pianos NYC http://www.pianosnyc.com/showroom/clara-engel-22715

RECORDED AND PRODUCED AT: TheSPACErecordingSTUDIO
https://www.facebook.com/pages/TheSPACErecordingSTUDIO/284369851679483

follow us on fb: https://www.facebook.com/heidiandthe9feathers




Not Flamingos

Heidi Harris - vocals, guitar and glockenspiel 
Tea Leigh - supporting vocals
Jessica Nickel - viola
Decrepit Jaw - tape loops
Alex Busi - percussion, organ
Marbar - bass
Native/Naive - supporting vocals
Annie Levey - banjo

Produced by John Alexander Busi and Heidi Harris

Recorded, Mixed and Mastered at TheSPACErecordingSTUDIO:
www.facebook.com/pages/TheSPACEre…/284369851679483

Artwork by Eta: http://etadormesuipescivolanti.blogspot.nl

Hildegard

Now that the world is definitively in the hands of genocidal murderers intent only on wiping out humanity, it's time to connect with people and fight this pandemic of hatred and intolerance. I don't know how we're going to do it yet, but it's necessary to wake up from the nightmare they want to plunge us into. We need much more than a survival kit; we need to regain our consciousness.

Ahora que definitivamente el mundo está en manos de asesinos genocidas que solo pretenden acabar con la humanidad, es hora de conectar con la gente y luchar contra esta pandemia de odio e intolerancia. Aún no se como lo vamos a hacer, pero es necesario despertar de la pesadilla en la que nos quieren sumergir. Necesitamos mucho más que un kit de supervivencia, necesitamos recuperar la conciencia.

Best moments are lived, not captured

A couple weeks ago, I posted a clip on TikTok messing around with a weird, out-of-pocket guitar tone. People ended up loving it (and some definitely didn’t). I turned it into a hi-fi egg punk track with a melody that randomly reminds people of various 2000s video games.

I Don't Really Mind

Family

Live performance of a new song "Cut the Line" at Pete's Candy Store in Brooklyn Oct. 6th, 2012 (song still a bit in progress)... "Cut the Line" will be on my upcoming album which will be in the works for another 5 or so months... more live shows and news about my new album coming soon.

Recorded by, Alec Fellman

Lyrics:
I cut the line
tossing and turning
you know when you know, when you know 
when you know.
I cut the line
tossing and turning, you know when you know, when you know, 
when you
no. you know.

I cut the line
whipping and whirling
you know when you know, when you know 
when you know.
I cut the line
whipping and whirling
you know when you know, when you know 
when you
no. you know.

I cut the line
curling and burning 
you know when you know, when you know 
when you know.
I cut the line
curling and burning 
you know when you know, when you know 
when you
know.

and you, you can't go... down the line, down that road...
cuz you'll remember half the time
and I'll remember half the time.
So you, you can't go, down the line, down that road
you'll remember half the time
and I'll remember, 
half the time.

Live video here: http://www.youtube.com/watch?v=7eSutxXrSik

Cut the Line (Live at Pete's Candy Store Oct.6th 2012)

Lcoma’s latest EP “Evolve” is, as the track list suggests, a pilgrimage: Birth – Lost – Experiment – Evolve. Lcoma (Liam Coleman) describes the EP as an “audible representation of a long winded and reoccurring battle with anxiety.” The first two tracks swell between harsh, distorted tones and ethereal synth that affect a restless and entangled state. This first half is destabilized and troubled – as was intended. On the latter two tracks, the prominent sounds offer a contrast; Lighter and more contented they ultimately allude to the growth signified by the title track, “Evolve.” On “Experiment,” a playful and Arabian influenced guitar stands at the forefront, and the surge of synth strings on the final track, “Evolve,” could easily be described as light-hearted and uplifting. Yet there is more to this release than the simple binary between tension and comfort. Inherent to humanity we find within any struggle or attempt at growth, a path that is far from linear. Beneath the lighter inflections of the final tracks, a bit reduced sweep will suddenly overwhelm the soundscape before, once again, fading beneath the more cheerful tones. The medium for presenting this EP is, unfortunately imperfect: the distinct and ordered tracks should be cyclical. This is by no means a critique on the artist; Coleman finds a way around this. The sudden interruptions on the latter tracks revive the sharp degraded resonance of the former for a reason: the past will always be alive, even with maturation.

Lcoma - Evolve

Joining me In this recording is Pamela Martinez of http://soundcloud.com/teletextile on supporting vocals and violin. 

Event link here: 
https://www.facebook.com/events/406674119401374/?ref=notif&notif_t=plan_admin_added

Musicians joining me on Jan.16th:
http://soundcloud.com/eve-blackwater
http://soundcloud.com/debzep
http://soundcloud.com/teletextile
http://soundcloud.com/laloopmusic

Unfair (live rehearsal) with Teletextile

Heidi Harris and guests live at PIANOS // 3 piano songs by Heidi Harris Jan.16 2013 debut performance for new song, "Crow Cry".

Featuring: http://soundcloud.com/eve-blackwater  on singing bowl, thunder maker, chimes and vocals 
http://soundcloud.com/teletextile on violin and vocals
http://soundcloud.com/debzep  on bass clarinet and vocals
and http://soundcloud.com/laloopmusic on clarinet and flute 


Event link with more details from the show via fb: https://www.facebook.com/events/406674119401374/?ref=notif&notif_t=plan_admin_added

Photos from the show: https://www.facebook.com/media/set/?set=a.10151295100879504.478982.251475934503&type=1

Audio compliments of "Movette Pictures" http://www.movettepictures.com/

Heidi Harris and guests live at PIANOS// 3 songs jan.16 2013 debut 4 "Crow Cry"

The sound of one dishwasher rumbling. 

Perhaps the most widely distributed domestic generative audio device.

<i>Associated image via Creative Commons from <a href="http://www.flickr.com/photos/pagedooley/2476450625/">flickr.com</a>.</i>

The Generative Rhythms of Domestic White Noise

New Weird America
Discography: https://heidiharris.bandcamp.com/music
Booking & info: sukisound@yahoo.com 

Heidi's creative practice is based on an exploration and intermingling of traditional and non-traditional sound sources. Repertoire of instruments include: piano, clarinet, harmonica, guitar, melodica, synthesizer, theremin, and various sound makers. 

Heidi contributed many of these sounds including songwriting as a former member of the chamber folk trio http://soundcloud.com/cutleri, later in http://soundcloud.com/knife-throwers-assistance,  an eclectic musical collective based in NYC and continues to collaborate in her band: https://soundcloud.com/heidiandthe9feathers But Heidi's first “instrument” was her own voice. From a young age she performed lead roles in operettas and musicals, and although stylistically she has moved on to more avant-garde territories, the quality and range of her voice still hinges on her theatrical roots.

Heidi attended the Institute of Audio Research in New York City, focusing on the process of recording and producing, and went on to record several self-released albums in her home studio, Suki Sound. Her work has been reviewed by labels and blogs all over the globe, applauding her as a unique and exceptionally prolific songwriter and recording artist.


contact email: sukisound@yahoo.com

Cut the Line (Live at Pete's Candy Store Oct.6th 2012)

Heidi Harris

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