heinali

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ГУЛ #11 W/ HEINALI 03/07/2023

Wednesday 31 January 2024
CTM 2024 – Sustain
radialsystem

Talk by Heinali

This talk will explore the perils and wonders of working with mediaeval music in our times, its transhistoricity and alterity – including 13th century compositions as time dilating black holes, possessed synthesisers exploring the boundaries of divine determinism, and catastrophic polyphony traversing the wartime reality. Heinali is a Ukrainian music composer and sound artist whose core practice reimagines Early music with a modular synthesiser, exploring intersections of the Providence and Contingency, the past and the present, technology and the sacred

CTM 2024: And I Feel Dread, and I Feel Love: Reimagining Early Music at the End of Times

Previously unreleased recording of 1972 premier performance at New York's The Kitchen. Released on Superior Viaduct, 2017. www.superiorviaduct.com

Ten Years Alive On The Infinite Plain

Tony Conrad - Ten Years Alive On The Infinite Plain (excerpt)

New guest mixtape, beautiful as prisoner's dream, recorded by Ukranian composer Oleg Shpudeiko aka Heinali. Shpudeiko is known for his shimmering absctract soundscapes as well as more conventional recordings, e.g. a videogame 'Bound' OST and minimalist piano pieces. This podcast comes in combo with a conversation held by Ivan Napreenko (NEN Records, Sal Solaris) and Shpudeiko on melancholy, NEN Records concept and mind-body problem in relation to modular synths (RUSSIAN only): http://telegra.ph/Intervyu-s-Olegom-SHpudejko-Heinali-05-15

1. Giacinto Scelsi - Aitsi for Piano (2010, Sumalist piano b Rosa)
2. Thomas Brinkmann - JFK (2016, Editions Mego)
3. James Tenney - Beast (2004, New World Records)
4. James Tenney - Maximusic (2004, New World Records)
5. James Tenney - Spectral Canon for Conlon Nancarrow (1984, Cold Blue)
6. Pauline Oliveros - Cows, Cows, Cows! (2013, Air Texture)
7. Pauline Oliveros - Suiren (1989, New Albion)

Shpudeiko comments on the mixtape: "A bit weird selection. One would think, if have an opportunity to record a playlist, you should take one composition per an artist. A playlist format suggests and even binds you over to do so. Why there are three tracks by James Tenney in such relatively short playlist? Alas, I do not know the answer. I tried to select the music that haunts me in these days. It doesn’t mean that I frequently listen to it or I’m permanently impressed by it. Rather these are the compositions and ideas that emerge from some obscure depths and claim attention and then disappear again for unpredictable period of time. One composition may serve as an illustration to the beginning of our conversation. It's the last track by Pauline Oliveros that represents the practice of deep listening as an alternative to dominating way of perceiving music. ".

Heinali releases on NEN Records:
https://nenrecs.bandcamp.com/album/a-night-is-a-flash
https://nenrecs.bandcamp.com/album/distress

Heinali - Ghost 17 - NEN Records Transmission 21-05-2017

VA Audile Snow "Phantomology"
MICRO SD RELEASED AUG 2017

https://audilesnow.bandcamp.com/merch/phantomology-on-microsd

01 High Fall - Silver Surfer
02 Poly Chain - Chaika
03 RNA2 - 167
04 Astma - Wakacje z duchami
05 Fischerle - Wax Wayne
06 Odd Isle - Solar Wind
07 AURIDE - I blame these weak fleshes that keep our souls inside
08 K. - Drainlands
09 Mchy i porosty + Duy Gebord - czerwiec 2013
10 Grupa Etyka Kurpina - Mystery Box

POLSKA REPRESENT <3

phantomology

Chaika

Shatter

Useless Music III

@mountkimbie remembered their electronic past in a new single, and non-trivial techno track made by @taraval was released on Four Tet's label @textrecords . In the new issue Oleg Selivanov did not forget about russian guy апсел, and @heinali(the representative of ambient from Kiev) received a piece of admiration.

≈0 w/ Олег Селиванов #12

http://heinali.bandcamp.com/album/sway-sway

Sway, Sway

http://heinali.bandcamp.com/track/little-by-little

Little by Little

http://www.fluid-radio.co.uk/2019/05/heinali-rainbow-folding-midori-hirano-remix/

Heinali - Rainbow Folding (Midori Hirano Remix)

(no it's not Russia, it's Rusia, short from Ruslana)
Also available on Bandcamp, free download: http://heinali.bandcamp.com/track/rusia

Rusia

tape music
materials:
hysterical dog - evening
Tchaikovsky - Symphony №6

Из чистого стекла (From the clean glass)

Photo by Sasha Naselenko: http://flickriver.com/photos/naselenko

Her Favorite Place

London-based Injazero imprint seems to be backing some top-quality music from their ever-growing roster of global talent these days [cough!], with the Ukrainian composer Oleg Shpudeiko returning with this third solo album to the label as Heinali. After a handful of self-released records, a few on a boutique Paradigms, just as many on Fluttery Records, and a couple of collaborations, Shpudeiko finds himself back in the studio, studying medieval polyphony expressed through the programmed synthesis of his modular gear. Historical acoustic instruments, such as the theorbo lute and the alto viola, also appear on this echo of renaissance music. But the baroque focus on mathematical progression through harmony and counterpoint is best heard on this complex, lengthy, final track of the album, titled “Vita Nova.” The composition features generative synthesis, which is, albeit driven by some chance and random voltage, is still very much controlled, with the parameters being set by its programmer to grow, evolve, and to surprise the listener as much as the composer. In this pre-defined system of the four Madrigals [a madrigal is a secular music composition using human voices for its polyphony], Shpudeiko pushes the ever-changing parameters of the synth voices to shift in timbre, tempo, and depth of frequency range.

Madrigals

Vita Nova

TRACK PREMIERE : Heinali - Vita Nova

human margareeta — dj, culturologist and co-founder of the Kyiv-based formation @grvgrv

The new podcast of our series is a recording made during the EXPERIMENTALITET party. In this mix @human-margareeta turns to the resonating elements of experimental electronica, metallic industrial and various club vibes, creating a tense mix that gives way to catharsis.

"The mix combines the sound of different eras of experimental music — from the work of composer Else Marie Pade from 60's and compositions by Iannis Xenakis for multiple percussion solo to the new releases of 2020 from Lyra Pramuk and Ukrainian composer Heinali. I paid a lot of attention to industrial, dark ambient and drone: projects by Genesis P-Orridge, Nurse With Wound, collaborations of Zos Kia & Coil as well as Boris & Sunn O))). Dance tracks of different genres run a red thread through the whole mix, dramatically changing the state, which eventually returns to a calm sound."

Tracklist: 

1) Plaid — Coat
2) While — Else 
3) Nurse With Wound — Tune Time Machine
4) Villa Abo — From Askew to Eternity 
5) Carl Stone — Cue 
6) Throbbing Gristle — Rabbit Snare mixed w/ Psychic TV — Part III Cowbell, Bicycle Wheel, And Vibes
7) Happa — Ls14 Battler mixed w/ Ragnar Johnson — Wamba, Bosmun
8) Nitin Sawhney — The Conference
9) Boris & Sunn O))) — Akuma No Kuma
10) Lyra Pramuk — Tendril
11) Zos Kia & Coil — Stealing The Words 
12) Magic Mountain High — Untitled B2
13) Moondog — Trees Against The Sky
14) Jlin — 1%
15) Else Marie Pade — Illustrationer:  Himmelrummet
16) Kjell Tore Innervik — Iannis Xenakis: Psappha — 2nd persona 
17) Heinali — Beatrice

Katacult Podcast 088 — human margareeta

Oleh Shpudeiko is a music composer and sound artist who records as Heinali. He specialises in electronic music and is interested in reimagining early music in modular synthesis. Oleh writes music for games, films, choreography performances, creates sound art installations and performs live shows.

Amongst his works is award-winning music for the video game BOUND by Plastic/Sony Santa Monica, the 2020 album MADRIGALS shortlisted for the Shevchenko National Prize, and compositions and sound art installations commissioned by The Museum of Modern Art (MoMA), The National Art Museum of Ukraine (NAMU) and Museum of Odesa Modern Art (MSIO).

He has a long history of live performances, including appearances at venues and festivals such as NEXT in Bratislava, Unsound in Krakow; Berlin’s Berliner Dom, in collaboration with the Alter Ratio vocal ensemble; Kyiv’s Plivka and Mystetskyi Arsenal and Ukraine’s Next Sound festival.

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