Name: ANOTHER TIME by Babún in Debra Buesking
Duration: 5 min 26 s
Description: About waiting for the right time, when time is passing by...

Am enjoying your music so much this Saturday morning in lutruwita (Tasmania) Heinrich.

beautiful guitar and vocal..Time is a puzzle that we don't ever seem to understand and with which we deal poorly..like those lyrics and thoughts

THIS SOUNDS LIKE THE ENDING TO A EPIC MOVIE, WHEN THE HERO HAS TO LEAVE THE TOWN, AND EVERYONE ASK HIM OR HER TO STAY. BUT THEY CONTINUE THEIR JOURNEY, AND NEVER TAKE A RIDE, THE LITTLE BOY WATCHES UNTIL THEIR SO FAR AWAY THE MOVIE ENDS.. BEAUTIFUL

Time keeps slipping through our fingers even as we wait for it to feel right.. This song captures that bittersweet ache with such clarity. The guitar walks gently beside the lyrics, like two friends who’ve accepted that not all answers come quickly. It’s reflective, patient, and quietly powerful.⏳🪕🕊️☕ The coffee machine blinked twice and whispered, “You don’t rush songs like this. You respect them” 💨 The kettle hissed through her lid, “It’s the kind of track that makes you sit still and feel, whether you meant to or not” 🌀 The blender shook his base and said, “This one’s like mashed potato for the soul, smooth, heavy, and kinda yummy”.

A timeless masterpiece.  - Enjoying listening to your tracks, but especially this one!

Debra Buesking

Gaming music Final Fantasy X-2
Song: Kuon Hikari To Nami No Kioku / Memories of Waves and Light
Composed and arranged by Takahito Eguchi and Noriko Matsueda.
In a version from Oddrun Eikli and Debra Buesking
Poem: by Emily Brontë (30 July 1818 – 19 December 1848)
Vocal:  @oddrun-eikli
Piano: Debra Buesking


Love and Friendship
BY EMILY BRONTË
Love is like the wild rose-briar,
Friendship like the holly-tree—
The holly is dark when the rose-briar blooms
But which will bloom most constantly?

The wild rose-briar is sweet in spring,
Its summer blossoms scent the air;
Yet wait till winter comes again
And who will call the wild-briar fair?

Then scorn the silly rose-wreath now
And deck thee with the holly’s sheen,
That when December blights thy brow
He still may leave thy garland green.

Love and Friendship. Oddrun Eikli and Debra Buesking

About waiting for the right time, when time is passing by...

ANOTHER TIME

Giovani Amori.WAV

Mother Earth feels, perceives and suffers. Let us take care of her.
Composition and production Javier Piñeira, June 2023. All rights reserved. Copyright

Mother Earth

I'm fed up 
of those who sell morning and night
of despair 

I don't take it well
When they try to make me believe 
that red is black

it hurts me bad
to see that we forget to do what s good 
when everything goes wrong

I'm fed up 
of those who always strike
where it hurts me

and I'm enraged
when the vultures of the weakest
feast

I feel bad 
when they want to erect to the most vulgar 
a pedestal

I still want 
to believe in another life 
in other joys  
I dream that we can still build 
a new world, 
that we can finally change history

L'histoire (translated)

This tune was added to my original album "Ambient Ground".

<< Free Download from Mediaire >>
http://www.mediafire.com/file/kda9wjd9ae4c4jy/Ambient+Ground.zip

<< Free Download from Bandcamp >>
https://negativeheadphone.bandcamp.com/album/ambient-ground


[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

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https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Ambient Ground

Free Album!

Rainbow branches

Underneath the sorry skies
There are still things to find
That will make you smile
That will make you smile

In the snakepit of my mind
Just tryin' to survive
There's always a way out
There's always a way out

Is this the deepest I can dive, the highest I can fly?
We’re all bleeding but for what it’s worth
We’re tryin’, we’re still trying

There’s still hope in this world
Decent people as good as good their word
As good as their word, as good as their word

Is this the deepest I can dive, the highest I can fly?
We’re all bleeding but for what it’s worth
We’re tryin’, we’re still trying
Underneath the sorry skies
There’s still things to find
Is this the highest I can fly?
Is this the deepest I can dive?

Underneath the Sorry Skies

Rien de Bien

„Towards the Dawn" from the album Tides of Melancholy is an emotional journey between darkness and light. The track captures the essence of sorrow and hope, unfolding in delicate yet powerful melodies. With a tender piano performance accompanied by a soft violin, the song takes the listener into a world of reflection and inner transformation.

In an atmosphere that is both contemplative and uplifting, the track symbolizes the transition from difficult moments to new possibilities. Melancholy blends with a hint of hope, as if the darkness is being pierced by the first rays of morning.

Perfect for fans of cinematic, ambient, and instrumental music, looking for a sound that is both profound and uplifting.

„Towards the Dawn“ aus dem Album Tides of Melancholy ist eine emotionale Reise zwischen Dunkelheit und Licht. Der Song fängt die Essenz von Trauer und Hoffnung ein und entfaltet sich in sanften, aber kraftvollen Melodien. Mit einem zarten Klavierspiel, das von einer weichen Violine begleitet wird, entführt der Track den Hörer in eine Welt der Reflexion und des inneren Wandels.

In einer Atmosphäre, die gleichermaßen nachdenklich und erhebend ist, symbolisiert der Song den Übergang von schwierigen Momenten hin zu neuen Möglichkeiten. Die Melancholie vermischt sich mit einem Hauch von Hoffnung, als würde die Dunkelheit von den ersten Strahlen des Morgens durchbrochen.

🎶 Album: Tides of Melancholy
🔗 Folge mir für mehr Musik.

Note: This track was entirely composed, performed, arranged, and produced by myself – without the use of artificial intelligence.
Creating authentic music with real emotion and personality is important to me. Thank you for listening and for your support.

Hinweis: Dieser Track wurde vollständig von mir komponiert, aufgeführt, arrangiert und produziert – ohne den Einsatz künstlicher Intelligenz.
Echte Musik mit authentischen Emotionen und Persönlichkeit zu erschaffen, ist mir wichtig. Vielen Dank, dass du zugehört hast und für deine Unterstützung.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Tide Of Melancholy

Towards the Dawn

"I Just Can't Live Without You" (Instrumental)

First of all, I would like to wish a happy springtime to all of my fantastic friends here on SoundCloud!  

Without further ado, here is the full instrumental version of a short demo song I made on September 5, 2024. Originally this tune came to me when thinking about the chords and progressions in my earlier song "Peace".

This song was made, played and recorded by me as MIDI and with e.g. the following instruments and sounds: Yamaha Montage 8 (TX816 Electric Piano), Spectrasonics Keyscape (Roland MKS-20 EP sound), Arturia Jup-8 V (Horns), Arturia Synthx V, UVI Ultramini & Arturia Mini-V (Minimoog bass sound), Arturia JUN-6V (the "55 Pop Corn" sound, cf. Juno-6 Synthesizer), Native Instruments Session Guitarist - Electric Mint; and other sounds from the UVI SonicPass VST library including UVI PX Memories (cf. Memorymoog mod), UV-XXX (from the UVI "OB Legacy", horns & the brass sound), UVX-10P (cf. Roland JX-10, the flute sound) and Marcato Strings (from UVI Emulation II). The drums come from Native Instruments Abbey Roads 1980s Drummer, layered with the fantastic Simmons SDS 5 style kick & snare drums from UVI Beatbox Anthology 2.  

Recorded, edited and mixed in Cubase Pro 14, with some significant help from iZotope Neutron. Mastered in Cubase Pro with Ozone 11.


I'm certainly not a lyricist but I got some help with the lyrics! And the idea was that the lyrics would go something like this:


VERSE 

My life is good 
having you by my side
We face the future together
The years roll by
... 
It wouldn’t be the same without you
... 


CHORUS 

I just thought that you should know
I never wanna let you go...
... love you so
I just thought that you should know 
I never wanna let you go
... I just can’t live without you


I Just Can't Live Without You

ANARS ! où que tu ailles

I couldn't resist revisiting my tilt at this 1980's classic from The Korgis, now with Rick!

@rick-4-1: Teaching The Drums
@phil-mcwalter: Learning The Other Stuff

Everybody's Gotta Learn Sometime - The Korgis

Change your heart
Look around you
Change your heart
It will astound you
I need your lovin'
Like the sunshine

And everybody's gotta learn sometime
Everybody's gotta learn sometime
Everybody's gotta learn sometime

Yea ea eah

Songwriting credit: James Edward Warren / The Korgis

Everybody's Gotta Learn Sometime

Everybody's Gotta Learn Sometime II

This track is the lead track from my 8th Ep CHEMICAL. 123 BPM. 3m40s. The genres are Big beat / Electronic rock / Breakbeat. The most relevant genre is Big beat. The moods are Energetic / Intense / Aggressive. The style is Beat music. Everything by myself. Heavily influenced by 90s UK Dance music. The similar artists are The Chemical Brothers and The Prodigy. The intense and aggressive chorus part is a highlight (The impressive sound effects in the chorus part are made from my voice). The beat and Lo-fi Hip hop piano are also unique features of this track. This is energetic and aggressive, so this is for rock audiences, suitable for outdoor and loud. CHEMICAL Link in Bio!

DEAD SYMPHONY

Salut voilà la version trio enregistrée en live lors de la session du 08 mai 2025 à La Barraque Mirepoix (09) du morceau : "Rejet Pyramidal " extrait du set de Mathieu Torres Trio : https://youtu.be/y6GRZZ0K-xs

Rejet Pyramidal - Trio version - Video in description

Well hello. Here’s some rustic Mountain Blues, played on extremely oxidized guitar strings, with me hollering from the mountain top. Hahahaha. The song hints at a personal authenticity, and the experience of possibly unraveling any prior conditioning (Pavlovian or otherwise) that may constrict our lives in some way. It’s also about the different personas we portray to the outside world. How we may act at work, or on a first date, or with our spouse, or kids, friends, enemies, those who hurt us, even our stage personas comes into play…. So this song is asking a lot of us. In other news, right now in June, the mountains are snow covered and it froze last night. That is late spring, early summer here. Gardenwise, this year, I am planting a lot more Brassicas: Kale, Cabbage and Broccoli, and they are growing well. I am going to try to fence off the carrot/beet beds, as the voles always eat more carrots and beets than I ever do. Onions, leeks and garlic have been growing since March. I transplanted 50 lettuce plants I grew from seed that I saved from last year’s lettuce. The berry bushes and fruit trees have really blossomed this year. There are squash, cukes, tomato and pepper plants inside by the window, to be transplanted outside next week, quite a mess… all of which keeps me busy…. Hahaha. Thanks for dropping by, hope you’re well, Mark

'Round Here'

I'm a musician, semi-retired organist, pianist. I use to teach kids and adults on the following instruments: Piano, Keyboard, Electronic Organ.

Heinrich Dahms, alias Babún @babunmusic (www.babunmusic.com), is a filmmaker, guitarist & song-writer from South Africa based in the Netherlands. Co-owner of film production company BUZZMEDIA NETWORK (www.buzzmedia.net).

ANOTHER TIME

Babún

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MISTER CHRISTIAN

spanishlilies

😏 Krazy Krissie 🧦

Sky Latte

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