Name: Klemheist excerpt by Helena Gough
Duration: 4 min 40 s
Description: Excerpt from track 2 of 'Knot Invariants', released by Entr'acte April 2012.

Really really beautiful sounds, love this! Thanks!

I love the use of compatible drone tones and abrupt textures. nice work...

Shawn Pinchbeck introduced me to your stuff, it's brilliant!

CENAP

Curtain Seller

Elisha Morningstar/Lorenzo Abattoir, Titled

Photosynthesis bubbles

This is an Extract from the Premiere of my new solo performance "Interdimensional Generated Space", premiered in October 2022 at Panke Culture in Belin, as a part of the series (Von Antennenwäldern und Wellenozeanen) . 

A research-intensive piece focusing on the transcendental phenomenon of the Northern Lights. 
The planned performance uses the implement of self-made recordings from the Northern Lights, in combination with self-made crystal radio, plus light, detectors, and motors, to simulate a technological audio-visual version of Northern Lights in the performance space. “Interdimensional” specifically refers to the movement of energy between modes of perception. One part of this energy come from the composed mixture of “natural cosmic voices”; and another part is coming from the electromagnetic forces generated and captured in real time during the performance. The piece make full use of the contrasts of the invisible processes, to create a new experience of space, time, and human scale. 
This is an attempt to achieve a unique sonic dialogue 
between “Natural” and “Technological” world, a reflection on Nature that is imitated by technology in an anthropogenic age.

This project was kindly supported by Musikfonds & Neu Start Kulture
Photo credit : Alex Conu
Live recordings by : Roy Carroll

Interdimensional Generated Space_ Extract Live Premiere@Panke Culture, Berlin 2022

Abby Lee Tee/Philip Sulidae, Troca Iônica

Preview of the second EP by https://soundcloud.com/les-antonymes
To support us, please buy the release -> https://antonindebemels.bandcamp.com/album/doctobre

With Hughes Devos (bugle), Christophe Seval (synth), Philippe Van Bellinghen (cello), Olivier Taskin (drums), Antonin De Bemels (groovebox) and poems by Shantala Pèpe and Jean-Philippe Convert

Artwork by Stéphane Jossart

D'octobre

Les Antonymes - D'octobre EP (preview)

Excerpt from track 1 of 'Knot Invariants', released by Entr'acte April 2012.

Chain Sinnet excerpt

Excerpt from track 2 of 'Knot Invariants', released by Entr'acte April 2012.

Klemheist excerpt

This year London has experienced several weekends of the hottest summer and that moved the Australian sound artist Kate Carr, whose practice is centred on articulating the relationship between people and place through sound, to point her microphone at the city. This volume is based on her recordings during a particularly hot long weekend in a corner of very busy intersection in London, where she resides now. In Heatwave, Carr is interested in both the serious and also the more prosaic aspects of soundscapes related to climate change. She investigated the throbbing summer music from her neighborhood, people’s efforts to keep cool, and the uneasiness which accompanies these everyday activities in this moment of environmental crisis. The way these pieces construct and compensate, with all the tangible sounds that fold into larger moods via multiple instruments, exemplifies her acumen in creating sonic stories that reflect our multi-layered experience of reality.

Humidity - from Heatwave out now via Hasana Editions

Part of the piece - 2 Kinetic studies, made during the residency at the Spatial Sound Institute in Budapest in 2016: https://soundcloud.com/svetlanamaras/sets/2-kinetic-studies

Study no.1 is guided by the principle of symmetry. The central spot of the composition is in the middle of the room - half the way on both horizontal X- and Z-axis. Each object always moves through both halves of at least one of the X- or Z-planes. The element which is being doubled, is followed by the same-pace movement of the element on the opposite side of the axis, but the movement is being reversed: element no.6 positioned on Z-4 goes from X-5 to X+5 while at the same time in the same speed element no.7 at Z+4 goes from X+5 to X-5. 
There are three elements which are the musical nucleus of the composition (1, 2, 3). These sounds are airy (noisy) but they have a recognisable pitch and form a minor triad. All other elements are tuned to these three elements which define the tonal center of the piece. This kind of interpretation of the harmonic aspect of the composition, parallels the interpretation of ‘symmetrical’ in spatial domain. 

This is a stereo mixdown of the piece.

VIDEO: https://vimeo.com/210260544

Study No.1

Helena Gough is an English 
composer based in Madeira. 

FIRST TWO SOLO ALBUMS 
NOW AVAILABLE AS 
DIGITAL DOWNLOADS @ 

http://www.entracte.co.uk

http://www.boomkat.com





Klemheist excerpt

Helena Gough

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