💫stunning💫 🎼vocals🎙 🙏🏼🧝🏼‍♀️👽

Syven plays atmospheric, dark, and heavy ambient. The traditional Finnish string instrument - the kantele - is joined by atmospheric synth layering, ritualistic percussion and heavy distortion where appropriate to convey shamanistic and primordial themes. Originally released on Prophecy Productions' exclusive compilation "Whom the Moon a Nightsong Sings".

Syven - How Fare The Gods?

https://www.facebook.com/volvakrummi
Música/music: Naliam Cantero Estela Espinosa
License: All rights reserved VÖLVA KRUMMI

Blood Red Moon

Krummi krummi show yourself
In deathland I'll be your guest
Völva krummi blood red moon
Cast a spell and turn it blue

As I hear the winter's snow
falling in the backyard
There's a singing of the crows
Fighting for an empty hole

Can you feel the north wind flow?
Flying between mountains
Black wings spread and lightness blows
Darkening your weakened soul

Krummi krummi show yourself
In deathland I'll be your guest
Völva krummi blood red moon
Cast a spell and turn it blue



Völva Krummi - Blood Red Moon

Kun mun kultani tulisi,
armahani asteleisi,
tuntisin ma tuon tulosta,
arvoaisin astunnasta,
arvoaisin astunnasta,
jos ois vielä virstan päässä
jos ois vielä virstan päässä
tahikka kahen takana.

Utuna ulos menisin,
savuna pihalle saisin,
savuna pihalle saisin,
kipunoina kiiättäisin,
kipunoina kiiättäisin,
liekkinä lehauttaisin;
vierren vierehen menisin,
supostellen suun etehen.

Aaaaaaaaaa aaaaaaaaaa

Tok' mie kättä käppäjäisin,
vaikk' ois käärme kämmenellä;
tok' mie suuta suikkajaisin,
vaikk' ois surma suun edessä;
tok' mie kaulahln kapuisin,
vaikk' ois kalma kaulaluilla;
tok' mie vierehen viruisin,
vaikk' ois vierus verta täynnä.

Vaanp' ei ole kullallani,
ei ole suu suen veressä,
käet käärmehen talissa,
kaula kalman tarttumissa;
suu on rasvasta sulasta,
huulet kuin hunajameestä,
huulet kuin hunajameestä,
käet kultaiset, koriat,
käet kultaiset, koriat,
kaula kuin kanervan varsi.

Kun Mun Kultani Tulisi (at night version)

Percival - Jarilo

Heilung - Krigsgaldr (without English Part)

Frigga's Web

Hagalaz' Runedance - Frigga's Web

Runaljod - Ragnarok

Urur

The song is about the lost spirit of a viking woman and a Volva trying to guide her back to the other side.

Attergangar (Revenant)

Sjå mot den andre ende (Look towards the other end)
Sjå dit deg Enden sende (Look towards the place to where The End sent you)
Djupt i den jord der dei haugla deg (Deep in the soil where they put you in your mound)
Sjå mot det ljos der dei ynskjer deg (Look towards the light where you are wanted)
Kvil i haug (Rest in mound)
Gløym dine kvite bein og....... (Forget your white bones and....)
Gløym det som var din heim (Forget the place that was your home)
Ei skal du vandra i eigen fordum (You shall not wander in you own past)
Søk dit ditt eige blod er nær (Seek to where your own blood is close)
Kvil i haug (Rest in mound

 Last verse is put together from the first two lines in the second verse and the two last lines of the first.

Attergangar

Fables is distant echoes of ancient myths and rituals. Fables is music, that traveler hears in the songs of forest birds, in the howl of the northern wind, in the creaking of branches, in the silence of a starry night and in the sound of his own heart. Fables is dreams and visions that we will forget after awakening, but will remember at the last moment…

North

Herja

Ulfhednar

Valravn-Lysabild

I grew up with music from a very young age, inspired by the variety of genres I got introduced to over the years. As little as I was, I played and ploinked away on my father’s organ and later keyboard. As I was raised Roman Catholic it was pretty clear I’d join choir and did so from the age of 7 until I was about 16.

I’ve always been singing, for as long as I can remember, from playbacking on annual schoolfairs, to writing sad songs as a teenager haunted by anxiety that would never entirely give itself. I got interested in lifestyles, traditions and paths of faith that made me leave the church as I found it did not align with how I felt or what I believed in.

Inspired by my many heroes, I too wanted to go on stage and just sing and take people on journeys. Journeys have always been an incredible important part of what I do, especially coming from a place that didn’t allow for many travels abroad. Becoming a singer, aside from becoming a mermaid when I was younger, has always been my number 1 dream.

Nature has been of tremendous importance to my work, the same goes with mythology, the occult and working with the web that connects everything. My music is that which I wish to tell the world. All the stories and all the dreams.


I started playing the harp in 2015. Before that I took up the Irish low and tin whistles, bodhrán and hurdy-gurdy. I’m considered autodidact, but have been taken fiolin lessons since the start of 2022 to get a broader understanding of technique and reading sheet music. My specialty though, lies in singing and improvisation. The latter being something I used to be very insecure about, but which I’ve come to realize is a really good strength.

I moved to Norway in 2017 after years of wishing and dreaming and pondering. I’ve had the honor to play and sing in many wonderful places and continue to do so until this day.

Kun Mun Kultani Tulisi (at night version)

Helisir

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