Maybe My Love Was Just Right 
Matthew Heller 
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All songs written by Matthew Heller 
Produced by Katie Buchanan 
Mixed by Katie Buchanan 
Mastered by Sarah Register 
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1. Acerbio Discordia 
Recorded by David Pollock with assistance by John Davenport at Big River Studios 
Drums: David Pollock 
Guitar, keys, synth, programing: Katie Buchanan 
Additional recording: Katie Buchanan 
Piano: Matthew Heller 
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2. Scorer Be Scored 
Recorded by Sam Densmore at The Jeremy Wilson Foundation 
Drums: Susan Lucia 
Bass, lead-guitar & effects: Cory West 
Guitar, keys, synth, programing: Katie Buchanan 
Additional recording: Katie Buchanan 
Piano, guitar & vocals: Matthew Heller 
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3. Dime a Dozen 
Recorded by Mike Coykendall at The Blue Room Studios 
Drums: Mike Coykendall 
Bass: Mike Coykendall 
Guitar, keys, synth, programing: Katie Buchanan 
Additional recording: Katie Buchanan 
Guitar, piano, vocals: Matthew Heller 
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4. I Am An I.E.D. 
Recorded by Mike Coykendall at The Blue Room Studios 
Drums: Mike Coykendall 
Bass: Mike Coykendall 
Guitar, keys, synth, programing: Katie Buchanan 
Additional recording: Katie Buchanan 
Guitar, vocals: Matthew Heller 
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5. First God 
Recorded by Mike Coykendall at The Blue Room Studios 
Drums: Mike Coykendall 
Bass: Mike Coykendall 
Guitar, keys, synth, programing: Katie Buchanan 
Additional recording: Katie Buchanan 
Guitar, vocals: Matthew Heller 
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6. Love is a Way 
Recorded by Mike Coykendall at The Blue Room Studios 
Additional recording, audio engineering and vocal production: David Pollock 
Drums: Mike Coykendall 
Bass: Mike Coykendall 
Guitar, keys, synth, programing: Katie Buchanan 
Additional recording: Katie Buchanan 
Guitar, keyboard, effects, vocals: Matthew Heller 
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7. Make Love Make Us 
Recorded by Mike Coykendall at The Blue Room Studios 
Additional recording, audio engineering and vocal production: David Pollock 
Drums: Mike Coykendall 
Bass: Mike Coykendall 
Synth, keyboard, effects, additional guitar and bass: Katie Buchanan 
Additional recording: Katie Buchanan 
Guitar, keyboard, synth, effects, vocals: Matthew Heller 
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8. Did it For the Underground 
Recorded by Simon Winestock at Pluto Studios 
Audio engineered by: Barak Yehezkeli and Ishai Piccion 
Additional recording, audio engineering and vocal production: David Pollock 
Drums: Nadav Chef Luzia 
Bass: Simon Winestock & Barak Yehzkeli 
Guitar: Rachel Yaron 
Guitar, bass, drums: Katie Buchanan 
Additional recording: Katie Buchanan 
Piano, vocals, organ: Matthew Heller 
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9. Worry List 
Recorded by Sam Densmore at The Jeremy Wilson Foundation 
Drums: Susan Lucia 
Bass, lead-guitar & effects: Cory West 
Guitar, bass, keys, synth, programing: Katie Buchanan 
Additional recording: Katie Buchanan 
Piano, guitar, effects, synth and vocals: Matthew Heller 
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Album photo by: 
Nabilla Ashrafi

all rights reserved

02 Scorer Be Scored

Lyrics
Besos de colacao
Caricias de café
Sueños de azúcar
Un nuevo amanecer

Peripecias de reloj
Despedidas sin piedad
Carreras desbocadas
contra la felicidad

Para cuándo el rocanrol
(x2)
Entre tú y yo
(x3)

Horas de trabajo
Latigazos de papel
Sentimientos encontrados
Dejar de ser quien se fue

Risas y amarguras
Y otras cosas que pensar
Para las arrugas
Lo mejor es descansar

Para cuándo el rocanrol
(x2)
Entre tú y yo
(x3)

Para cuándo el rocanrol
(x2)
Entre tú y yo
(x3)

Para cuándo el rocanrol
(x2)
Entre tú y yo
credits
from ¿Para cuándo el Rock'n'Roll?, released September 30, 2021
Voces y guitarras: Israel Roig
Bajo: Fernando Rossi
Batería: Carlos Gómez "El muchacho"
Letra y música: Israel Roig
Producción, Mezcla y Mastering: Israel Roig

¿Para cuándo el Rock 'n' Roll?

Entre tú y yo

Entre Tú Y Yo

Black Swans

MY BROTHER REMIX Feat Micheal Mayo

Remember the time. This actually says everything the song means.

Remember The Time

still needs work but felt like posting it anyway

off the beaten path

Alice

Alice - Pul$e (Prod. Jake Angel Beats)

A dark ambient rock track.
(Photo by Anna Shevchuk from Pexels)

I Get It

Defamation

Moon, 1874

Do we actually "fall In Love" with a Person or do we fall in Love with personified criteria? Meaning one or more standards being met in some form like lust, prestige, physical attraction, financial, or maybe even just attention... For whatever reason a person who fulfills the standard(s) of another is hardly ever regarded personally; they're usually just an objectified void-filler. Cold World. -Kristofer Reid

Extra Perception the ep

Fantastic

Matthew Heller
Goodbye & So Long
La musique est l'art qui permet à l'âme de se livrer à l'universel.

Meet Matthew Heller, the Portland-based troubadour who fearlessly confronts the harsh realities of life in his music.
Portland's community and collaborative spirit is reflected in the city’s vibrant arts scene, which Heller embodies in his songs. He draws on a wide range of musical styles and influences, resulting in something truly unique and original.
His latest single, "Goodbye & So Long," is a driving force of evocative storytelling, taking listeners through a kaleidoscope of sounds, emotions, and textures. 
With a distinctive blend of indie-rock, folk, and pop influences, his music creates a rich and immersive sonic landscape that envelops the listener from the very first note.
Heller’s soaring vocals are the perfect complement to the music, with a range that spans from delicate whispers to thunderous roars. His piano work is equally impressive, shifting effortlessly from ethereal soundscapes to propulsive rhythms that drive the music forward.
Backing Heller’s vocals and keyboards is a powerhouse rhythm section, led by producer David Pollock, who also engineered, mixed, and mastered the song in his Fortress Galaxy studios. Pollock’s intricate drumming and groovy basslines, as well as his blistering guitar work adds a layer of intensity and urgency to the music, while Bradley Mackeson's additional keyboards add a touch of dreamy atmosphere to the mix.
The result is a sound that is at once raw and polished, intimate and expansive, joyful and melancholic. Whether he's exploring the complexities of love and loss or delving into the darker corners of the human psyche, Matthew Heller’s music is a thrilling and unforgettable experience.
Goodbye & So Long manifests an exquisite blend of post-punk garage vitality, interwoven with ghostly psychedelia and the vibes of classic alternative indie's new wave opulence. Heller's sonic craft, akin to a neo-outlaw songwriter, encapsulates the very essence of folk-rock balladry. Weaving together the vibrant rhythms of Dandy Warhols-esc groove-laden indie rock with the introspective depths reminiscent of The Cranberries' politically charged dreamy odes, this opus transcends mere musical boundaries, propelling the listener into a sublime auditory journey.
Goodbye & So Long is an epochal testament to Heller's artistic prowess, a demonstration that elevates the soul and resonates with the heartbeat of a generation yearning for melodic salvation. 
Heller’s lyrics are both poetic and erudite, saturated with a sense of profundity that is rare in contemporary music.
What truly sets Heller apart, however, is his ability to imbue his music with a sense of immediacy and gravitas. His songs are not simply exercises in intellectual reflection, but also powerful emotional journeys that resonate with listeners on a visceral level. Whether exploring the tumultuous nature of romantic relationships or the existential angst of modern life, Heller's music is always rooted in a deep sense of empathy and compassion.
Matthew Heller's music draws from a rich tapestry of personal experiences, passions, and influences. His lyrical and melodic style combines a sense of poignant depth with a musical approach that is both innovative and captivating. 
Ultimately, Matthew Heller is an artist who defies categorization, transcending the boundaries of genre and convention to create a sound that is wholly his own. Through his music, he invites us to contemplate the complexities of existence, and to explore the deep wellsprings of emotion that lie therein.

02 Scorer Be Scored

Matthew Heller

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