Name: Birdman & Lil Wayne - Stuntin' Like My Daddy (Hello Ego Flip) by Hello Ego in Electronic Mix of Mine Plus Re-Ex 55
Duration: 2 min 54 s
Description: https://www.flowcode.com/page/helloegomusic

Great vibes mixed with Hip Hop, I like it. keep up the good work.

Oof, uncontrollable stank faces activated 😈👿 this is fire 🔥

Created from tracks found at @re-ex

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Electronic Mix of Mine Plus Re-Ex 55

From the EP EmBrAcE ThE MaChInE

Released in 2023

Lyrics: Brieuc Bohu
Music: Brieuc Bohu / Fred Offret
Vocals & Electro arrangement: Fred Offret

© all rights reserved

VOo DOo LOve Kult - What Have I Done?

theres so much to see

https://www.flowcode.com/page/helloegomusic

Free DL

Birdman & Lil Wayne - Stuntin' Like My Daddy (Hello Ego Flip)

From the upcoming Release "Red" available on all platforms 7/26/24
mswmusic.com

Control

VIDEO: https://youtu.be/CvhWvJ89xsY
https://linktr.ee/wallmusic

Drawing on themes from my PhD research, "Netscape: Cities and Global Corporate Networks" https://repub.eur.nl/pub/16013/ , the song "Network Inequality" emerges as a powerful sonic exploration of the disparities within global economic systems. The track uses an AI voice as a detached narrator, delivering terms like "asymmetric system," "network of a network," and "inequality of the economic network," among others. These terms are interspersed with graph theory measures such as "indegree," "outdegree," and "centrality," effectively mapping the intricate flows of capital and power as if in real time.

The song's progression mirrors the ebb and flow of financial markets, with the music intensifying to represent the volatile dynamics of economic systems. A poignant moment arrives during the bridge when a deep male voice cuts through the mix, intoning "Babylon lovers are Babylon lovers"—a direct invocation of the Rastafarian concept of Babylon. This oppressive system symbolizes economic exploitation and inequality, contrasting starkly with the cold, mechanical voice of the AI. This human element, raw and soulful, underscores the human cost hidden beneath economic abstractions.

Female voices whisper chants that grow increasingly louder and impassioned, intertwining with the AI’s stark recitations. The culmination is a crescendo where detached technological articulations and defiant human responses clash, plunging the listener into the chaotic soundscape that represents the network itself.

Beyond its lyrical depth, "Network Inequality" is a testament to the innovation in contemporary electronic music, blending psytrance, experimental electronic, retrosynth, and nudisco. The track channels the energetic, modernized psytrance reminiscent of Vini Vici, enriched by the melodic layers akin to Astrix, and pulsates with a rhythmic base that propels it forward. Cosmic synths and expansive soundscapes, influenced by Electric Universe, give the track a celestial quality.

Retrosynth elements recall the nostalgic vibes of Klopfgeister, merging a retro aesthetic with modern sensibilities. The inclusion of nudisco adds a groovy, danceable dimension that mirrors the lighter, playful elements found in Neelix’s genre-blending productions. "Network Inequality" is not just a musical piece but a narrative collage, paying homage to avant-garde influences like Shpongle and Ritmo, who push the boundaries of their genres.

This track is not merely a collection of influences but a cohesive narrative that challenges listeners to question the underpinnings of our global economy. It is a compelling encounter for both psytrance aficionados and those new to the genre, drawn by its eclectic and innovative appeal. The repeating mantra, "Babylon lovers, are Babylon lovers," inspired by The Slits’ "Love Und Romance," serves as a resonant reminder of the ongoing struggle against systemic economic inequalities.

Network Inequality

VIDEO: https://youtu.be/vkJ8YT1l-Gk
https://linktr.ee/wallmusic

The song Void describes life and death as eternal parts of a cosmic symphony, where the universe is understood as a continuum of shifting sonic frequencies, rather than physical matter. The track describes reality as an intricate interplay of non-random vibrations, where dissonant noise and organized harmonies generate the laws of nature, particles, and waves. These frequencies continuously entangle, creating and reshaping the universe, while death represents the absence of frequency—a state of complete silence. The song suggests that existence is a cosmic orchestration, where everything is born from the interaction of these frequencies. Written for my late father George Wall, a physicist.

Lyrics:

No material universe exists, but a continuum of shifting frequencies, colliding at infinite speeds. 
It is a domain of eternal coordinates, where most of its substance is dissonant noise, and the remainder evolving harmonies of organized complexity and structure. 
Unlike chaos, it is an orchestra of non-random frequencies, that intersect to create the myriads of cosmic notes and rhythms we perceive as matter and its laws. 
Laws that are materializations of clustered or linear coordinates, that enable the emergence of particles and waves. 
Moreover, it is from the destructive and constructive entanglements of these entities, that our physical universes are born and reborn, endlessly performed by the conductors of time. 
From these entanglements, existence is protected from the void, where death is the absence of all frequencies, a perpetual silence where creative symphonies cannot be composed nor performed. 

Come fly with me to my existence. 
Free yourself from your body. 
Come fly with me into tomorrow. 
Fill yourself with brilliant light. 
Death is the absence of all frequency.
That's what attracts love to the void. 
Come fly with me to our existence. 
Fill yourself with brilliant life. 
Come fly with me to my existence. 
Free yourself from your body. 
Come fly with me into tomorrow. 
Fill yourself with brilliant light. 
Death is the absence of all frequency. 
That's what attracts love to the void. 
Come fly with me to our existence. 
Fill yourself with brilliant life.

Void

FREE DOWNLOAD

Do this Often

Fun SoundCloud flip 4 u
booty's up
cheers

T-Pain - Up Down (RYNS FLIP)

Free Download

I hope Yall love this tune as much as i loved making it. Disclaimer: not legally responsible for hootin and or hollerin'.

Gucci Mane & Waka Flocka Flame - 15TH & THE 1ST (20TWENTY FLIP)

My flip of "A Drug From God" by Chris Lake. Hope you all enjoy!

Chris Lake - A Drug From God (feat. NPC) (Emrys Flip)

Yooooo! I hope you enjoy my flip of Atmosphere by Fisher and Kita Alexander. Been teasing this one for a bit so super excited to get it out to you!

FISHER - ATMOSPHERE (SKEEMUH FLIP)

GRAB

Yamborghini Flip

Grab

Soulja Boy- Crank That (Star Monster Flip)

Disulate - Why do you do dis

Produced, composed, mixed, performed and written by @johanpaulson

Stockholm, Sweden 2025

Copyright: @celinitamusic

WISPA LIPHA

Stream On Spotify!

Johan Paulson, Léon Saucedo & EPIC.EXE - WISPA LIPHA

Skrillex Move Ting Upbeat Flip

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

Distortion Daddi (◕␣~)

Contact: todd@hastatimusicnetwork.com

Tutorials, sample packs, exclusive tracks & lessons:  https://www.patreon.com/helloego

Birdman & Lil Wayne - Stuntin' Like My Daddy (Hello Ego Flip)

Hello Ego

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