Rusty`s Best

Die World

†o††ally †o†

Sand

FREE DOWNLOAD
PLAY AND SHARE ! 

Cardinale, c’est le point de rencontre de deux entités distinctes. D’un côté, Lockhart, un musicien émérite, maniant aussi bien ses instruments que sa voix, et œuvrant dans les sphères pop à coup de ballades acides et nostalgiques. De l’autre, Audrey Katz, djette électro en solo, aillant une certaine attirance pour les kicks lourds et les beats qui claquent. Ils se retrouvent dans une volonté commune de mélanger leurs influences pour se retrouver à la croisée de leur chemin. Elle tape, il caresse, elle hurle, il susurre… ils se complètent  aussi bien en production que derrière les platines. Electro pop, pop électro, du moment que ça fait danser ! Leur premier remix, pour Brigitte, de « I want your sex » démontre parfaitement que leur alliance porte ses fruits. Tous deux hébergés dans la nouvelle famille-label Maison de Disques, ils vont embarquent dans leur dialogue épicé. 

Brigitte - I want your sex / Cardinale RMX (Free Download)

A Very Good Life

From wimps' sophomore album 'Suitcase'
Available for preorder on LP, CS, CD, and even MP3 at www.killrockstars.com/suitcase

Buy "Suitcase"

Wimps - Take It As It Comes

The title track from wimps' sophomore album 'Suitcase'
Available for preorder on LP, CS, CD, and even MP3 at www.killrockstars.com/suitcase

Wimps - Suitcase

From Delta 5's 'Singles and Sessions 1979-81'
Available at https://delta5.bandcamp.com/

Delta 5 - Mind Your Own Business

129GONE
Angry Angles "Angry Angles" LP/CD
Street Date: May 20, 2016
iTunes: https://itunes.apple.com/us/album/angry-angles/id1086730499

Angry Angles’ Retrospective is a 17-song collection that comprises 100% of the studio recordings by the duo of Jay “Reatard” Lindsey and Alix Brown, one that came together shortly after the mid-2005 demise of Lindsey’s long-running Lost Sounds. The sheer immensity of Jay’s musical discography relative to the artist’s demise at the age of 29 in January of 2010 is an undeniably impressive attribute of his legacy. But this is unlike other examples of massive output-footprints built via an uncontrollable sink-or-swim necessity to retain a prolific profile at any cost. This is no sort of prolonged demo or practice session for what came next. 

Sure, extraneous live documents reveal a handful of set items that would turn up on that landmark album, and there’s more than a passing riff or several heard amongst the songs collected here that would do the same. Ms. Brown herself even turned up handling on that album’s "I See You Standing There" and some vocals on "We Who Wait". But the album didn’t really “come next” at all. Angry Angles’ musical demise, at some point during the latter half of 2006, was a direct result of Brown and Lindsey’s demise romantically, but concurrent with the many previous months of activity and productivity was the writing and recording of Blood Visions. 

It’s release in October of 2006 was to be followed closely by a proper studio full-length by Angry Angles, with the latter receiving heavier promotion. Well, whatever it says about…whatever, it can’t be denied that Jay + Alix was a hell of lot easier on the proverbial peepers in a marketing sense than “Jay + his whitey-tighties + pig’s blood”. 

And unlike much of the man’s discography, this was not “The Jay Show” all the way. Brown wrote three of these tracks, the amazing “Apparent Transparent” as well as no-slouch “In My Room” and appropriately, “You Call It Love”. Overall, these songs are guitar-based noise-pop/punk (not “pop-punk”) certainly informed by the garage-rock/punk landscape that Jay was constantly and effortlessly schooling. There’s certainly outside influence but “the hook” is clearly the biggest concern at the end of the day.

Then there’s the five never-before-released songs if we’re talking generosity: An unreleased version of “Things Are Moving” (that kicks off the collection), a cover of the Oblivians’ “Memphis Creep”, and of arguably the most gravitas…three songs (the collection’s closing triad of “Can’t Do It Anymore”, “All the Same” and “Set in Stone”) that came out of a session (recorded by Chris Thief) when the band went to Montreal to perform and ultimately shelved by Jay solely based on the fact that they weren't recorded by Jay. Amongst the preceding 12 tracks, it should be mentioned, are four cover versions, and if it isn’t already a known rule with such a thing and the Jay Reatard discography as a whole, covers are a special thing and well beyond the “here’s something I want you to know I’m on board with!” gesture. We get A.A.’s treatment of Wire’s timeless piece of post-punk pop, “The 15th”, another end of the same basic era but no less hooky in the Urinals’ “Black Hole”, the proto-all-of-that greatness of Devo’s “Blockhead”, and a reorg of the Oblivians’ regional character assassination, “Memphis Creep”.

This retrospective is the result of nine months of work by the involved parties of Goner Records; co-founder and handler of band’s visual presentation, Alix Brown; Adam Shore, Jay's manager/archivist in life and beyond; Tour/sometimes studio drummer, Ryan Rousseau (then of Tokyo Electron and then and now the man responsible for the almighty Destruction Unit.)

- Andrew Earles, 2016

www.goner-records.com

Angry Angles

Things Are Moving (Unreleased Version)

Angry Angles "Things Are Moving" (Unreleased Version)|| 'Angry Angles' [Goner Records]

recorded by josh korody
mixed by alex newport
mastered by john greenham

"One More" is the lead single from Weaves' debut LP out June 17th via Kanine (US), Buzz (CAN) & Memphis Industries (RoW)!

Pre-order at smarturl.it/weavesAPPLE

www.weavesband.com
www.kaninerecords.com
www.buzzrecords.ca
www.memphis-industries.com

One More

"Go Home" is from the Summer Cannibals album 'Full Of It', available May 27th, 2016.

Pre-order at www.killrockstars.com/fullofit

Kill Rock Stars is excited to announce the latest addition to their roster: Portland’s own Summer Cannibals. The brilliant rock band is set to release their third full ­length album Full of It on May 2016.
Led by guitarist/vocalist Jessica Boudreaux, the Cannibals initially cut their teeth on the local circuit, sharing the stage and receiving encouragement from peers such as The Thermals. Along the way, they released a pair of fantastic full­lengths ­­ 2013’s No Makeup and 2015’s Show Us Your Mind — on their own label, New Moss Records. Show Us Your Mind was recorded by legendary NW engineer Larry Crane and was recently named one of the best of 2015 by Sound Opinions co­-host Jim DeRogatis. The band has since spent an unhealthy amount of time on the road, earning accolades and adding plenty of fresh converts to their highly­ charged, no frills attack.
It seems only logical that when the band decided to sign to a label, they chose a label like Kill Rock Stars, which has a long history of putting out fearless, female­ fronted bands like Bikini Kill and Sleater­Kinney. “Summer Cannibals take us back to our roots,” says KRS President Portia Sabin. “Jessica is a great songwriter and the band is super exciting live, it’s a perfect fit.”
The new album Full Of It is the band’s defining statement to date. Recorded at the amazing analog recording studio The Dock with producer Chris Woodhouse (Thee Oh Sees, Wild Flag), the LP is one of those massive leaps forward that every band hopes to achieve at least once in their career. Aided by a new powerhouse rhythm section of drummer Devon Shirley and bassist Jenny Logan and guitarist Marc Swart, the 11 songs spark with that perfect mix of snotty attitude, unbounded energy, and window rattling volume.
For their part, the four musicians keep their collective foot on the gas pedal, roaring through tunes like the jagged, screaming title track and the shouting, fist pumping drive of “Just A Little Bit.” But they’re savvy and talented enough to ease up when it counts. Just listen for those sweet melodies carrying “Say My Name” along or the pair of simmering tunes that close out the album: “Fall In” and “Simple Life.” The whole thing is done and dusted in about 35 minutes. Just enough time to catch your breath and drop the needle on side A again

Summer Cannibals - Go Home


Led by guitarist/vocalist Jessica Boudreaux and aided by the rhythm section of drummer Devon Shirley, bassist Jenny Logan, Summer Cannibals have that perfect mix of snotty attitude, unbounded energy, and window rattling volume. The band will bring this energy to stages across North America as they join The Thermals on a national tour. 

Full Of It will be released on May 27th, 2016. Pre-order your copy at www.killrockstars.com/fullofit

Summer Cannibals - Say My Name

Pre Order : https://clone.nl/item39313.html

Dean Grenier - Rotorvator

Track three from 'Low Mimetic'. Stream, download, buy CDs and vinyl at lahistoria.bandcamp.com

Fall Right Through

https://omnidisc.bandcamp.com/album/sailor-omds001

Release Date : 4-22-2016

Rusty`s Best

Helmold van Deetmold