Very hypnotic and interesting descriptive notes :-)

SuperCollider

I Believe ft. XHOI

Je m'élève  (HyLGZ22 / La Gazelle)

Duende

a work in progress!
This song is 80% drama and 20% piano

Lyrics/vocals: Annie Stone
Piano: Russ Stone

Come Home (Demo)

Marco Lucchi -- synthesizer, piano; Jeff Gburek: electric guitar

Buy via Bandcamp

Soliloquy Take 1

Marco Lucchi : piano and synthesizer
Pete Swinton : synthesizers

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settembre 2024

Marco Lucchi & Pete Swinton - Duet

a track by Marco Lucchi, rewoked by Mean Flow

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settembre 2024

Mean Flow & Marco Lucchi - Soliloquy

2024-09-23

A Long Time

Not Gonna Fall For That

This episode features music made by Naviar's community inspired by Tachibana Hokushi’s poem “I write, erase, rewrite / erase again, and then / a poppy blooms”.

Tracklist:

Marco Lucchi - A poppy blooms 
Stan Magendanz - I write, erase, rewrite 
Cryxuss - Write, Erase, Rewrite 
Lazenbee Industries - write erase rewrite 
GROUNDFORMS - Erase Blooms 



Credits:

music intro: “This ruined house” by Tuonela
voice intro: Ian Joyce
cover image: Micah Hallahan

Naviar Broadcast is a radio programme curated by Naviar, broadcasted on Resonance Extra every Wednesday at 7pm UK time. Thirty minutes of experimental music made in response to a weekly assigned haiku poem.
To have your music featured on the show, you'll have to participate in the Haiku music challenge: https://www.naviarrecords.com/about/naviar-haiku
support the show: https://www.naviarrecords.com/support-us/

Naviar Broadcast #337 - I write, erase, rewrite – Wednesday 18th September 2024

Imagine pulse-generators with different frequencies.
Pulses are added together to generate control signals, e.g. for pitch, or maybe time.
The signals can be presented in an array to be used in a Pbind.
The length of this array is determinded by the lcm of all reciprocal frequencies / periods. The number of pulse-generators determines the ambitus of the signals. The signals are repeated palindromes.

Example:
 
period | pulses
1:	1	1	1	1	1	1	1	1	1	1
2:	1	0	1	0	1	0	1	0	1	0
S:	2	1	2	1	2	1	2	1	2	1       

1:		1	1	1	1	1	1	1	1	1	1
2:		1	0	1	0	1	0	1	0	1	0
3:		1	0	0	1	0	0	1	0	0	1
S:	3	1	2	2	2	1	3	1	2	2      

1:	1	1	1	1	1	1	1	1	1	1	1	1
2:	1	0	1	0	1	0	1	0	1	0	1	0
3:	1	0	0	1	0	0	1	0	0	1	0	0
4:	1	0	0	0	1	0	0	0	1	0	0	0
s:	4	1	2	2	3	1	3	1	3	2	2	1

In this case, the signal is used to play a melody. The separate pulse-generators are shown bij different steps on a randomly chosen scale. For the bass-line the melody is cut in half and each half is played on a different channel in half tempo.

Source-code: http://sccode.org/1-53Y

I have been struggling with this piece for some time and suddenly, there it was: Disquiet Junto 252! Like a sign from above (or wherever you'd like your signs to come from). It seemed I had to do two things: 1. Stop struggling and upload. 2. Subscribe to Disquiet Junto. And so I did.

More on this 252nd weekly Disquiet Junto project — “Sonic Palindrome: Make music that sounds the same backwards and forwards” — at:

http://disquiet.com/0252/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

llllllll.co/t/make-a-sonic-palindrome-disquiet-junto-0252/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Soundcloud

Cumulative Pulses

Cumulative Pulses - disquiet0252

A thunderstorm, made with SuperCollider. There are three layers of sounds: rain, wind and thunder. 
There is a global envelope controlling the density of the raindrops and the thunder as well as the frequency of the wind. For the rain there are ticks of noise, but also a few drops falling on metal objects. I like that sound. 
For the wind there are two identical functions, one plays in the left channel and one plays right. Thunder is the most complicated of them all. It is filtered noise with a slow trigger for making a thunderclap and a fast trigger for the rumbling within a thunder. I added some FreeVerb to make it more spatial.

Code can be found at: http://sccode.org/1-29o

Discovering SuperCollider02: Thunderstorm

Imagine a box that is divided into smaller compartments. You start randomly throwing beads (or marbles or grains) into it. Wheneven one compartment is full, you stop. Check how many beads there are in a compartment whenever a bead falls and check the distribution of beads in the box after you stopped. Turn numbers into pitches. Or show numbers as ASCII-characters. For the latter you need to run the code in SuperCollider. The code is available at http://sccode.org/1-31X . For the complete experience you change maxValue to 255 and  you remove '+32' where shown.

Discovering SuperCollider04: Confetti2

Yeah, let's do the Bell Thing! The Bell Thing was inspired by an experiment that my brother did on his sampler, holding the keys down with boxes of musicassettes. Sounds great, looks ehm... interesting. There are several reasons to do this. First of all I definitely wanted to do The Bell Thing in SuperCollider. Furthermore tomorrow is my mother's 86th birthday and I was wondering if I could make a computercomposition that she would enjoy listening to. And finally it can be done with a tiny amount of code, so it could be a SCtweet. Here it is:

for(1,16,{arg i;{Pan2.ar(VarSaw.ar(50*i,0,0.35,EnvGen.kr(Env.perc(0.01,16/i),Impulse.kr(i/32,1.0.rand))/i),(-1**i)*i/16,0.25)}.play})


The Bell Thing

Remember Confetti 2, https://soundcloud.com/henklasschuit/discovering-supercollider04 ? There you heard only one oscillator at the time. In SuperCollider it is easy to use 100 oscillators at the same time, so while a distribution is made, you can hear sounds that correspond with all the values in the box. That doesn't swing at all, instead it gives a kind of Xenakis-like experience.
Sourcecode at: http://sccode.org/1-4Ro

Confetti2X

The search for prime numbers from 1 to 100 is represented by sound. Channel 1: the numbers, channel 0: the divisors. In the center: a fm-sound with a carrier that is related to the number and a modulator that is related to the divisor. A harmonic sound means the carrier is a multiple of the modulator, so the number is a multiple of the divisor. Therefor a harmonic sound means: not a prime number. When a new prime number is encountered, the list of prime numbers is played.
Code is available: http://sccode.org/1-4Sq

The quest for the prime numbers

There was a time when I was involved in Science! But that was a mistake. My Passion is music. I play the pipe-organ and synthesizer, I play the organ in a few bands and I like Apple computers. I discovered SuperCollider and VCV Rack: great ways of making sounds. Enjoy them on SoundCloud!

Cumulative Pulses - disquiet0252

Henk Lasschuit

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