This is my submission for the Disquiet Junto 0559 and the assignment was: Compose your personal entrance and exit cues for conference calls.
Well, I can't make it more personal than by using my own name, including my first two official initials, so that will be H.F. Lasschuit. And then I let myself be inspired by the musical signatures of Bach and Shostakovitch. H is the German name for the B, La is the French name for the A, the S becomes E flat (which we call Es). "Uit" is Dutch for "the end". So for my entrance tone I use the two initials, H and F, that become B and F with some nice delay and for the exit tone La, S, S, C, H and "uit" become A, E flat, E flat, C, B and there it stops: the end! I gave them a nice filter sweep and drenched them in reverb.

More on this 559th weekly Disquiet Junto project — Yes Exit (The Assignment: Compose your personal entrance and exit cues for conference calls) — at: https://disquiet.com/0559/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0559-yes-exit/

Yes - Exit (disquiet0559)

Original Music By : 
https://soundcloud.com/scalq/corcho

Scalq -  Corcho (Senglar Suro Rmx )

Paral·lel & François Fontaine - Glisten

Etude Friction n° 12

Happy to be back to contributing for the Disquiet Junto. This must be one of my favourite recurring Junto projects as it's so inspiring and fun. 

About my process: After a first attempt that didn't quite work, I found a good setting on my Pladask Elektrisk Fabrikat -- one that leaves lots of space for the next person to add stuff in -- and improvised what you're hearing here, off the top off my head. I love how the pedal introduces "holes" in the incoming guitar signal, reminds me a bit of William Basinski's "Disintegrating Loops". All of this recorded in Cubase, adding a pinch of reverb & delay.

I hope this inspires some of you to add their second part to it!

More on this 591st weekly Disquiet Junto project, The Loneliest Number (The Assignment: Record the first third of a trio), at: https://disquiet.com/0591/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0591-the-loneliest-number/

Frugality (disquiet0591)

This is my submission for this week's Disquiet Junto assignment inspired by the work of Éliane Radigue.

More on this 595th weekly Disquiet Junto project, Filter Progression (The Assignment: Make music by processing a static sound), at: https://disquiet.com/0595/

About the Disquiet Junto: https://disquiet.com/junto/ 1

Subscribe to project announcements: Disquiet Junto by Marc Weidenbaum (Disquiet.com)

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0595-filter-progression/

Agediale Ruin [disquiet0595]

This is an experimental track based on the soundscape https://soundcloud.com/rabmusiclab/aankomst-amsterdam-zuid. 
In this original track a field-recording from an IC-train has been used as base and was transformed to a special soundscape.
Following the Disquiet Junto Project 0601 (details see below) six short sections were cut out of this source and rearranged to a new track, the number of overall repetitions of the different sections determined by throwing a dice.


More on this 601st weekly Disquiet Junto project, Hard Six (The Assignment: Let a roll of the dice determine the relative prominence of various parts of a track), at: https://disquiet.com/0601/

The project was inspired in part by recent correspondence with Junto participant Robert Precht. More to come in that regard.

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co 1: https://llllllll.co/t/disquiet-junto-project-0601-hard-six/

Travel Hallucinations (Disquiet0601)

Clouds and fog march in over the north shore of Lake Superior.

In The Way disquiet0604

SenSen - Cera

환상 오르골 시리즈 - 5.구름 위의 행복한 시간

구름 위의 행복한 시간

/ 𝗣𝗟𝗘𝗔𝗦𝗘 𝗣𝗟𝗔𝗬 𝗧𝗛𝗜𝗦 𝗥𝗘𝗖𝗢𝗥𝗗 𝗥𝗘𝗔𝗟𝗟𝗬 𝗟𝗢𝗨𝗗, EVEN TO THE POINT OF OVERWHELMING INCONVENIENCE – ABRUPT VOLUME CHANGES ARE ESSENTIAL FOR THE STRUCTURE & DYNAMISM OF THE FORM AS A WHOLE | 𝗛𝗘𝗔𝗗𝗣𝗛𝗢𝗡𝗘𝗦 𝗦𝗧𝗥𝗢𝗡𝗚𝗟𝗬 𝗥𝗘𝗖𝗢𝗠𝗠𝗘𝗡𝗗𝗘𝗗 | 𝗕𝗜𝗡𝗔𝗨𝗥𝗔𝗟 𝗔𝗨𝗗𝗜𝗢 /

« erased lines cartography » (2018/2019)
piece composed for Festival Mikrotöne Basel 2019 in October 2018–May 2019

trombone – FRANCISCO OLMEDO
e-accordion – DAWID KONRAD RYDZ
harp – ALICE BELUGOU
violin – ZOÉ POURI
cello – MATTHIEU GUTBUB

electronics – SZYMON S. STRZELEC

part I recorded by Caspar Johannes Walter & Shervin Saremi during the world premiere on May 4th, 2019 in H95: Raum für Kultur in Basel, Switzerland (Festival Mikrotöne Basel 2019)

parts II & III recorded, sampled, resynthesized, mixed & rendered by the composer in May-September 2019

© Szymon Stanisław Strzelec, 2019

***
the piece is based on morphing noises with precisely designed morphologies derived from chord transition between 24, 15, 19, 22 edo and my own non-octave scale which will be further developed in the next, forthcoming piece. for more info please, send me a message! feel free to ask questions.  :)

erased lines cartography (2018/2019)

There was a time when I was involved in Science! But that was a mistake. My Passion is music. I play the pipe-organ and synthesizer, I play the organ in a few bands and I like Apple computers. I discovered SuperCollider and VCV Rack: great ways of making sounds. Enjoy them on SoundCloud!

Yes - Exit (disquiet0559)

Henk Lasschuit

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