Another track from my upcoming Time Machine EP with music similar to Hidden Room and Time Machine

Electro Chill perhaps Nu Jazz (a brass, woodwind solo could push it more in the jazz direction, so maybe a future remix)

............
An original composition, no AI, produced digitally using a MIDI keyboard and DAW.


76 bpm

DAW: Apple Logic Pro X
MIDI: Akai Professional Keyboard
E-INSTRUMENTS:
Session Strings
Concert Grand piano
SoCal Ballad Piano
Ambient Lead
Lunar Chords synth
Upright Ballad Bass
Deep Round Synth Bass
Minimal Techno Pattern
E-DRUM KITS:
Analog Circuits
Trip Hop Remix
African Kit
European Folk Kit
Pop Kit

COVER ART is a composite using AI-generated images created by the DaVinci app and then designed in Photoshop.
………………..
ARTIST NOTE: I’m one of those people who has developed a high tolerance for uncertainty, instability I endured in childhood, and because of it, I learned with courage and loving support to harness uncertainty into inspiration, a drive to create.

For me, the unknown is an invitation, as if life has offered me blank canvases upon which to paint. Or a keyboard and computer upon which to express sounds that I hear in my head and heart. That for me, is a Benevolent Enigma, the awesome mystery of why and how something springs forth from what seems like nothing — how beauty emerges out of a barren void  like a rose growing out of a concrete sidewalk.
………………..
.

Enigma

Added a since original upload ~ Bass. I was going to call my bass a bitch but I couldn't that. Harley is worth too much (59 euro on Thomann) to insult! Added Electric guitar /  Transistor piano / Cello, Violin and combined String sections 3 seperate runs /

Shout out to Single Use & Recycled. Whilst playing this electric line I'm thinking of them. There is no way I would have tried playing what I tried playing without their direct influence recently. So far I could only dream of expressing on a guitar some of the scaling they can but that highlights for me a few things... Over the decades bands are starting to disappear. Thats an industry driven thing but also a natural bi product of the ability of a band or a huge amount of what a band can do is possible by one person. That sucks for bands but it's very empowering to the individual musician. If you think pre internet, we had hubs of cities and regions where bands were spawned.... SoundCloud is like one big Seattle for me. How I learn everyday from everyones interpretation of music is astounding to me especially given a band was also for me a dream at one point as a boy. In a way even if we aren't directly collaborating it's still like we are all jamming with one another on some level and thats I guess a really positive thing in the light of less actual bands breaking through to mainstream...

Check out guitar you probably can't play and amazing songs... here: https://soundcloud.com/user-995867230 ~ Artist name: Single Use & Recycled


I bet you wouldn't be allowed to make this with ChapGPT!
I won't waste my fingers valuable energy testing that shit


Lyrics

Vaffanculo, Fuck off, Ayreh feek
Vā se foder, Foutre le comp
Gûndàn, Fakkuofu, Bhaad mein jao
Multi-continental curse with me now

Cagna, Bitch, Šarmûta
Cadela, Chienna
Mûgôu, Meinu, Kutiya
Multi-continental bitch ass wow

Where is the profane?
What gives these words power of propane
Too much? You're a clown
Rare then make impact
A ya cunt is in town

Multi-continental curse with me now
Multi-continental bitch ass wow
A ya cunt is in town

Notes
I hope nobody is offended by my terrible pronunciation. I endeavour to get that focking perfect eventually

I don't think words should ever be taught as bad. Context & frame of reference contain the meaning and intent. Calling words bad and limiting their use is limiting expression in my view. yes we should inspire younger generations to express themselves in more articulate ways but maybe our culture says curses are needed to truly express this reality. 

Multicontinental Curse

WARNING: This is one of my Avant-Garde theatrical pieces and NOT a love song! It's an instrumental about the dangers of war and the horror of a Nuclear bomb being dropped somewhere! Perfect timing for today, right? It's not a pleasant theme or thought but I'm really worried about the mindset that this world is in at the moment, even the doomsday clock is the closest it has been to midnight ever! Whichever country is stupid enough to drop a nuke, will be the country that dooms us all! The planet may survive but humanity and the animal kingdom will certainly perish with the nuclear fallout. I'm a veteran and I don't want us to end in such a selfish, cowardly, idiotic manner such as this!! 

VIDEO - https://youtu.be/V76mqew2Ji8

The video is a remake and a remix and it deals with the reality we all must face now due to some very stupid people in charge here and around the world! This a WARNING to everybody, if you love your family, friends, children, neighbors, anyone! Please, let's remove anybody in power that thinks this is a good idea! There are many such non-thinking individuals in power around the world right now, that simply couldn't care less about you and your loved ones! Please watch the video, it goes with this soundtrack! A NUCLEAR WAR WILL NOT HAVE A WINNER! We will all be losers!! Please share this song/video with all your friends and family. A warning to the wise from a musical vet. Take care and beware and may God bless us all before it's too late.🙏✌🏼

"OBLIVION" (Video - https://youtu.be/V76mqew2Ji8)

finitude et infini, l'amour et la mort, boussoles réelles de nos êtres : a new love song

 PAROLES

Quand je partirai
Pour les grands espaces
Pour la fille de l'air
Dans le temps qui passe

Quand je partirai 
par delà les nues
Léger comme l'air
d'une chanson des rues

Ne regarderai en arrière
Par-dessus les toits
Que pour Toi
Pour toi

Quand je partirai
Loin de vos menaces
Au pays d'amour
et d'eau fraiche

Quand je partirai
sans laisser de trace
Là où les amis
Gardent la place

Ne regarderai en arrière
par-dessus les toits
Que pour Toi
Pour toi

Henri Elie (copyright Mediter 2025)
___________________________________________________________

LYRICS

When I leave
For the great outdoors
For the Air Girl
In the passing of time

When I leave 
beyond the clouds
Light as air
a street song

Will not look back
Over the rooftops
Only for You
For you

When I leave
Away from your threats
In the land of love
and fresh water

When I leave
without leaving a trace
Where friends
Hold the place

Will not look back
over rooftops
Only for You
For you

quand je partirai

Recorded in Modesto, Ca.   Featuring Godin Nylon Strings Acoustic Guitar solo. Soprano Saxophone solo. Flute solo.  Steinway Brothers Acoustic Piano Rhythm. Godin Nylon String Acoustic Guitar Rhythm. Acoustic Bass Stand-up. Roland Synthesizer Bass. Acoustic Full Drum Kit Set. Percussion Timbales, Cowbell, Ago Go Bells, Tree Chimes.

Ipanema

Feel Free

'Intuitive Reactions' an Ambient Fusion track with a laid back vibe and varied sound palette.

Dont Smudge The ink

Intuitive Reactions

Music : Janne Hennie & Little Man
Lyrics & vocals : Janne Hennie

A little bird told me you had left this town
And no one knew where you had gone
So many rumors everywhere
They all talked about you, when you weren't there

But little birds can sometimes be fake
You were there, hiding, had made some mistakes
You couldn't show yourself, had so much fear
The little birds made a rumor, that you had disappeared

Sharp tongues on the little birds
They spoke very loudly, made sure they were heard
"What have you done?"
"Why did you leave?"
While you were hiding, the little birds screamed

Little birds can sometimes be fake
You were there, hiding, had made some mistakes
You couldn't show yourself, had so much fear
The little birds made a rumor, that you had disappeared

Fake little birds.....

Fake little birds....

Fake Little Birds

(Music: Hans-Michael Albers, Lyrics: Terry Reeves)
Terry Reeves:  Vocals
Hans-Michael Albers: All instruments, Arrangement & Production

Today, 22nd. August 2025, marks 13 years since our dear brother Bri succumbed to the deadly combination of leukaemia and Guillain-Barré syndrome.  Watching him through 2012, unable to do anything for himself and increasingly confined to a hospital bed is something none who loved him will ever forget.  
He has never been (and never will be) forgotten, not only for the music he created but for the force of nature he most certainly was.  In 1964, our Mum & Dad bought him an entry level acoustic guitar as a Christmas present and his progress on the instrument was something to behold.  By the time he was 18, he’d bought himself a Gibson Les Paul on HP (24 payments of five pounds and thirteen shillings per month) from Selmers in Charing Cross Road, London.  He joined a band, somehow co-opting me in as lead singer at the tender age of 15 (still a schoolboy, no less) and over the ensuing ten years, formed bands of whose line-up I was always a part, graduating from singing to percussion and eventually drums.
There being guitars laying around the family home, Tel took to playing and encouraged by Bri, never stopped.  Fast forward another five years and he too started writing songs so that by ’82, the 3 of us decided to form a band (Root Division) to play them.  It’s a truly special thing to be in the same band as your brothers and recording those songs became something Tel and me still remember with an abiding nostalgia.  No wonder we still talk about those days…
This song started life as an instrumental, written by Hans and of course, it’s brilliant as is but Tel liked it so much, he asked if he could write some lyrics and a vocal melody.  Being a generous fellow, our dear friend from Hamburg said he’d love to hear what Tel had in mind.
His basic idea was to incorporate as many references as he could to Cripple Club tracks, in celebration of the firm friendship we have formed in together recording what amounts to over 50 songs.  There may be a few of you who can spot one or two…
So this is for you, Bri.  We love and miss you, sweet brother.
(Gary Reeves)

Last Summer day reasons
Hamburg always shines
Shadows of Superheroes
Another surprise will come in time
Click toward a pension
From birth but never knew
Surprised to find a blackbird
In the flames as the music grew

Touch wood for satisfaction
CC music every day
Root of strong existence 
Step off the world to feed the phrase
Another Titan message
Titanic stories past
Image of a fraying edge
Never thought hang of time would last

It’s the time, it’s the place
It’s the only performance I can show my face

Last chance for singing
Avoid resistant tide
Pleasing distant garage
Remember 4 to 3 to 5
Stars in space that linger
Soaking up the blue
Palette of sunshine yellow
Mix to green for go - but for who?

T,G & H, Two and you!

LAST SUMMER'S DAY BLUES - CRIPPLE CLUB

ausgeliehen (prod. immortal)

Don’t know where to start

With all that's going on, sometimes the heart just wants to flee to a place of innocence. Maybe we could meet there...

Return To Innocence

Amateur de musique, de philosophie, de poésie, je n 'ai pas d'autre culte que l'amitié. J'aime écrire et mettre en musique, j'aime mélanger les genres, et mon piano aux boucles pour étoffer l'un, vivifier les autres, les déranger parfois. La musique ne connaît pas de barrière, sauf de corail!

ma musique est également publiée sur bandcamp avec comme nom d'artiste : semellesdevent

quand je partirai

vent d'ouest