Name: Helloki by henryleoduclos in amon tobin isam
Duration: 4 min 17 s
Description: Composed almost entirely of samples of Aoki Takamasa's and Tujiko Noriko's album "28".

Got the bass groove now and its sounds great - loving this Henry. You know where I am should you every get an album's worth together!

amon tobin isam

Going Back To Kali Yuga

Download the entire EP for free at http://buildbuildings.bandcamp.com/album/i-sat-on-the-roof

Summertime

I don't know what do tonight, I swore I would take it all in stride and just stay at the hotel until It was time to go on stage but I showed up to early and now I am stuck in a room full of post modern couches, inconsequential gossip and two glowing fridges full of Red bull, the last thing I should be drinking if depressed or about to play a show, where I would then play all the songs to fast and then crash right afterwards (or during the last song if I am not lucky.), the night is young but I no longer am, so to no one in particular I ask "Should I kill myself or have a Red bull?" 

tracklist: 
1. Blood stevia sex magic 
2. Lefthandpathfinder 
3. Cloud sculpting 
4. If I am only allowed one song on this album with cut up female vocals then this song is it 
5. Dark Archipelago 
6. Tokyo (Kid606 remix of Magic Panda) 
7. Fun times 
8. LSDMTB303 
9. Toxic avenger remix 
10. Love me 
11. We call it life 
12. Ejaculazer tag 
13. Gimme summer-beachside drum & bass remix 
14. Godspeed you African-American emperor (King Bastard remix) 
15. Tomorrow

Download @ bandcamp

Meow203 Kid606 Should I Kill Myself Live Set 2013

Download ISAM and get the limited edition ISAM CD with photos from the Control Over Nature exhibit

'ISAM' - Full album with track-by-track commentary from Amon Tobin

Music for skinned by Grischka Voss. www.off-theater.at 

Tanz für die schizoide Person - Music for Theater

Composed almost entirely of samples of Aoki Takamasa's and Tujiko Noriko's album "28".

Helloki

This is music about sound. Finding inspiration in the clicks and clacks of pencils, chopsticks, scotch tape dispensers and candy wrappers, Tweel turns the familiar noises of these objects into crisp, compelling beats. This album’s melodies started as samples of organic instruments (including Rhodes piano, acoustic guitar, upright piano, harp, mbira and harmonica) then processed into drones and drops of melody that often lose the identity of the instruments while retaining their warmth. 

Heavy Water

Link to the video captured here in real-time: https://vimeo.com/150015591

Patch Notes:

This was a patch experiment using the new Mutable Instruments Rings/Clouds Modules, and trying to create strumming/plucking guitar like sounds within a patch. The inspiration came from playing around with the Clouds Parasites 1.3 alternate firmware running in the Resonator mode highlighting the "scatter" (or strum) function. The master clock was the Tiptop Circadian Rhythms module, taking the first 4 outputs into my Nord Drum 2 for the Kick, snare, closed and open hi-hats. From there the clock output from the CR was multiplied and then sent to the Modcan Touch Sequencer. First row output from the TS was sent to the intellijel Shapeshifter creating a two note baseline sequence that comes in at 1:58. The second sequence Row2 output from the TS was sent to the "ALM Akemie's Castle" module OSC A output using the chord function, that comes in at 25 seconds. The gates from the modcan where set to a 16th's pulse sequence. Modulation from the synthesis technology E102 Quad Temporal Shifter output 1 modulating the Multiplier input on Operator 1. The 2, 3 and 4 outputs from the E102 where also modulating the Operator 2, 3, and 4 inputs on the Akemie's Castle. This was creating the harmonic timbre changing as the sequence was playing.

The slowly evolving sweeping noise textures that come in at 1:09 is from the Music Thing Radio Music module. The sample was a white noise sampled lightly filtered and then sent to the intellijel HexVCA with the amplitude CV control via a Intellijel Dixie modulating from slow to high rates (free running). The Make Noise Rene was being externally clocked from the Circadian Rhythm, and was sending out a quantized output to the Mutable Instruments Clouds pitch input creating the chord guitar sequence. The strum sounds on Clouds was played by the 4ms QCD running in 32th division output into the Trigger input. The freeze input was also triggered by a Ladik R-110 Random clock module. The combination of the two created the trill chord like strums.

The bass guitar tone sound that comes in at 1:24 are from the MakeNoise Mysteron, that is being sequenced by the Modcan Touch Sequencer, Row Output 3 was programmed in the same key but a lower octave. The "Rings" module was creating slow attack soft high pitched chords in reverb that come around 2:50. There was additional processing of the Clouds output that was sent into the Tiptop ZDSP module running the "Halls of Vahalla" card program 8 "Ginnungagap" creating the high pitch octave deep reverb shimmer effects. The harmonic slow swells that come in at 3:30 where created using another intellijel Dixie oscillator sine output running into an Strymon "Big Sky" pedal being harmonically controlled by an intellijel µScale V1. The output was being played slowly then processed using the "Choral" mode, creating the slow shimmer swells. The entire mix was sent into the Eventide Space pedal using the "Corridors" patch.

Mutable Instruments Rings : mutable-instruments.net/modules/rings
Clouds Parasites firmware: mqtthiqs.github.io/parasites/clouds.html

Helloki

henryleoduclos

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