ShamanStems

Contemplation audible void remix

Envisioned as the soundtrack to an Ecotopian future, ‘Solarpunk’ takes cues from New Age, J-Ambient, Classical Minimalism, Kosmische Musik and IDM, offering a vast assortment of shimmering pads, generative melodics, polymetric sequences, serene atmospheres and meditative bells.

Get it on Splice

Solarpunk

Absence Of Light

Another Place To Ruin

After a year of (irregular) work, I'm glad to finally release this Album. A huge thanks to @german-bot for recording vocals, writing some lyrics and recording bass!

Lyrics (written by German Bot):
In grauen Bauten verbringe ich meine Tage
Immer wieder auf der Suche nach dem verlorenen Faden
Vergangene Zeit zieht wie Film an mir vorbei
Geist und Körper schon seit Ewigkeit entzweit

Und ich weiß, hier finde ich mein Ende
Doch mit nichts zu verlieren, entdecke ich die Grenze
Von Realität und Wahnsinn

Ich falle in die Stasis
Ich sehne nach Katharsis
Konflikt in mir zerfrisst mich
Gleich wie mein Blick auch Starr ist
Fragte mich wie es hier rausgeht
Doch ich fand nie einen Ausweg

In alten Häusern verbracht' ich meine Zeit
Nun stell ich mir die Frage, ging ich zu weit?
Und ich weiß ganz genau, wie das hier ausgeht
Will ich hier wieder raus, gibt es nur einen Ausweg

Grenze (ft. German Bot)

270922
https://faktor4.bandcamp.com/album/modern-nature

Modern Nature 3

My submission for the October 2022 Sim Selection monthly challenge of Benn Jordan's discord community.

Theme is 'Ancient Gods' with keywords: far, low.

Optional Challenge: Describe a being with sound/music whom would otherwise be indescribable by words.

NOTES: This challenge proved difficult. I created six tracks, but none of them captured what I had in mind. In the end, went with an uptempo track that works well over one of my favorite movie scenes: The chase scene in 'Jason and the Argonauts' when Talos comes to life.

Remembering Ray Harryhausen, and his wonderful movie creations. Happy Halloween.

Talos

Written by Charles Fox and Norman Gimbel
Performed by Dos Monstros without permission
We will beg for forgiveness later

Theme from Laverne and Shirley

Plimmiri Beach

https://open.spotify.com/artist/3tIjal5JTGCQpN7wEpbIz7?si=Q2wsUBMqRXu8UkZIHqyNmw

esket

Atmospheric / Future Garage Dubstep Trap hiphop beats to a song. Thank you for listening 💜 
The Video: https://www.youtube.com/watch?v=bpGZxBquhaY

The Curse

Remember that feeling is inspired by my earlier days of EDM. The shows, the dancing, the music!

Remember That Feeling?

HDWAV 5.1 - SW33TT 3V1L DRR11LLL 0FF1C14L R3M1X - Magic Armour

Aquafur - Gates of Kashgar

SDH are: 
Andrea P. Latorre - vocals 
Sergi Algiz - electronics 

Recorded and mixed in Barcelona in october 2017 by Sergio Pérez at Maik Maier Studios. Mastered by Stephen Quinn at Analogue Heart, UK. 

Artwork by Sergi Algiz. Collage on the cover by Camila Dunster. 
cargocollective.com/camiladunster

Guilty And Gifted

Purchase: bit.ly/3oh8DpK
Catalog #: GN59
January 22, 2021
CASS+DIGI

Ever the aural adventurer, Carmen Villain has long traversed a boundless array of sounds, deftly moving from art nouveau pop to fog-laden avant-dub. Yet at every artistic turn, the Norwegian-Mexican’s chameleon-like charm seldom loses its alluring, organic beauty. Fresh off her contribution to 2020’s A Little Night Music… compilation, Carmen joins Geographic North’s Sketch for Winter series for its 9th installment. Perlita, named after Carmen’s grandmother living in Puebla, Mexico, is a sweetly somber reflection on the ever-present cycle of and hibernation and reemergence.

The A side begins with “Everything Without a Shadow”, a wide-angled and windswept vista of expansive permafrost and still-glowing embers of a recently extinguished fire. A sign of life in an otherwise desolate place. “Two Halves Touching” continues to drift through the frigid scene, lightly pulsing underneath a muted but vibrant tundra until coming upon echoes of voices chanted into the snowdrift. “Light in Phases” follows the cue with hurried hesitance, uncovering a sonic slush of radiant zither, blurred voices, and calm resolution.

“Things That Are Solid” begins to thaw the B side, strolling through newly uncovered verdancy, welcoming murmurs peeking out of the snow. With “Molina”, any last remnants of Winter have disappeared, leaving only a solemn suite of piano motifs breaking ground like seedlings bursting to life. With help from Johanna Scheie Orellana on flute and alt-flute, the album’s closer “Aqua Azul'' floats along with unencumbered motion like a happy stone skating across a tranquil pond.

Carmen Villain - "Molina"

⚡ Synthwave energy unleashed! ⚡ Shock the Algorithm returns with a brand NEW album — Ultraviolet Cosmos.
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🌌 Available NOW on Bandcamp — grab your digital copy today and step into the neon! 🌌

Witchhouse/Darkwave 
Vocals: WvtchN=157
Programming/Synth/Vocals: Andrew Caldecott
Vocals: Jo Lord
Programming/Synth/Guitar: Mike Exarchos

Another Place To Ruin

her.rite

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