Spirit Of Malombo: Julian Bahula's Malombo Jazz, Jabula & Jazz Afrika 1966-1984
Out October 20th 2014 on Strut
iTunes: http://geni.us/SpiritOfMalombo

Malombo Drums: Julian Bahula
Flute: Abbey Cindi
Guitar: Lucky Ranku
Vocal: Hilda Tloubatla

Voiced by Hilda Toubatla of the Mahotella Queens, ‘Hleziphi’ was one of Malombos’ most well-loved tunes in South Africa, where it gained the title of ‘the magical Hleziphi’ after appearing on the 1967 Malombo Jazz Makers Vol. 2 LP. The lyrics call to a girl, Hleziphi, to come home - ‘Come Hleziphi, bring the cows home to the kraal, it will rain soon’ and the song featured on the programme of the Into the Heart of Negritude show.  

More from Strut:
http://www.facebook.com/strutrecords
http://www.youtube.com/user/strutrecords
http://www.strut-records.com


Malombo Jazz Makers - "Hleziphi" [from: Spirit of Malombo]

Bass Dream Lo‑Fi

Dream Flow

Anamnesis: By definition the word means a collection or remembrance of the past, reminiscence and for us, the word encloses as well our wish to create fresh memories based in our sonorous DNA and in the mysticism that floats in the air deep in the jungle. 

Music by https://soundcloud.com/nillocr and https://soundcloud.com/nochi

Remixed by soundcloud.com/tmplsound

Nillo & Nochi - Anamnesis (Tropical Twista Records - 2017)

05 - Nillo & Nochi - Canto de pájaro de Mar (Temple Remix)

Free Download

05 - Nillo & Nochi   - Canto De Pájaro De Mar (Temple Remix)

Listen / Purchase: https://lnk.to/mscars

Meander scars are geological features formed by the remnants of winding or meandering water channels. They are caused by the varying velocities of current within the river channel.

Lost Tribe Sound's second installment in its 8 album subscription series, 'We Stayed The Path That Fell To Shadow' comes courtesy of friend, musician and talented music writer, Gavin Miller. While his name may not be instantly recognizable to some, Gavin has been creating music for nearly a decade as one half of the sublime electronic ambient duo, Worriedaboutsatan, and has quite a few solo releases under his belt. In addition, Gavin has been a invaluable force in bringing many overlooked musical acts to the forefront through his brilliant writings for the UK publication, Drowned in Sound. 

'Meander Scars', Gavin's new double album is very much a departure from his previous output. While the use of acoustics has always resided in the backdrop on many of his solo and group efforts, it's plain to hear that with 'Meander Scars' these natural elements have risen to the top. Lost Tribe Sound is the ideal home for a Gavin Miller this delicate and organic. 

The aerial visuals formed by meander scarring and the origins of their creation, fit both the artwork and the vibe of music incredibly well. The long-form compositions were constructed from a series of slow churning rhythmic guitar loops, warm noise, soft synths and distant choirs which build over time into colliding patterns of pastoral bliss. Patient and mindful listening is key for these innocuous sounds to begin to carve their saturated pathways through the mind. Much like a river meandering over thousands of years, slowly dragging away the sediment and scaring the surrounding land, these pieces begin to take form, eroding away the malleable earth, letting gravity take hold to travel the course of least resistance.  

Being the ever curious and meddling types here at LTS, we engaged multi-instrumentalist and label mate Aaron Martin (From the Mouth of the Sun) to utilize his gorgeous cello sounds and other odd bits in his musical arsenal to fill out moments in the songs. Graciously, Aaron joined in, adding trembling washes of strings, chimes and other indiscernible noise to Gavin's compositions. Gavin than revisited his original material, carefully layering and balancing in the new instrumentation from Aaron. 

Excited by the results, Gavin shared them with us, and it was undeniable that Aaron's arrangements had created deep new conduits for the ears to follow. Yet, it wasn't until this moment that we fully appreciated the beauty of the original works. Torn by which versions to present as the final album, we realized why not present them both.  

Each version had a seemingly different affect on our conscious. The 'Upper Course' with Aaron Martin's additions, flows very much like a young river, faster, more active and commands the listener to be more attentive. Whereas, the original source material of 'Lower Course' mimics the behavior of an older river, slow flowing, in moments coming to a crawl. It's no longer the force able to move large boulders from its path. Yet in its stripped down form, it allows the listener to more easily traverse its tame currents, becoming the perfect cyclical backdrop needed for writing, drawing, and a multitude of other tasks requiring increased mental faculties.

Meander Scars

Upper Course I

Buy Album

Gavin Miller - Upper Course I (feat. Aaron Martin)(from Meander Scars)

06 De cara a la pared

Shining Bright

A Small Death

Pastime

Into Daylight

Back into Daylight (feat. Quinn Lamont Luke)

Recently started to listen to Cafe del Mar, and this is from their 16th Vol. Disc 1. Beautiful and sad song, perfect for this autumn season~

The Autumn Leaves (Les Feuilles Mortes)

Lost Elysion

Bluesky

Bluesky

Herbert Pixner Projekt

Recent comments

crazy_runner

Related tracks