Brings back memories ... to my controller ... my mom 🙄🥴

so good  - I'm desperate to get you guys to Brighton asap

Hercules & Love Affair return to the fray with Controller, a pulsing, propulsive new song that signals the first salvo from their long-awaited new album. Featuring The Horrors’ Faris Badwan on vocals, it takes the Hercules’ disco-house heritage and fuses it with starker more experimental stylings.

A taster both sonically and aesthetically of the new album, 'Controller' connects new wave, post-punk and 80s electro within the clubland realm of Hercules & Love Affair. Hearing the The Horrors’ live version of Frankie Knuckles & Jamie Principle’s ‘Your Love’, Andy realised he’d found a rock artist willing to engage with dance culture's history.  With its underbelly of seamy ‘80s electro-pop, Controller’s sub-dom, master-and-servant roleplay in the lyrics work perfectly with Faris vocals delivery creating something rather special.

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Hercules beatport - herculesandloveaffair.net/beatport
Hercules YouTube - herculesandloveaffair.net/YouTube-Subscribe
Hercules Facebook Page - herculesandloveaffair.net/Facebook-Like
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Hercules SoundCloud - herculesandloveaffair.net/SoundCloud
Hercules MixCloud - herculesandloveaffair.net/MixCloud

Controller (feat. Faris Badwan)

Controller (feat. Faris Badwan) (Radio Edit)

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The ever shape shifting, critically hailed Hercules & Love Affair return with brand new album In Amber, to be released on 17th June 2022 via Skint/BMG.

“Across this record, there are emotional fields I hadn’t ventured into previously with Hercules & Love Affair,” says Butler. “Destruction, rage, loss, but also redemption and journeying towards empowerment are all touchstones on the album. It has taken years to make, but I am happy to put it forward now, at a moment in time where we have all been confronted with such heightened feelings collectively and on an unprecedented scale”.

Reuniting with ANOHNI for the first time since her stellar turn on the eponymous debut in 2008 (which undeniably produced one of the most beloved dance tunes of the oughts “Blind”) proved key to this process. Both share a love and deep respect for music of a more aggressive bent, zig zagging from grindcore like Godflesh and Bolt Thrower, via electronic avant-garde like Throbbing Gristle and Cabaret Voltaire to female fronted punk and metal like Sacrilege, Fear of God and Diamanda Galas.  On the other end of the spectrum, they have an equally intense appreciation for darker ethereal acts such as This Mortal Coil and Dead Can Dance. In Amber reflects this wide swathe of emotion and sound.

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