Name: Man From Nowhere by Here's Your Problem
Duration: 2 min 33 s
Description: A randynewman-esque ramble through the high desert...

Man! I really dig this! Nice Hugo Winterhalter-esque intro

This is my cover of the Black Sabbath song Solitude from Masters Of Reality. 

Credits:
Recorded by Marissa Nadler 
Vocals, electric guitars, synthesizers by Marissa Nadler
Percussion by Parker Kindred. 
Mixed by Mike Fiore, 2015

Special thanks to Mike Fiore, Parker Kindred, and Brad Truax. 
Photo by Marissa Nadler

Merch

Solitude

2nd single from the upcoming self-titled LP "Idiot Glee" on Hop Hop Records. January 2016.
idiotglee.bandcamp.com
facebook.com/idiotglee
twitter.com/idiot_glee

I Don't Feel Right

facebook.com/loudforestmusic/
twitter.com/loudforestmusic/
instagram.com/loudforestmusic/
www.loudforest.com
Loud Forest is Rachel and Bernard Chadwick. Based in Los Angeles, Loud Forest is the culmination of two strong willed humans, equally matched as singers and performers. Bernard and Rachel have two very different styles of songwriting - Bernard is direct and angular, Rachel is abstract and experimental. It is in the studio collaborating with other talented musicians that the pieces come together in a way that is a mix of rock, minimal art noise, and gospel.


If Words Had Power

A randynewman-esque ramble through the high desert...

Man From Nowhere

Never before heard song, "I Just Learned To Run", by Lee Hazlewood. Unmastered, straight tape transfer. More to come in our Lee Hazelwood / LHI series in 2012.

Lee Hazlewood - I Just Learned To Run (Unreleased Studio Outtake)

Buy or further listening : https://avanteblack.lnk.to/drugmoney
iTunes: http://found.ee/drugmoneydigi
Spotify: http://found.ee/drugmoneyspotify

The debut single from Avante Black, the project led by Ottilia Zimmerman Kjulsten, a 22 year-old Swedish native living in London, alongside fellow Swede Emil, Italian Gabs and British drummer Dean.

Produced in London by Luke Smith (Foals, Petite Noir, Depeche Mode), the release is Avante Black’s first since signing a global deal with [PIAS] electronic imprint Different Recordings (Anna Of The North, Claptone, Kllo).

DRUG MONEY

I did this cassette a few years back from my guy Chicago Dave, they duplicated it and sold it out of a vending machine at The Owl in Chicago. It did real well on the guy who ran the venues soundcloud, but I don't know what happened to that guy, or what's happening at that venue anymore. I listened to this the other day, it has some good parts. I hope you enjoy it. There's a B Side too, but I think that's sticking to the tape. Until I find myself beside myself for real.

Champions Of Sound Vol 1. - Side A

I'm Not Your Girl by Loud Forest
(Written by Rachel Chadwick, Bernard Chadwick, Steve Wilmot)

Walk me around the lake
But make no mistake
I'm not your girl
Try to read my mind
But I'm not feeling kind
I'm not your girl

My mind's not yours,
My mind's not yours, 
My mind's not yours

I'm not your girl, I'm not your girl, I'm not your girl

Drive me down your street
But I can't feel the beat
I'm not your girl
Show me where you live
give all you can give
I'm not your girl

My mind's not yours,
My mind's not yours, 
My mind's not yours

I'm not your girl, I'm not your girl, I'm not your girl

Ok come on now, you never even had the key
Ok you can hold my hand now, but take me back please

I'm not your girl, I'm not your girl, I'm not your girl

I'm not your girl, I'm not your girl, I'm not your girl

I'm Not Your Girl

Between Two Shores

Setting Forth

Ray Stinnett - A Fire Somewhere
Light In The Attic Records
LITA 088
http://lightintheattic.net/releases/755-a-fire-somewhere

A hippie-fied, soul-rock, folk-rock, psych-rock gem lost in the vaults for four decades, A Fire Somewhere by Ray Stinnett (best known as a member of '60s outfit Sam The Sham & The Pharaohs) sounds as fresh as the day it was cut, and comes with extensive liner-notes detailing the fascinating life of a little-documented '60s rock voyager.

Born in Memphis in 1944, Ray Stinnett got his first guitar, aged 12, from Nathan Novak's pawn shop, where Elvis got his first guitar. Heading back down Beale Street afterwards, the family stopped at a light and a huge pink Cadillac pulled up beside them. "And oh my god -- it was Elvis!" recalls Ray, "So I held up my guitar and shouted, 'Hey Elvis!' and he looks over and says, "Hey cat." Ray told his father he was going to work hard and make a gold record... just like Elvis.

Before long, he was putting the plan into action, first in teen group Johnny and the Electros, then as a duo with drummer Jerry Patterson, playing nightly at honkytonks, roadhouses, beer joints, nightclubs and the many Memphis recording studios. He achieved his promise with Sam The Sham & The Pharaohs -- Wooly Bully was the number one selling record of 1965. At 21, Stinnett was living a life of world tours and screaming fans -- the whole mania. The wheels fell off a year later, amid managerial disputes. The four Pharaohs (including Ray) parted ways with Sam, wrote two stinging rebukes ("The Hanging" and "You Sure Have Changed") and released them as The Violations. Ray became more and more of a prolific writer.

By 1967, the summer of love, Ray left for Haight Ashbury in San Francisco with his wife and young son, taking up residence at the legendary Morning Star Ranch, where Ray focused on finding his true voice. Returning to Memphis a year later, Ray formed a working friendship with Booker T Jones, who produced Ray's unreleased Sun Tree at Pepper West album. Eventually, when Jones moved to Malibu and took a contract with A&M, he lined up a deal for his old friend.

Still working in Memphis with (old) friends Jerry Paterson and Mike Plunk on bass, along with Booker T. and co-mixer/engineer Richard Rosebrough (Chris Bell, Big Star), Ray channelled his experiences in the pop machine, at Morningstar and beyond into the songs that would become A Fire Somewhere. It funnelled the vast experiences of this pop star, cosmic traveller and grounded, loving father.

The songs contained the fried country twang and boogie-woogie grooves of his hometown and of his youth, but were also threaded through with the new psychedelia -- shreds of distorted guitar, looping experimental jams and acoustic renditions. "Art is a reflection of life," says Ray of the making of A Fire Somewhere, "and my life was full of reflection at this time." And it's perhaps exactly that fact which kept this incredible record unreleased for all these years.

By summer, the album was ready for release. By winter, it remained on the shelf. A&M reassured Ray that they were going to make him a superstar. Ray had already done that; he just wanted the songs released. Soon, they hit an impasse. Ray took his tapes and songs and went on with his life. In the end, A&M's loss -- is our gain. Listen, and enjoy, this message from another time, and from an old head on young shoulders. "It's a torch that's been carried forty years through the desert, waiting for this moment to arrive," says Ray.

+ Original album Executive Producer: Booker T. Jones
+ Original art intended for 1971 album release, seen for the first time
+ All songs previously unreleased
+ CD with 40-pg book with liner notes interviewing Ray with unseen photos
+ Double LP with download card for full album, plus liner notes and rare photos
+ Limited edition (200 copies on psychedelic orange swirl vinyl) pressing available to LITA Subscribers and the first 200 pre-orders at + LightInTheAttic.net. Limit 1 per customer.
+ LP includes 18×24′’ fold-out poster

Ray Stinnett - Honey Suckle Song

Ray Stinnett - A Fire Somewhere
Light In The Attic Records
LITA 088
http://lightintheattic.net/releases/755-a-fire-somewhere

A hippie-fied, soul-rock, folk-rock, psych-rock gem lost in the vaults for four decades, A Fire Somewhere by Ray Stinnett (best known as a member of '60s outfit Sam The Sham & The Pharaohs) sounds as fresh as the day it was cut, and comes with extensive liner-notes detailing the fascinating life of a little-documented '60s rock voyager.

Born in Memphis in 1944, Ray Stinnett got his first guitar, aged 12, from Nathan Novak's pawn shop, where Elvis got his first guitar. Heading back down Beale Street afterwards, the family stopped at a light and a huge pink Cadillac pulled up beside them. "And oh my god -- it was Elvis!" recalls Ray, "So I held up my guitar and shouted, 'Hey Elvis!' and he looks over and says, "Hey cat." Ray told his father he was going to work hard and make a gold record... just like Elvis.

Before long, he was putting the plan into action, first in teen group Johnny and the Electros, then as a duo with drummer Jerry Patterson, playing nightly at honkytonks, roadhouses, beer joints, nightclubs and the many Memphis recording studios. He achieved his promise with Sam The Sham & The Pharaohs -- Wooly Bully was the number one selling record of 1965. At 21, Stinnett was living a life of world tours and screaming fans -- the whole mania. The wheels fell off a year later, amid managerial disputes. The four Pharaohs (including Ray) parted ways with Sam, wrote two stinging rebukes ("The Hanging" and "You Sure Have Changed") and released them as The Violations. Ray became more and more of a prolific writer.

By 1967, the summer of love, Ray left for Haight Ashbury in San Francisco with his wife and young son, taking up residence at the legendary Morning Star Ranch, where Ray focused on finding his true voice. Returning to Memphis a year later, Ray formed a working friendship with Booker T Jones, who produced Ray's unreleased Sun Tree at Pepper West album. Eventually, when Jones moved to Malibu and took a contract with A&M, he lined up a deal for his old friend.

Still working in Memphis with (old) friends Jerry Paterson and Mike Plunk on bass, along with Booker T. and co-mixer/engineer Richard Rosebrough (Chris Bell, Big Star), Ray channelled his experiences in the pop machine, at Morningstar and beyond into the songs that would become A Fire Somewhere. It funnelled the vast experiences of this pop star, cosmic traveller and grounded, loving father.

The songs contained the fried country twang and boogie-woogie grooves of his hometown and of his youth, but were also threaded through with the new psychedelia -- shreds of distorted guitar, looping experimental jams and acoustic renditions. "Art is a reflection of life," says Ray of the making of A Fire Somewhere, "and my life was full of reflection at this time." And it's perhaps exactly that fact which kept this incredible record unreleased for all these years.

By summer, the album was ready for release. By winter, it remained on the shelf. A&M reassured Ray that they were going to make him a superstar. Ray had already done that; he just wanted the songs released. Soon, they hit an impasse. Ray took his tapes and songs and went on with his life. In the end, A&M's loss -- is our gain. Listen, and enjoy, this message from another time, and from an old head on young shoulders. "It's a torch that's been carried forty years through the desert, waiting for this moment to arrive," says Ray.

+ Original album Executive Producer: Booker T. Jones
+ Original art intended for 1971 album release, seen for the first time
+ All songs previously unreleased
+ CD with 40-pg book with liner notes interviewing Ray with unseen photos
+ Double LP with download card for full album, plus liner notes and rare photos
+ Limited edition (200 copies on psychedelic orange swirl vinyl) pressing available to LITA Subscribers and the first 200 pre-orders at + LightInTheAttic.net. Limit 1 per customer.
+ LP includes 18×24′' fold-out poster


Man From Nowhere

Here's Your Problem

Recent comments

Samuel Ortegón Pepke

Topher Taylor

Related tracks