I collaborated with sculptor Paolo Puck to create this soundtrack for his installation at Meow Wolf's House of Eternal Return exhibit in Santa Fe, NM.  The soundtrack has two sections: the first section is the sounds of the creature's carefree daily routine, and the second section goes with narrative petroglyphs carved on the wall where the creature encounters spear-toting humans and disarms them using magic.

Soundtrack for Paolo Puck installation at Meow Wolf House of Eternal Return

This is a soundtrack that accompanies the Trash Temple at Meow Wolf's House of Eternal Return in Santa Fe.  I tried to compliment Corinne's brilliant art and echo the idea that we're living in an unsustainable circus of consumerism.

Soundtrack for Corinne Loperfido's Trash Temple at Meow Wolf House of Eternal Return

this piece features percussion generated in Chuck

ieky

noosphere

Acoustic guitar, glitchy synthesis and percussion generated from Chuck programmatically.

indigaleen

This song is meant to draw people into an area of Meow Wolf's House of Eternal Return exhibit.  Once inside the space you can engage with an interactive art piece created by Jeff Matson.

https://credits.meowwolf.com/house-of-eternal-return/fancy-town/lighthouse

Powder Stirrups - music for Jeff Matson's art at Meow Wolf House of Eternal Return

This part of the soundtrack includes the water dripping in Sarah's cave and the sounds of her going about her day.

Soundtrack for Paolo Puck installation at Meow Wolf House of Eternal Return (Diegetic Only)

Piano Abstracted for Falling Leaves

This was the first track I recorded after my mom gave me her 1918 baby grand piano.  This is the first recording I've released using this piano since it came to live with me.  The initial chords were inspired by an encounter at a coffee shop in downtown Santa Fe on a Sunday morning in February.  After playing around with different ideas and making several test recordings a general structure emerged.  Then I improvised several takes with an emphasis on capturing energy and spontaneity.   Piano was mic'd with an AKG 414.

The First Time You Meet Someone

Using ChucK to programmatically generate and manipulate drum samples and Arturia Minibrute

Eyebrow Corrector

June Swept (demo version)

This was one idea out of a series of experimental soundtracks to accompany an art installation.  This didn't end up fitting the project, but I liked it on its own.  This piece explores harmonies of differing lengths, dissonance, darkness and light.

the Hermetical Loom

Pinned to spotlight

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