A new Remix by Marcapasos & Janosh... coming soon on Klang Gymnastik and Beatservice Records

Buy @ Beatport

Flunk - Blue Monday (Marcapasos & Janosh Rework 2014) Snippet

The Westend in Munich is a lively, vibrant and multi-cultural neighborhood and everywhere you go you discover interesting soundscapes that became the basis for this very atmospheric and slightly avant-garde deep house track: Oriental music booms out of Turkish snack bars, buildings are being demolished with heavy equipment, Vespas are being repaired on the street, well after midnight young people play table tennis - fascinating not to observe life with your eyes but to listen closely and to alienate all kinds of sounds and thus capture the mood of the neighborhood and create an unusual track out of it. 

So if you like the following tracks, artists and music, you might also like this cranky weird song. And as always, yes, I can warmly recommend the following things to you:
Bvlb Kiln / Büdi Und Gumbls / Herbert The Way / Ten Years Sober / Padre Feed Your Eye / Sam Goku Fusing Bubbles / DJ Manny / &Me Rampa Adam Port / Ross From Friends / Sound Support / Benjamin Groove / Yola / Kindisch / Theo Parrish / Archil & Leon / Paul Guilera / Triplicate / Bassa Clan / Robert Fleck / Lane 8 / Nala Sinephro / FaltyDL / Lelah / Denis Horvat / Baham /

Corrot

[Organic Deep House] Westend Ghetto - Corrot (125bpm)

Marie Wilhelmine Anders - Frozen Music (Album) [brq148]

Here I delved deep into the background and the genesis of each individual track of the album:
Read here: https://www.magneticmag.com/2023/11/the-directors-cut-marie-wllhelmien-anders-frozen-music-broque-music/

Marie Wilhelmine Anders’ new, multi-genre concept album “Frozen Music” follows up on her albums “Travels” (Broque) and “She’s Leaving” (Noisy Meditation). Being her fifth album, which refers to the poetry of Robert Louis Stevenson, "Frozen Music" also evolves around another main source if inspiration that is drum ’n’ bass: Sunchase (who mastered „Frozen Music“ superbly), dBridge, Calibre, Krust, Goldie (Mother!), Optical, T.Power, LTJ Bukem, Banaczech, are just a few of her main influences. While searching for the connecting elements between the poem template from the late 19th century and the time when d’n’b was created 100 years later, she found the sound of the foghorn, invented in the year Stevenson was born. The foghorn was first installed in Jamaican sound systems in the 1950s, and it created an unexpected power in the bass range, and from there found its way into the raves and d’n’b productions of the children of the "Windrush" generation in the UK. The second connecting element Marie found was the music of Claude Debussy: his "liquid works" (David Toop) - influenced by the music of Java, Cambodia, Vietnam, Japan - in turn influenced the later generation of ambient music producers. The chord progressions from his "Prelude" from "Pour Le Piano" reappear in a stretched and filtered form in Marie’s ambient intro track "Prelude" and in a few other places in "Frozen Music“. The nine tracks of "Frozen Music" find their very own form in the atmospheric recreation of the pictorial language of Stevenson's poem "Evensong" and in its relationship to some of the most fascinating genres in electronic music. Being a classically trained composer Marie juxtaposes ambient, breaks, d’n’b and techno. She approaches the boundaries of genres with a kind of innocence, always listening to the connections between the different styles. In “Frozen Music” she picks up on these connections. This works so well because the musical forms often don't adhere to what you would deem traditional structure. Dynamic quality, form, sound design and, last but not least, the mix of her music are all the more carefully coordinated and result in a catchy flow that makes „Frozen Music“ another masterpiece, that not only brings food for thought, but, most importantly, transports the grooving d’n’b sound of the 90’s onto the contemporary stage.

All tracks written, produced and mixed by Marie Wilhelmine Anders https://soundcloud.com/marie-w-anders
Female vocals and field recordings by Marie Wilhelmine Anders
Mastered by Alexander Pavlenko at 22-22 Studio
Artwork by Marie Wilhelmine Anders & Thomas Lutz

Release date: November 14, 2023
Record label: Broque (Munich) https://www.broque.de
Free mp3 download 👉 https://www.broque.de/label/en/release/mp3-download-en/5020-148-marie-wilhelmine-anders-frozen-music-2
https://soundcloud.com/broque
Promotion: Pullproxy (Berlin)
https://www.pullproxy.com/publicity/campaigns/releases/3424-frozen-music
https://www.pullproxy.com/publicity/campaigns/artists/3614-marie-wilhelmine-anders

Frozen Music

Embers

Marie Wilhelmine Anders - Embers

Original: https://soundcloud.com/talkinghouses/bai-mai-sait-work-in-progress

Clapz'N'Trapz - Bai Mai Sait (db-Maui Remix)   [Free Download]

Nadja's pick of the week 42: (Lucidflow 🔊 flow.page/lucidflow )
1 Indigo (Jay Hill Midnight Mix) - Entison - People of the Light/POTL Noir
2 So Pretty ft. Herr Michels (Late Night Remix) - db-Maui	- Broque Music
3 Vague - Brickman - Lucidflow
4 Duotone - D. Diggler - Lucidflow
5 Plans & Plants (Retza's Maybe I Should Mix) - Chiari - [REFRACTION RECORDS]
6 Northern Code - Butane & Riko Forinson - Lucidflow
7 Parallel - Dip - Lucidflow

Nadja's Weekly Vibes [42]

Coverversion des Titels Blue Monday von New Order.

Blue Monday Cover ft. KarstenV (extended version)

Are We Sequenced

Ever found yourself trapped in a haunted jazz lounge at 4 AM, where the bartender is a malfunctioning drum machine and the house pianist has been dead for decades, but somehow still plays? That’s the energy of IS0LDMYS0Ul2MZk—a mind-warping minimal odyssey that sounds like it was transmitted from a parallel dimension where time runs in reverse and ghosts DJ b2b with AI.

The bassline is thick and swampy, rolling like a lost Arkajo dubplate played at -8. The hi-hats flicker like candle flames in a séance, and just when you think you’ve locked into the groove—a detuned, slightly evil piano stumbles in, laughing in reverb-drenched echoes, like it knows something you don’t.

Then come the vocals. Or what's left of them. Twisted, stretched, and glitched beyond comprehension, they whisper secrets from the great beyond. Are they warning you? Are they mocking you? Does it even matter anymore? Somewhere in the distance, Villalobos and Melchior are playing chess, while Cabanne programs a drum machine using only telepathy.

For fans of: Ricardo Villalobos, Baby Ford, Melchior Productions Ltd, Cabanne, Ion Ludwig, Margaret Dygas, Spacetravel, Nicolas Lutz, Z@P, Cristi Cons, VincentIulian, Enrico Mantini, 100hz, Tripmastaz, Masomenos with
label vibes: Perlon, Minibar, Yoyaku, Slow Life, My Own Jupiter, Cabaret Recordings, Amphia, Nervmusic, Pluie/Noir, Teleport Records, Sushitech, Under The Radar

Best played: Somewhere between the afterparty void and the part of your mind that hasn’t fully rebooted yet.

Press play. Let the track unravel your soul, one glitch at a time. And remember: the piano is watching your soul! As long as you did not sell your soul to music?

Westend Ghetto - IS0LDMYS0Ul2MZk (Deep House)

Flunk - Blue Monday

Flunk - Blue Monday (E><PANDER Remix)

An old, early find from our archives: The track was created about 10 years ago together with the DJ "Johanna Reinhold" in several sessions, until we were very, very happy about this symbiosis of deep house, acid, techno and very strange, refreshing bleeps, surrounded by great, atmospheric sounds and sound carpets. We later asked "Rob Acid" to mix the production in his studio and are very grateful for the very clear, powerful sound, which doesn't just want to be "loud". A very own track, which we still find great after a decade. Of course free download for everyone.

#johannareinhold #einmeier rob acid

Are We Sequenced

Hermie

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