Inspiring fusion of poetry and soundscape, effective use of field recordings 🖤

Fixing A Hole

ascesa

十二月（December）

鋼空こわれゆく世も知らぬげに

The December sky is cold as steel and indifferent to the misery on the ground.

Art work:  wal_172619 via Pixabay

十二月（December）

Paul Mimlitsch × Aoki Satoru - Blue-Green
alto clarinet: Paul Mimlitsch - Evergreen, Colorado, United States
Prepared bass: Aoki Satoru - Tokyo, Japan

Streaming: https://tr.ee/uVvHoP22Ea

Paul Mimlitsch https://soundcloud.com/r369improv
https://paulmimlitsch.bandcamp.com
https://www.youtube.com/user/R369improv

Aoki Satoru
https://linktr.ee/tototod

♪ Streaming Link

Paul Mimlitsch × Aoki Satoru - Blue-Green

As part of the "analog reflections" series, only analog modules/sound generators are used. There was no digital post-processing.

ar_10_benjolin_reseq

Espaciados

Disquiet Junto Project 0676: Sub Melody
The Assignment: Bury a slow melody deep inside a drone.

Step 1: We did a drone project last week and it went well, so let’s do another one. You needn’t have done last week’s to do this week, as is always the case. Again, you may, yourself, be experienced recording drone music, or you may never have recorded any. You may not even be sure what drone music is, in which case read up a bit. Not matter your experience and familiarity, please give some thought as to what constitutes drone music.

Step 2: Think about what makes a melody, even a very slow and simple melody, different from a drone.

Step 3: Now record a piece of music that is, objectively, a deep drone, but somehow within it, somewhere well below the surface, include a slow-moving melody.

Up to my neck - disquiet0676

miXture_02

This morning's "what if" . . .  what if I played the root note of each shakuhachi in different octaves, in other words, re-voicing the three root notes of B, C & D shakuhachis. Here are the results.

CBD shakuhachi

First Reeds

wask

experimental xenomorph
meanderland field recordings


https://herminehermine.bandcamp.com/

Fixing A Hole

Hermine

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