stunning is such beauty to behold ... generously and entirely packed full of pure breathtaking Beauty

Fantastic track, great sound and presentation!!!

I'm loving the vibe, I often give open collabs a try and they don't always come out, but I'm going to see what happens!

Mixed for Lillithe

What does the smell of dew collecting in the woods sound like....?

Moonlit flowers

Great to work with Jussi again....he added bass and fabulous guitar playing to this.
Jussi mixed and mastered this track beautifully.

14/July/20222

Who Knows w/Jussi Welin

A melodic guitar meandering,using an ebow among other things. A song of empathy,sympathy and hope for better time,for those feeling isolation.

Take heart good people,this one's for you.

Ode to the Lonely

Ode To The Lonely

Early recordings brewed up in a hybridised mixture. Includes excerpts from my very first recording with my soprano....early days pre-pandemic...another era! 

Thanks to Tuco Amalfi on Pinterest for the Illustration.

Primordial Brew

Out of the Box November 2022
Everybody wants one...

Happy Ending

Credit goes to Klankbeeld of Freesound.org for the recordings of Fort Kijkduin...

Beyond the Netherworld (2023 Remix)

The DRUMAX PROJECT present track number 18 !
https://soundcloud.com/joerxworx > Composition, Instruments, Arrangement, Sax & Flute, final Mix
https://soundcloud.com/docfritz > Rhythm Design, Drums, Artwork
© 2023 by joerxworx and docfritz / DRUMAX PROJECT

Drumax No 18 // Remain Relaxed

Josh started this one off on its psychotropic journey into inner space - let us take you there 🌑
Josh - composition, bass, slide guitar and keys
Ken - drums and acoustic guitar
Tez - production and electric guitar

A Separate Reality with Entheogenic Psychonaut  (Josh Clary) and K2 and the Three

The Older I Get

Video,  we never thought you'd go away
And even CD's gone forever now

We digitised it, can't say it's not a lot of fun
But we will remember all those days

-----------------------------------------------------

We don't know, why humans are all so sick?
It's PFAS in the water, man
Leeching into the food chain, 
Taking our humanity
Will fighting fires cost more lives now?

The answer is yes
The answer is yes
The answer is yes
The answer is yes
The answer is yes  yes  yes  yes

The Answer Is Yes - Eleyan Di Palma

A minimal mix of See - Wildsilences - for open collaborations.
https://soundcloud.com/herronsound/wildsilences-see Posted as an intro or outro for Wildsilences See Indi Wild Moon, separated so it can be both, but also for it's potential to be expanded.
mix edit 05/27/23

See - Intro - Open Collab

Transient

Composed, arranged, performed, and produced by:
Carlos Vivanco

When related to the scale degrees of the major scale, it reads:  1 – ♭2 – 3 – 4 – 5 – ♭6 – ♭7 – 1 The sequence of steps forming the Phrygian dominant scale is:  half – augmented second – half – whole – half – whole – whole Traditional use This scale occurs in Indian, Middle Eastern, Eastern European, Central Asian, and flamenco music. It is common in Arabic and Egyptian music, in which it is called Hijaz-Nahawand or Hijaz maqam, and used in Hebrew prayers and Klezmer music, where it is known as Ahava Rabbah, Freygish or just the "Jewish scale", and is called Dastgāh-e Homāyoun in Iran.[citation needed] It is the most common scale in North Indian classical raga Hijaz Bhairav (Basant Mukhari) and South Indian raga Vakulabharanam.  It is sometimes called the Spanish Phrygian scale, Spanish Gypsy scale (see: gypsy scale) or Phrygian major scale (see: phrygian mode and major scale) and is common in flamenco music. It can also be found in traditional Spanish songs outside flamenco, everywhere in Spain to varying amounts, but especially in southern and central areas of the country, often being also known as escala andaluza (Andalusian scale) in Spanish.

Summer Dreams

Hijaz

'Gaslighting' Is a Jazz Fusion track inspired by the ease of use of lies and untruths by the so called "elites" globally.

Or Is It All An Illusion

Gaslighting

Sizzle Hands

I recently made a careless mistake and left on a pitch correction tool in my vocal channel, it defaulted to C and I didn't notice as I processed out the noise and added a delay on a Collaborators vocal track. The other collaborators track was also in C, I shared it with others thinking nothing of it. I'm Sorry  that I was so careless. 

collaborators 
https://soundcloud.com/learningtoplay
https://soundcloud.com/solacestreet
https://soundcloud.com/windscaleblues
https://soundcloud.com/llanpsych
https://soundcloud.com/garddwrporffor
https://soundcloud.com/lovvarion
https://soundcloud.com/enigmacurry
https://soundcloud.com/filosophyre
https://soundcloud.com/slyarte
https://soundcloud.com/christopherus-1
https://soundcloud.com/william_nicholas
https://soundcloud.com/user-786053539

https://soundcloud.com/jwiedenfeld
https://soundcloud.com/steve-whitfield-of-austin
https://soundcloud.com/specialvocals
https://soundcloud.com/user-911083679
https://soundcloud.com/scilentsymphony
https://soundcloud.com/nic_nic_nic
not on FB

See - Intro - Open Collab

Arma Ignifera

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