Last Uplift

Realm of Liquid

This track is a mash up of electronic with light to heavy guitar riffs with a ton of bass and smooth beats. Give it a listen, you will melt into this track.

Melting

Deep House Producer | Composer | Electronic Music Artist

Born and raised in Croatia. 
My journey into sound didn’t start in clubs, 
it started in long nights, quiet spaces, 
and a fascination with how rhythm speaks without words. 

Over time, that instinct became a language: 
deep house sculpted with emotion and built for connection.

My music doesn’t shout, 
it draws you in. 

Tracks like “Nothing Is Real” and “Fevered Opponent” made with patience and purpose, 
bringing melody, and global influence into something personal. 

Releases such as Deep House Odyssey and Kraljica Tame reflects me who thinks beyond genre, 
always searching, always refining.

The result is a catalog that feels both underground and cinematic, 
made for dancers, thinkers, lovers, 
and the late-night souls who find themselves somewhere in between.

This is not just house music.
It’s movement with meaning.

🎧 Stream the journey:



💿 Vinyl & CD Merch Shop:
https://elasticstage.com/essomandela

🎧 Official YouTube:
https://www.youtube.com/@EssoMandela

🎧 SoundCloud:
https://soundcloud.com/esso_mandela

🎧 Spotify:
https://open.spotify.com/artist/5EdZgh5PFVwBX2kllZQOg9

🎧 Apple Music:
https://music.apple.com/us/artist/esso-mandela/1765032229

🎧 YouTube Music:
https://www.youtube.com/channel/UCC0H0F-r2HIbUo5gOD__e8g

🎧 TIDAL:
https://tidal.com/browse/artist/5704188

🎧 Deezer:
https://www.deezer.com/en/artist/279532991

🎧 Boomplay:
https://www.boomplay.com/artists/96866609

🎧 Audiomack:
https://audiomack.com/essomandela



🔔 Don't forget to like and subscribe 🔔

-------------------------------------------------
Credits:
Lyrics, Music & Composition
℗ Esso Mandela | All Rights Reserved
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#EssoMandela #DeepHouse #ElectronicMusic #DanceHouse 
#VocalHouse #UndergroundHouse #ProgressiveHouse 
#CroatianProducer #ClubMusic #LateNightVibes 
#MusicArtist #Composer #BalkanHouse


Mind Seduction

MY PEERS calls me the "ARTIST OF THEIR GENERATION," and I humbly will WORK towards that TITLE, I PROMISE! I wanted to make this song a REBELLIOUS ANTHEM against RACISM and FEMININITY! RACISM is still too fucking REAL in these streets, and I HATE that shit. I ALSO don't like when FEMALE energy gets DEGRADED. FEMININTY is as important as MASCULINE energy, why not BALANCE out all equals? WE all carry both ENERGIES in many ways! FREE your mind, Color Blind.....  because we ABOUT to run your RACIST ass out this bitch..... WATCH THIS!

FREE YOUR MIND (COLOR BLIND) | #THECRITICALLYRICAL

INSTA

wage slave prod vansykut (BONUS)

I don’t know if I’ve actually heard electrofunk before. I thought it was funk with electronic characteristics but it’s actually electronic music with funk characteristics. This uses my city pop beat that I studied online (down to what color were the accents). So I guess it could be electro disco.
I think it’s minor bebop on the lead for the intro. Standard chord progression with superimposition with the effects. Half of them from Logic worked. We have the 1st instance of ‘cowbell’ in a song of mine.  The reappearance of pair triads for synth in chorus as well as slap bass. Then, in a blink and you’ll miss moment my signature sound! Hendrix has the E7#9 and some producers shout their name at the beginning of songs. So I could technically play a E7#9 and shout my name. Double the signature sound. No, what I did was 3 scratches-note-2 scratches-note -1 scratch-note. Tada. I call it the ‘countdown’. It’s probably been done before but I wanna make it my own thing (by repeating it more times in other songs). Then, a horn section  just superimposes itself over the same chord progression. It’s the first time I’ve successfully made a legato run on a horn section sound good. In time for the upcoming Bond theme.  I came up with it the same way as the string section for Cold Cold Storm. It appeared in my head and I took out my phone and went ‘and the strings shall go like dum dum dum’. So typical part came when I was sitting at Annies and they were playing some lounge. It reminded me a bit of ‘So Beautiful’ by Pete Murray. So I wrote the rest of it in a singer-songwriter style on my guitar and changed the vocal phrasing to make it less Pete Murray. Then, I came up with the rest of the chorus and asked myself what did it sound like later. 'well it’s only natural' is very similar to ‘will you still love me when’. Lana Del Rey is one of my sisters’ fave artists (or was). The last chorus is def danceable. Last revision I would ask the mixer to do is to increase the volume for backing parts for ‘in human form.’ 

I do remember singing it to someone and changing the lyrics to ‘I Will still love you when’.  It is both too easy and too hard. Too easy cos’ “I got a good (heart) memory remember?” “Threats heard Jer but not nearly as bad as semen in your wanton soup.” True story.  The last page of Fight Club it’s real waiters saying, “Margaret Thatcher has eaten my cum twice.”
Please tell everyone what you really think of waiters and black people. Btw, since you’re so righteous I’m gonna help you out here. At which point you might doubt why I would want to help you but believe me. Keep your mouth shut and don’t answer the question. No really, I’m trying to help you. I know how much you care about your hygiene. In fact it might be the only thing you care about. And, you were just born like this. So getting screwed over when you go eat take out and you do eat take out a lot wouldn’t change your opinion on waiters. 
Waiters all over the world: what was it?
Not telling you. You wouldn’t be offended if a person with below average IQ walked in and said, “waiters sucked” so just treat her like the village idiot she is. 
Also too easy in that I could just conjure up all of your childhood trauma that was done by daddy. 
Too hard in the sense that she’s already dead inside. That is a direct quote. 
*begins standup*
Now  if we were the last 2 human beings on earth I wouldn’t do it with you. Why? Just imagine those aliens in their spaceships laughing their asses off at me going, “and that is the moment that idiot stuck his dick back in and doomed the human race to extinction. Note the look of sheer self disgust on his face. Thus, beginning a new species known as homo narcissus.” I am a man of my word but ‘friends’ take the piss out of each other all the time!




So Typical

ysl - she

Release Date: 20 June 2025

https://www.beatport.com/release/phoenix/5102559?utm_source=ios&utm_medium=share&utm_content=release

Teaser: Rolasoul Phoenix - Hernan Cattaneo & Mercurio Phoenix Remix

This one’s for the heads still skankin' at sunrise.
"Still Buzzin!" blends speed garage swing, drum & bass pace, and UK mic energy into a non-stop sheller built for 2025.
Reload bars. Bouncy bass. Catchy enough to loop. Raw enough to slap.


---

For fans of: BRU-C, Conducta, Aitch, Sammy Virji, Preditah
Made for: TikTok edits, club skanks, and rooftop reloads.

🎧 No excuses. No permission. Just buzzin’.

Still Buzzin!

🖤🤍🖤🤍🖤🤍🖤🤍🖤🤍🖤🤍🖤🤍🖤🤍🖤🤍🖤🤍🖤🤍🖤🤍🖤🤍
🖤🤍-----------------------Sweeter than my Sollitude----------------🖤🤍
🖤🤍--------------------------------172 BPM-------------------------🖤🤍
🖤🤍----------------------Thank you for stopping by-----------------🖤🤍
🖤🤍-------------------Pls Repost, Like and Drop a comment--------🖤🤍
🖤🤍🖤🤍🖤🤍🖤🤍🖤🤍🖤🤍🖤🤍🖤🤍🖤🤍🖤🤍🖤🤍🖤🤍🖤🤍

Pls help me make this track fly on Spotify 🖤: 
https://open.spotify.com/track/4aHcPaQ51Yta5Xv8wDHnzS?si=2e1a1f3542b04df7

Sweeter than my Sollitude

HexLab is a UK-based music collective creating powerful, emotionally honest sound across POP TRAP , RAP, R&B, EDM and melodic blends. From raw heartbreak to high-energy street anthems, HexLab delivers cinematic production and storytelling with weight. Every release carries meaning — built for the real ones. Music you feel. Music you live with. No genre limits, just pure expression.

Still Buzzin!

🄷🄴🅇🄻🄰🄱

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