https://archive.org/details/earsheltering108

Solar Souls

Created for the Disquiet Junto Project 0523: Chill Communication
@disquiet

The Project: Record the sound of ice in a glass and make something with it.

These ice samples were recorded by whirling ice cubes in a growler back in 2017. I looped a section and processed that through a Make Noise Strega, recording the piece mostly as one improvised take where I 'played' the filter to create layers of feedback in the delay. There is one overdub where I improvised repitching the same ice loop in Samplr and also processed that through the Strega, creating different tones of delay feedback. There's a bit of judicious volume envelope editing added in post to calm the feedback swells a bit. It all reminded me of a slow motion version of the wild ricochet sounds made by dropping ice down a bored ice core well.

Many congrats and thanks to Marc ( @disquiet ) and Happy 10th Anniversary to the Junto!!

More on this 523rd weekly Disquiet Junto project – Chill Communication (The Assignment: Record the sound of ice in a glass and make something with it) – at: https://disquiet.com/0523/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co : https://llllllll.co/t/disquiet-junto-project-0523-chill-communication/

Ice Drops - [disquiet0523 - chillcommunication ]

Analog modular synths, electromagnetic field, contact mic & handmade synths by dedicated makers improvised by Heyvard

Released on Earsheltering(FR): 
earsheltering.bandcamp.com/album/after-all-it-s-our-apocalypse

After All, It's Our Apocalypse.

extra bibble

Fragmente  by WÜST

Mantra

Purport

nos brisures, nos failles, nos fêlures,nos gouffres intérieurs..
ambiphonie, écoute au casque recommandée
bonne écoute !

Brisures

The Assignment: Use probability to remove material from a track.

I made a 3 track piece specifically for this idea instead of using something I already had because I figured it should be done with tracks that always have something happening so the silence is more noticeable/dramatic.  I think the moments where everything cuts out are the most dramatic.  Silence is sort of the 4th track in that sense (or what ever is going on around you when listening).  The piece itself used a fair bit of aleatory.  "Dr Chaos" is a max for live instrument I used with the drum kit.  It plays random samples at a regular beat division (1/8th, 1/16th, etc.). The 2 other tracks are just moving through different interval cycles (minor 3rds and perfect 4ths) at different paces so they create different unpredictable harmonies.  I used Random.org to decide where to cut and how long the cut should be (1-8 beats).  I figured cutting on beats instead of seconds would give the breaks a rhythmic quality.

More on this 586th weekly Disquiet Junto project, Chance the Eraser (The Assignment: Use probability to remove material from a track), at: https://disquiet.com/0586/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0586-chance-the-eraser/

Nothing Hear (disquiet0586)

blurry

some kind of nothing

Corium

Heyvard is a sound artist/improviser. He experiments with noise/electronics using analog modular & digital synthesis, handmade synths by dedicated makers, electroacoustics, sound collage, EM fields, radio art, and other techniques to create otherworldly sonic voyages. 

He also co-creates experimental music videos/short films with artists of different disciplines.

After All, It's Our Apocalypse.

Heyvard

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