Name: To Be In Your Eyes 12/20/18 by Erik Rockom
Duration: 3 min 51 s
Description: Cover of a song by The Church - first draft

yes it is - i think i had a cold though :)

Unreleased.
Socials: 
http://rocristiandumitru.bandcamp.com/
https://www.facebook.com/cristiandumitrudj

Cristian Dumitru - Inspiration (unreleased)

Let's Get Mashed

From the album Clear Shining After Rain by Jonathan Rose available at CDBaby.
Lyrics - Chelsea Odhner, Jonathan Rose
Music - Jonathan Rose, Chelsea Odhner
Vocals - Gillian Hyam
Drums, Bass, Keyboard, Guitars - Brahm Genzlinger
Acoustic guitar - Reade McCardell
Piano, Lead guitar - Jonathan Rose
Backing Vocals - Chara Daum, Simon Daum, Joralyn Glenn, Angella Irwin, Reade McCardell, Jonathan Rose
Sound Engineer - Brahm Genzlinger
Studio - Somewhere South in Huntingdon Valley, PA

Hallelujah (feat. Chelsea Rose Odhner)

In the spring of 2015 Wayne Horvitz, with long time collaborators Eric Eagle (drums) and Geoff Harper (bass), spent a week in residence at Snowghost Studios in Whitefish, Montana. Snowghost is a state of the art 21st century recording studio with great acoustic spaces, and a meticulously maintained Steinway grand piano. Owner and engineer Brett Allen engineered the sessions, and the sessions were produced by Mr. Eagle and Mr. Horvitz. 

http://snowghostmusic.com/ 

“I’ve never felt so free of expectations in the recording studio in my life” says Mr. Horvitz. “The sessions were relaxed, creative, and without a specific goal. We didn’t set out to make a record, we just set out to enjoy the process. I brought in a pile of tunes and sketches, and started making music. The only thing I knew was, I wanted to work with Eric and Geoff, and I wanted find an organic marriage between the idea of a piano trio, and some ideas I’d been exploring with amplified and processed piano.” 

In 2016 Mr. Eagle and Mr. Horvitz began editing and mixing at “Skoor Sound” in Seattle. Using the same relaxed approach as the sessions, the mixes were done over a 9-month period. 

Most tracks are live, including the processing, with minimal overdubs. A few tracks involve multiple keyboards. 

All music c & p Wayne Horvitz, Other Room Music ASCAP 

Wayne Horvitz-Piano, amplified piano, live processing, Wurlitzer electric piano, Hammond B-3, Nord Lead, TX-7, and Mellotron 

Geoff Harper-Contrabass 

Eric Eagle-Drums and percussion 

Brett Allen-Engineer 

Technical: Recorded at 96/24 with Royer and Telefunken vacuum tube microphones; Lachapell Audio 992 and Forssell Technologies SMP2a mic pres; and Forsesell MADC-8 converters. 

Photo by Wayne Horvitz

To Be In Your Eyes 12/20/18

Erik Rockom

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