From yolabmi's Before Your Past Lives, available now on tape and digital:
https://muzaneditions.bandcamp.com/album/before-your-past-lives

yolabmi - VI

broken aelita improv

info + tracklist: https://radio.syg.ma/episodes/guests-184-ekaterina-bazhenova-yamasaki
https://www.ekaterinabazhenovayamasaki.com
https://ekat.bandcamp.com

GUESTS

GUESTS 184 – Ekaterina Bazhenova-Yamasaki

from forthcoming: Francisco Meirino "A Perpetual Host" CD

A Perpetual Host is Francisco Meirino’s fourth full-length, solo studio album on Misanthropic Agenda.
A deep dive into personal loss and the banalities of life and art, A Perpetual Host captures the raw, solitary, and often acerbic extremes that drive creation. Across four pieces, Meirino explores sonic tension and boredom, questioning the simplicity and complexity of the mundane with bursts of clarity that redefine existence itself.

Francisco Meirino is a Spanish sound artist based in Switzerland.

His music explores the tension between programmable material and the potential for its failure. His interest lies primarily in what is not supposed to be recorded : the end of life of electronic devices, electrostatic noise, magnetic fields and the unconventional use of music hardware and sound systems and how to exploit these sonic failures in radically different ways in his sound pieces.

His music combines intricate textures, sonic precision, wide spatial panning and is fascinating by its physical intensity and detail precision.

He mostly uses the modular synthesizer (Eurorack-Serge), various microphones, the computer, the field recorder, tape recorders and tape echoes, EMF detectors and various home-made electro-acoustic devices.

https://misanthropicagenda.bandcamp.com/album/francisco-meirino-a-perpetual-host

misanthropicagenda.bigcartel.com/product/francisco-meirino-a-perpetual-host

A Perpetual Host

Francisco Meirino "Something Always Remains"

release on 8 December 2023 : www.wabi-sabi-tapes.bandcamp.com/
@lalamina

For Bajo Tierra, the artist was inspired by the muted bubbling of swamps. Thus, at the start of each piece, the listener is led to observe the apparent, superficial calm of a multi-headed sound complex.

Lamina - Sous La Terre

Eks - Intro / Only Input >> Hi Rates (feat. SENSATIONAL)

Preview of "The Moon Turned Into The Sun" by HMOT. Released Feb 1st 2024 by Kota Tones & Beacon Sound.

The Moon Turned Into The Sun - HMOT (Minimix)

»grain« is the third Innode release following on from »Gridshifter« in 2013 and »syn« in 2021.

A new methodology to make the album is applied yet again from the trio of Bernhard Breuer, Steven Hess and Stefan Németh. The approach is more an anti approach where the trio let the process of creation itself steer the development of the recording, without any prior conceptual agenda.

Irregular rhythmic patterns often served as the initial springboard for each piece with Breuer creating a loop either by playing drums or with the aid of a modelling percussion synthesizer. The results often bypass existing formulaic grids. The outfit embraced these anti-precision steps building shapes around the tarnished templates.

The process of building upon the core structures laid forth alters throughout. In the case of »Splitter« you can hear an example of Bernhard´s core loops dominating a skeletal audio sphere. The title of the track »Impactopium« reflects the process of its construction being a conglomeration of individual titles meshed into a whole. The audio is a non-linear compendium of several fragments of individual elements. A conscious method of exploring a more decentralised architecture saw three disparate elements layered randomly on top of each other with some synths added as a sonic seasoning at the later stages.

Elsewhere sonic elements are restructured in unusual ways. One member's contribution is completely stripped away, quiet sounds captured with contact mics are highly amplified, the last track introduces twisted themes of the first track.

The title »grain« refers to the roughness resulting from these explorations. It also takes note of the term grain as used in analogue photography or in the case of audio as a distorted signal, or »noise.« All of these elements, normally eschewed, are here embraced as a thematic thread to instigate the exploratory proceedings.

This is a playbox of inventiveness, a hall of mirrors and an endless search for unusual tactics and fresh results.

Tackling the initial loop tracks from a wide variety of strategic approaches Innode has concocted a strangely cohesive work. From sparse source material to heavy overdubs of overdubs »grain« is a uplifting collection of works from this relentlessly curious and exploratory Austrian outfit. Humans make the work but the random embracing of unexpected processes means the gentleman of the outfit is not fully ruling what becomes of these works.

grain

Splitter

Innode 'Splitter' (EMEGO311)

Echium - Considered Instances

Cannons is a 3-movement work from 2010 composed for four large, resonating ‘bass cannons’—steel pipes fitted with subwoofers—and ensemble (percussion, viola, cello and electronics) in resonant space.. The original cannons were fabricated from local steel by J T Pegg and Sons, Snape Maltings, and were graduated in size from 1 meter to 7 meters long. They were capable of reproducing bass frequencies with unusual fidelity and could be experienced vibrating at the threshold of the physical and the aural at close range by audience members and performing musicians alike. The concert portion of the work was approximately 30 minutes. Cannons was commissioned by UK festival Faster Than Sound, and has also been produced in Australia at the Midlands Railway Workshops, by Ensemble Decibel and Festival THNM/Tura New Music.

Cannons  - 2010 - (excerpt) - at Faster Than Sound - Aldeburgh UK

From ANM047 "Climat Avenir", by Simon Chioini — CD Digipack

Climat avenir ; portrait of unexploited lands, of deserted spaces, of a corrosive and venomous flora. Irked protagonists, roaming livestock, their acidic cries.
Beauty of the blue-green lakes, of the scintillating stars under clouds of bronze. The earth's foundational movement.
Crashing ice. Solar winds.
This work cycle is an imagined world voided of any human presence, or succeeding it. It is a prismatic composition: a vibrant landscape, a topographic map, an exploded geode.
Macro. Micro.

Music composition and mastering by Simon Chioini.
Photography by Violeta Mayoral. Sculptures by Lara Fluxà. Art Direction and concept by Violeta Mayoral and Lara Fluxà.

Cannons - 2010 - (excerpt) - at Faster Than Sound - Aldeburgh UK

Marina Rosenfeld

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