lyrics here: http://www.desireekane.com/lyrics-blue-code-copy-edina-hiatus-remix/

Lounge, Think Playlist: Jazz, slow tunes

Photography by Bijan Shahrad.
___ 
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FREE DOWNLOAD: Vapour Trail

This morning I learned that my great uncle Houshang died last week in Iran. As a young man Houshang worked for the oil refineries in Abadan; in later life he moved to Exeter in England, where he was a shopkeeper, a chess player, and - to my brother and I - a magician. He was an old-fashioned Iranian gentleman, and a perfect uncle. Old age took away his memory, but he'll not be forgotten.

The Magician

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Shell (feat. Matthew Fall)

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Rebuilding

Where The Light Is (Kyson Remix)

HIATUS

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BLUE ROSE CODE

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Blue Rose Code – Edina (Hiatus Remix)

http://projectmooncircle.com/releases/nuage-neida/

06 Overflow (feat. Olga Maximova)

In a town where clocks don’t tick
Memories are what we keep
He sells no hours, sells no days
Just the moments we dare to trade

One by one, they come and go
Carrying dreams they don’t want to know
He bottles sorrow, seals regret
The things we pay to forget

Time is a shadow we sell to survive
A flicker of love, the price of our lives
Give me your warmest, I’ll give you peace
But something you lose will never cease

A girl came in with hollow eyes
Trading snow for silent skies
She gave her mother’s gentle hand
For a night she could not withstand

The merchant sighed but did not speak
Truth is a cage when the heart is weak
And though she smiled, she walked away
Lighter in soul, but lost in a way

Time is a shadow we sell to survive
A flicker of love, the price of our lives
Give me your warmest, I’ll give you peace
But something you lose will never cease

He stands alone, surrounded by glass
Each bottle a story, each moment that passed
But behind the door with no name or key
Is a memory he no longer sees

Time is a shadow we sell to survive
But when you forget, are you still alive?
He traded your pain for someone’s dream
But forgot the thread that held his theme

The merchant of time, fading slow
Doesn’t remember why he began so
No clocks, no tears, no final chime
Only the echo of borrowed time

The Merchant of Time

from 'Turmalinturm' [CD|LP|DIGITAL]
Denovali Records · den268
available on all format at [http://denovali.com/foghdepot]

Fogh Depot continues its quest for the fifth element, experimenting at the confluence of jazz, modern classical, and electronic music. Two years after their first S/T release, the Moscow-based trio presents a new album - Turmalinturm.

Like the previous recording, this is a unique blend of ostensibly incompatible elements. A traditional academic approach fuses with lo-fi spontaneity. The raw and vivid texture of the bass springs forward from a modular sterility. At times the mixture is explosive. No wonder the studio where the album was created burned down a month after it was completed.

This album imparts a new, architectural dimension to Fogh Depot's music. A fortress named 'Turmalinturm' rises from a solid foundation of jazz, neoclassical minimalism, and experimental electronica. But the sophistication of the fortress' towers makes one suspect that each had its own architect. 'Quicksilver Spoon' is virtually flawless in geometric form. 'Who The Last Says No' is so fragile and delicate that it is a miracle it does not collapse. 'Oscar' is perhaps the most complex and substantial tower of the ensemble. 'Alice, Bob & Cypher' has a secret of its own in the old vaulted underground crypt. One of the structures is topped with a Gorgoneion, a stone head of Medusa. Another houses a bell tower borrowed straight from Rachmaninoff's Suite No. 1.

Tourmaline is a stone that appears to change its color depending on the angle of view. Turmalinturm's listeners get to choose how to approach the fortress. Some will discover the same pensive melancholy sounds that Fogh Depot started with. Others will find lighter, brighter, occasionally even euphoric motifs.

Turmalinturm

Fogh Depot - Who The Last Says No

Written by Bryde.
Produced by Bill Ryder-Jones.
Mixed by Bill Ryder-Jones and Chris Taylor.
Mastered by Donal Whelan.

http://www.brydemusic.com

Wouldn't That Make You Feel Good?

You make the best of me! Tech Mex and Vokab Company collab.

Vokab Kompany - View Of My Life (Tech Mex Edit)

Imagining my man (Aldous Harding Cover)

The new epic album 'Creation' is out now! Coming to iTunes, Spotify, Amazon and Google Music on 20th of August 2017.

Title: Human
Album: Creation
Composer: Borrtex

Special thanks to Hans Zimmer and Kai Engel!

►Spotify:
https://open.spotify.com/artist/6FU6gwUc2OBtUA6TVQLo6C

►iTunes:
https://itunes.apple.com/us/artist/borrtex/id1215842951

Name your price:
https://borrtex.bandcamp.com/

Instagram:
https://www.instagram.com/borrtex/
Please contact me for commercial / film use.

Contact the composer:
representative@borrtex.com

Artwork Credits: Photo of rocks by Filip Rákoczy.

Tags: Epic Music, Soundtrack, Orchestra, Strings, Instrumental, Genesis, Bible, Creative Commons, HQ Music, Motivational, Inspirational, GYM Music, Training, Energetic

Creation

Human

Leaves

Listen / Purchase: https://lnk.to/dregs

Nearly ten years ago at the onset of Lost Tribe Sound, an artist emerged whose impact would go on to define our core direction as a label, to release music that leaves its tattered edges proudly in place, acoustic instrumentation blended seamlessly with dirty mechanics, timeworn sound worlds rooted in the muck and mire of the present. While we’ve traversed a wide variety of genres over the years, 2019 will find LTS returning to our origins, a label dedicated to exposing some of most beautifully bizarre beat-driven electro-acoustic music we can get our hands on.

With that said, who better to kick off the year, than Vieo Abiungo. Many know this artist by his proper name William Ryan Fritch, but those who have followed LTS for a while should instantly recognize Fritch’s more obscure moniker.  A name thought to be long since retired, as it’s been over 6 years since Fritch released his last Vieo Abiungo album, ‘Thunder May Have Ruined The Moment.’  March 15th, will see the release of a new full length album ‘The Dregs.’

‘The Dregs’ was conceived over the last couple months to help along our 8 album series currently underway, titled, ‘We Stayed The Path That Fell To Shadow.’ The series hit some typical production lags, combined with a dose of personal tragedy. Fritch and LTS wanted something to offer our loyal subscribers that would bridge the gap until the arrival of his upcoming double album ‘Deceptive Cadence: Music For Film Vol. I & II,’ slated for release in late April 2019. We discussed resurrecting Vieo Abiungo, something we’ve entertained for a while now.  We asked if we could dive into Fritch’s massive archive of music and unearth some our favorite Vieo Abiungo tunes from lost and abandoned albums.  What we discovered were pieces that buzzed with the same raw and texturally unpredictability that first drew LTS to Fritch's music.   

While arranging the album, we focused in on songs that showcased a side of Fritch’s musical personality that has rarely been heard.  The aim was to make the distinction between William Ryan Fritch, the film composer and singer songwriter and his Vieo Abiungo project even clearer. In place of his signature sweeping strings and intricately layered orchestration, the thrum of plucked viola de gamba forms much of the backbone of the music, played in a style akin to a North African oud. In addition, ‘The Dregs’ stands out with its unusual percussion teasing out and tangling together poly-rhythmic lines that make for some of the most intoxicating rhythms we’ve ever heard from Fritch. A large arsenal of horns, marimbas, vintage keyboards, mbiras, and Tuareg-style electric guitars also find their way into the mix.  

‘The Dregs’ draws comparison to Fritch’s 2017 soundtrack for GoPro’s ‘Eagle Hunters in a New World,’  though the music of ‘Eagle Hunters’ focused squarely on experimenting with techniques and sounds of Mongolian Folk music and its incorporation into the landscape of the film. ‘The Dregs’ is allowed to dance more freely, unbound to a specific region, genre, or stylistic concern. The album feels malluable, held in permanent motion by its shapeshifting beats and bombastic melodies. Every track on the album is pure gunpowder, explosive in both mood and delivery, with the exception of a couple somber and timely interludes meant to give pause, recharge and prepare the ears for the next expansive onslaught.  ‘The Dregs' hits upon so many genres yet refuses to be defined by any of them. With any luck, ‘The Dregs’ will persuade Mr. Fritch to pull Vieo Abiungo permanently out of retirement and give us the next evolution in this immersive tale.

Blue Rose Code – Edina (Hiatus Remix)

Hiatus

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