Name: GAMESMisc, One Ball Drop File 02 Cascading Ball Tree by hidden sound
Duration: 6 s

One and Two balls are dropped down a wooden cascading tree toy creates tonal and dissonant rhythms.

Single user, non attribution, royalty free

Equipment

Sound Devices 633
Sennheiser MKH 8050
Sennheiser MKH 30

File details:

12 one shot files
Format: WAV
Sample rate: 96,000 hz
Bit rate: 24
Channels: 2 - stereo export of mid/side microphone configuration
Total audio time: 1 minute 28 seconds
Total size of files: 50.3 Mb

GAMESMisc, One Ball Drop File 02 Cascading Ball Tree

The blood, the glory, the fight, the Holy Grail & of course Angelica! THE EPIC OF #EARLYHARDCORE SOUND This tune was relased for F***King Hardcore 13 double-vinyl compilation for Mokum records.

Doom Arthur & the Knights of the Rounded-Table (MOK 233) unmastered

ARIADNE

Monodrama-installation for voice, five performers and live electronics
text by Daniele Bellomi

Commissioned by Schallfeld Ensemble with the support of Ernst von Siemens Musikstiftung in coproduction with IRCAM - Centre Pompidou

Anna Piroli, voice
Schallfeld Ensemble
Lorenzo Derinni, violin
Myriam García Fidalgo, cello
Szilárd Benes, bass clarinet
Manuel Alcaraz Clemente, percussion
Maria Flavia Cerrato, pianoforte
Davide Gagliardi, sound engineer
Étienne Démoulin, Ircam computer-music design

Recorded at Théâtre de Gennevilliers T2G (France) on the 17/06/21
Score published by Edizioni Suvini-Zerboni, Milan

Ariadne (2021) [use headphones!]

taken from ET-097
http://www.archive.org/details/ET-097

ET-097 | Sea Of Solaris

Yoichi Ichikawa - Sea Of Solaris (Excerpt) | ET-097

SenSen - Rutina com Noxin

my contribution for the event "strom-wandlung-schall" (http://www.zem.de/assets/files/INV_StromWandlungSchall_web.pdf) by ZEM on 09/11/2022, which I unfortunately could not attend live for health reasons.

Rob Hordijk's module "Benjolin" represents a central sound source in this composition, whereby the sometimes "chaotic" sounds, which are created by the extraordinary circuit structure, give an idea of how uncontrollable and unpredictable not only our physical environment is, but also our own life as well as its end.

mosbach-abwesend

Alenka
for quintet

performed by mdi ensemble

Sonia Formenti, flute
Paolo Casiraghi, bass clarinet
Corinna Canzian, violin
Giorgio Casati, cello
Luca Ieracitano, piano

Alenka (2023), for quintet

art work par Alice Rosa, Mulher Branca : https://alicerosa.portfoliobox.net/images
Strabisme Auditif : https://soundcloud.com/user3052871

tracklist 
    1 Résidents de la République, intro 
    2 Magma, Tröller Tanz, 1976 
    3 A glade, Earthling, 2023
    4 Strabisme auditif, Manifestacio 
    5 Brigitte Fontaine, Interview. 
    6 Tulgirdas, NU KĄ? AAA!!!, 2020
    7 Spontaneous Overthrow, Party, 1984
    8 Fulguromatic, Top 5 des citations d’Einstein sur internet (la 3ème va vous surprendre), 2023
    9 Fred Weinberg, Animosity, 1970
    10 La Pisse, Un café une fois par an, 2022
    11 Massicot, Cuska, 2020
    12 Un éternuement venu de loin 
    13 The Space Lady, Interview. 
    14 Jimmy Hendrix, EXP, 1967 
    15 Tatsound, Go (Where you want to go), 2022
    16 Ingetrapt, Le Carnaval des animaux de Tchernobyl, 2023
    17 Strabisme Auditif, Cum Shlago Spiritu, 2022
    18 The Space Lady, Domine libera nos, 1990
    19 Cam Wicked, This year ahead, 2019
    20 Pavel Matela, Už se nám to krátí, 1993
    21 Norma Tanega, Illusions, 1971

Paravision invite Strabisme Auditif ~ 18.10.2023

premiered by and composed for Madison Greenstone and Alexandra Smith.

No additional processing - only acoustic clarinet and metal sheet.

no dogs in space (2022) bass clarinet and metal sheet with transducer

From its inception as agriculture trade paper in 1843 to the present day, The Economist has provided a gateway into the mind of the banking class. Something of an anomaly in the publishing industry, The Economist is not quite a magazine, not quite a newspaper; aspirational in its branding but bleakly limited in political ambitions; brazenly transparent in its capitalist ideology, yet inscrutable in its favorably spinning for American and British imperialism and racism.

It is publication owned by the wealthy for the wealthy and advertises itself as such. Its only moral pretense: a long history of championing what it calls “liberalism, ”a notoriously slippery term that, in The Economist’s world, views freedom to profit and exploit labor as interchangeable with the freedom of religion, press and speech. 

As such, examining The Economist’s history, its connection to British and American banking interests and intelligence services, can tell us a great deal about the narrow focus of Western, and specifically British notions of “liberalism.” The promotion of capital flows over justice, enlightened imperialism over self-determination, abhors overt racism while promoting more subtle forms of race science and colonialism, all along easing the conscience of wealthy white readers that want to feign concern about human suffering but who have everything to gain by doing absolutely nothing about it.

On this episode, we are joined by Alexander Zevin, author of Liberalism at Large: The World According to The Economist.

Episode 98: The Refined Sociopathy of The Economist

Dimitri and Khalid explore the most paranoid and conspiratorial deep cuts of Brian De Palma’s insufficiently stanned filmography: satirizing the satanic Laurel Canyon rock scene in “Phantom of the Paradise”, sus attack therapy techniques in “Dionysus ‘69” and “Body Double”, CIA psychic spies in “The Fury”, Zapruder film vibes in “Blow Out”, whether “Mission To Mars” was a trap by Mr. Global, and the brutal Iraq War mockumentary “Redacted” that got him erm-listed from Hollywood in the 2000s.

For access to full-length premium episodes and the SJ Grotto of Truth Discord, subscribe to the Al-Wara’ Frequency at patreon.com/subliminaljihad.

#50 - GOOD SCREAM: The Paranoid Cinema of Brian De Palma

Remote field recordings, unique location sound and experimental audio packs from Iceland

GAMESMisc, One Ball Drop File 02 Cascading Ball Tree

hidden sound

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