p*dis sampler 2018.11

From the full album: https://alonefold.bandcamp.com/album/remote-textures

Drift Dancer

Embark on a sonic journey that'll take you from the nearest asteroids to the most distant known Dwarf Planets.
Best enjoyed with headphones!

Solar System Suite nº2

Frozen Queen of the Seas: Salacia

Taken from Markus Guentner's new album, Theia - now available on double vinyl and digital: http://asip.me/asipv004

There was chaos and violence, a collision of dark matter and heat. 
In the maelstrom, a legacy was created and a new moon born. 
She left something here forever.
But amongst infinite black depths,
Theia rages on. 

Depicting the legendary impact of the planet Theia, Pop Ambient pioneer Markus Guentner returns to vinyl, with a highly anticipated full-length LP.  

Markus Guentner - Magnetar (ASIPV004)

AMONE 002 
https://amone.bandcamp.com/album/earth-and-beyond

Music by Christopher Landin and Ludvig Cimbrelius 
Mastered by Ludvig Cimbrelius 
Cover photo by Simone Alexandra Ærsøe
Designed by Studio Mycel

LAV & PURL - EARTH AND BEYOND [AMONE 002] PREVIEW // Out now!

Lens Mozer - All My Friends

Kaziwa

Porya Hatami & Arovane - Uun

Map 165 is a collaboration between Martin A Smith and Tim Hooper exploring disorganised sound, atonality, beauty and evocation. Following on from 2014’s The Fatigue of Sunlight and Wine (Voxxov) and their collection of live recordings A Foreign Country, we are pleased to announce the release of their latest album Of Adam Sleeping in the Lap of God. 

An ambient work in four movements inspired by the north portico of Chartres cathedral Of Adam Sleeping in the Lap of God melts stone into music using a series of field recordings, synths and guitars. 

Of Heaven and earth: 
The formless becomes formed. A swirling coalescence of themes and sounds. Through repetition a pattern appears. Order is created. Across a slow shimmering, four notes call out bridging the void. 

The deepest midnight blue 
The sound from the lowest point of the lake 
The silence of the space above the Earth 
The beat of the heart 

Of the firmament: 
A blissful disorientation. Shimmering, confusing, a wrapping inwards of time and rhythm with multiple refraction of the same themes overlaid but still apparent. 

It is the clangour of bells reflected off stone walls in an old town 
It is the beat of wings over a lake 
It is the confusion of walking in to a dark interior out of the brilliant sunshine 
It is the clamour of foreign languages in the market place 

Of the Sun and the Moon: 
Reflective and contemplative, with a receding sadness. Watching the last sun of Summer set knowing that Winter will be coming. 

Wind between the fingers of trees 
Dust settling in corners until Spring 
Hands resting upon the table 
Valleys filled with fine rain 

Of Eden: 
Neither afraid of night or morning. Each day welcomed; each day passing as easily as water in a river. The security of knowing what you like and trusting your judgement. Equal with all, afraid of none. Night comes blissfully again. 

The comfort of time passing 
The first moment of sleep 
Closing the door once home 
A friend’s voice 

Written and recorded by Martin A. Smith and Tim Hooper 
Assembled and Produced by Martin A. Smith 
Choir at Chartres Cathedral recorded by Helen Smith 
Recorded at Flying Boat Studio, Cambridge, UK 
Sleeve artwork by Katie English 
This is Rural Colours 84

Map165 / Of Adam sleeping in the lap of God (Snippets)

This track is quoted from the album 'Trivial Treasures'.
Listening to all tracks of the album and purchasing are available on the link below.

https://tehnofonika.bandcamp.com/album/gallery-six-trivial-treasures

Smell of watery soil stay in the back in the nose. 
Close your eyes, take a deep breath and bring back memories... 

Written and produced by Hidekazu Imashige. 
Audio mastering by Goran Geto. 
Cover art design by Fonika Media Group.

trivial treasures

Buy CD

Yuragi

Taken from the album 'Enfolding'.
Release date: October 16, 2018 on Hidden Vibes.

Hidden Vibes on web:
hiddenvibes.bandcamp.com
www.facebook.com/hidevibes

offthesky - longior aura (obeisance i)

Anne Lovett’s stunning new release for 1631 is a departure from her beautiful previous solo piano album Beyond (and below). Without loosing any of the startling beauty of the preceding album, in The Eleventh Hour, Anne Lovett revels in a new sonic world. Joined by the London Contemporary Orchestra , UK’s most innovative and respected ensemble routinely heard alongside such luminaries as Radiohead or Johnny Greenwood, and later in duo with phenomenal cellist and composer Oliver Coates, Anne Lovett also introduces subtle electronics interwoven carefully alongside layered melodic piano lines.

The main narrative for the album was conceived shortly after a new addition was brought in to Anne’s studio, a plantation chair which sat opposite her Grotrian-Steinweg grand piano. It led to intense hours of rethinking around the instrument itself and more generally about the seismic shifts that were taking place in society. The album is an attempt to reconcile the flaws of time. 

Best described by the Japanese concept of Kintsugi or “broken beauty”, The Eleventh Hour is a heartbreakingly beautiful contribution to the modern “indie” classical genre. The thirteen tracks all meticulously crafted and ringing out with a dark luminosity, like an elegy to our troubled times. 

It will appeal to fans of Dustin O’Halloran, Nils Frahm, Max Richter, Philipp Glass, Jóhann Jóhannson who will find many reasons to love this album .

www.1631recordings.bandcamp.com/album/the-eleventh-hour

The Eleventh Hour

Anne Lovett - The Eleventh Hour

Pre-order Fallen Trees on LP/CD/DL: http://radi.al/MelnykFallenTrees

Continuous Music pioneer and literal force of nature Lubomyr Melnyk releases his new album 'Fallen Trees' on December 7th. Known as ‘the prophet of the piano’ due to his lifelong devotion to his instrument, the new album coincides with Melnyk's 70th birthday. 

Cascades of notes, canyons and rivers of sound: there’s something about Lubomyr Melnyk's music that channels the natural world at its most awe-inspiring. In Fallen Trees the connection with the environment continues, taking its cue from a long rail journey Melnyk made through Europe. Glancing out of the window as the train passed through a dark forest, he was struck by the sight of trees that had recently been felled. “They were glorious,” he says. “Even though they’d been killed, they weren’t dead. There was something sorrowful there, but also hopeful.” That sense of sadness touched by optimism infuses the album, too: rarely has Melnyk made music so shot through with melancholy and regret, but which sounds so rapt, even radiant.

The five-part, 20-minute Fallen Trees is one of the most ambitious and demanding pieces he has ever created. Though the music is – as ever – Melnyk’s own, Fallen Trees once again features a number of Erased Tapes artists. Japanese vocal artist Hatis Noit, whose first EP Illogical Dance came out to much acclaim earlier this year, lends ethereal vocals, floating mysteriously above the surface of Melnyk’s eddying piano lines before diving far beneath. Other contributors include Berlin-based cellist Anne Müller, a sometime collaborator with Nils Frahm, and American singer David Allred, the most recent addition to the label family. “More than any of the albums that I’ve done, it’s a real collaboration,” Melnyk insists, emphasising how much he owes to his producer, Erased Tapes founder Robert Raths.

It is true to say that there is nothing quite like Melnyk’s work: a unique musical pioneer, he has defiantly carved his own path. “I don’t say to people I’m a composer,” he declares. “I don’t know what I am.”

Melnyk composes, as he plays, at the piano, feeling out lines and individual rhythmic cells that bubble, undulate and gradually expand into vast, interlinked frameworks. Asked to describe what it’s like to live inside his music, he says “my whole body is transformed as I play, it honestly feels like that. My fingers feel like the winds of the world; it feels like you’re physically transcending dimensions.”

Despite the autumnal hint in its title, there’s little suggestion of Melnyk slowing down. Having received critical acclaim and co-headlining the prestigious Royal Festival Hall as part of the Erased Tapes 10th anniversary celebrations, after many years his audience is now both global and growing. The composer is finally gaining a momentum in his career that matches the vibrant, highly active energy of his playing.

Fallen Trees

Son of Parasol

Buy LP/CD/DL

Lubomyr Melnyk - Son of Parasol

Sven Laux and Daniela Orvin​ - 'The Writings' 
Label; Dronarivm 
Cat #.: DR-59
Format: CD (ltd. 150)/ DL
Release date: April 12th, 2019
Pre-orders start March 29th

Sven Laux is a Berlin-based artist and composer who returns to Dronarivm following ‘Paper Streets’, which was released in 2017. He has also previously released on labels such as Archives, Whitelabrecs and Archipel, producing anything from modern classical to experimental minimal music.

Daniela Orvin is also based in Berlin, a pianist, musician and composer who has to-date released her second album ‘Home’ on Sven’s ‘Seasides On Postcards’ label which to many, became a stand-out recording in 2018.
Around a similar time to the release and creation of ‘Home’, Sven had been creating some tracks for an album and felt that there was something missing. After casting his ears over Daniela’s work, he realised that piano was the missing piece of the jigsaw that he had been searching for in the album he had been culminating. He invited Daniela to his studio, they walked through what had been created up to that point and she became inspired to the point that they began to work together. The process was very intuitive as piece by piece their own styles collided effortlessly into what has become a completed album project.

‘The Writings’ plays out in the exact order in which the tracks had been worked on, providing an accurate account of the studio time in which these stories had been etched. During the process, Sven and Daniela became friends and the concept of the album itself has become about collaboration itself.
Typically when artists work together in tandem, particularly in modern classical or ambient music, the result tends to be loud and powerful, as the two voices compete for the sonic space. This is not so in ‘The Writings’, as the artists showed great restrain between one another, a respect for each other’s expertise. Piano isn’t everywhere on this album, nor are Sven’s ‘hollywood strings’. Both are present, along with many many more wonderful elements. But each is afforded its own time and space, in a truly patient but evocative and enthralling listen, best enjoyed from start to finish.'

Mastered by Tobias Lorsbach
Original photo by Daniela Orvin

Buy CD / DL

Sven Laux And Daniela Orvin - Friends (from 'The Writings')

Taken from the upcoming album 'Annoying Tyrannies' on Fluid Audio...

www.fluidaudio.bigcartel.com/mailing-list

Annoying Tyrannies

Tobias Hellkvist - Annoying Tyrannies: Part 2 (Excerpt)

I See Planets

Somnia

Independent label and distributor in Tokyo, Japan specializing in indie / underground music from Indie Rock / Electronica / Alternative, Ambient / Drone / Experimental,   Jazz / Crossover / Avant-grade, Techno / House / Disco, Beat / Downtempo / Dubstep.

We are here to seek new talent and inspire your music life. You can put your music in our dropBox or make contact with us via soundcloud. Any music and style is welcome and appreciated.

All music on this account is fully authorized by labels and artists. However, if you find contents infringing your copyright and the information is incorrect, please give us a notice. We'll act on your requests immediately. 



Hidden Vibes is a small diy record label, based in Kyiv, Ukraine. We release digital albums and extremely limited physical editions of lovely music in nice packaging.

For all inquiries: hidevibes@gmail.com

offthesky - longior aura (obeisance i)

Hidden Vibes

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