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Poppy Seed Boards of Canada Others

Skee Mask - Dolan Tours

Boards Of Canada - Seven Forty Seven

My Absynth version of Aphex Twin's - Rhubarb. This was all done using the envelopes.

Aphex Twin - Rhubarb

Taken from AST123: Th Blisks - How So?

Available physically / digitally here:
https://alteredstatestapes.bandcamp.com/album/how-so

Th Blisks - Guesthouse

Its all a bit hit and miss but its surprising what you can muster up with this thing..  this evening a sort of raspy bowed electric cello sound emerged which really came to life after putting it through a very short delay.  This is pure raw waveform generation from the analog optical waveform scanner - no dynamic filtering or even EQ has been used in this case.

A rough description of how my perceived analog recreation of Daphne's Optical Waveform Scanner works can be found in the playlist description.

Composition & Recording Copyright D.A.Wilson, Hideaway Studio, 2022.

Oramics Analog Optical Waveform Scanner Prototype: Bowed eCello...

Agape (slowed) - Nicholas Britell

longing for her embrace


Sanctuary I – Gentle Rain
A gentle curtain of crystalline rain falls softly in a wide-open soundscape, washing over the senses like a cleansing breeze. Beneath the hushed rainfall, waves of warm analog synth pads and subtle harmonic textures bloom and dissolve in ebbing swells, each transition guided by the Golden Ratio’s naturally soothing cadence. There’s no beat—only a vast, immersive field of rounded frequencies, delicate overtones, and the faintest shimmer of wind chimes. The spatial mix feels infinite, inviting stillness and introspection as the rain envelops the listener in a cocoon of sonic tranquility.

Sanctuary II – Flowing River
Evoking a sacred river’s slow journey through ancient woods, this piece begins with the pure sound of running water—a gentle current that trickles and eddies from left to right. Silky pads and shimmering harmonics drift in, tracing organic patterns inspired by nature’s geometry. Each swell and fade unfolds at a pace that feels both endless and familiar, helping dissolve boundaries between self and surrounding. River ripples and distant waterbirds weave in and out, while the 3D sound field creates a sense of floating, your consciousness gliding downstream in harmony with the flow.

Sanctuary III – Chimes in the Breeze
Awash in the luminous atmosphere of dawn, faint wind chimes dance lazily in a soft, timeless breeze, suspended above a bed of slowly billowing pads and gentle texture layers. No rhythms intrude; instead, sound events occur with the intuitive timing of sighs and exhalations, shaped by the Golden Ratio to maintain balance without structure. Every chime, overtone, and subtle swell is rendered with microscopic detail for an almost tactile presence—an environment designed to quiet the mind and open space for light and peace.

Sanctuary IV – Rain & Ripples
This track captures the interplay between gentle rainfall and water’s surface, focusing on watery, textural movement. Drops fall in soft patterns, echoing and blending with undulating waves and deep ambient harmonies below. Enveloping pads create a lush warmth, with movement and tonal modulation always slow, always organic. The piece unfolds in waves—sometimes rising into shimmering radiance, then subsiding into deepest warmth—each transition smooth and harmoniously proportioned. It’s a restorative soundbath, perfect for letting tension melt away.

Sanctuary V – Distant Skies
A vast, open sound world: faint rumbles of very distant thunder blend with ethereal wind chimes and cumulonimbus-sized pads that pulse and recede like clouds in slow motion. Textures rise and fade on long, fractal-shaped arcs, the entire space saturated in natural warmth and subtle spatial echoes. There’s no sharpness, only the boundless calm of a sky after rain, inviting both awe and deep rest. This closing track is designed to leave you feeling weightless, cradled by space and sound

Sanctuary III – Chimes in the Breeze

Autechre - Nonima

#afx \ best way i can explain this was falling in love with someone that didnt exist, it couldve been applied to anyone and everyone. liferush. I mean it was for luke's competition but when I was making it I obviously had other thoughts going around me ed. Was hard keeping it a secret from him, i had an advantage, i knew better than most what luke liked !-)  I gave the prize to the runner up, i forgot his name now. It's quite quiet becuase the sub is so loud and low, trade/off. \ Won the Future Music competition for the best Luke Vibert remix. The name he submitted it under, Tahnaiya Russell, matches the email address in the ID3 tags. http://i.imgur.com/pDsuEoA.jpg

Boards of Canada - Kiteracer 2.mp3

HiddenFoxe

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