amazing patch, makes me want a prophet vs even more.

A series of live improvisations by D.A.Wilson recorded in front of some of the myriad of cherished and rare vintage synths returned to life over the past few years in The Lab at Hideaway Studio.

All Recordings are Copyright D.A.Wilson, Hideaway Studio.

The Secret World of Vintage Synths

~ LAAPS 019 ~ [SEQ.03 - LP19]

artist : ' t Geruis
 album : Bain D'Etoiles
duration : 37.43 mn
 date : April 18th, 2022

edition :
-  vinyl : limited to 300 copies / turquoise LP / hand numbered 
- cd : limited to 200 copies / hand numbered + handcrafted, sealed

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pre-order : April 01st, 2022 / official release : April 18th, 2022
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All Music by t’Geruis

Mastered by Ian Hawgood
Artwork by ©Sophie Lécuyer 
Design by Sprflxgrfzm

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Links :
https://laaps-records.com/
https://tgeruis.bandcamp.com/

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℗ & © 2 0 2 2 - L A A P S - L A A P S 0 1 9

t Geruis - Quelque Chose De Perdue

Late Night Swim

Maddy Briggs - Late Night Swim II (Stillwater Mix)

Panoptikon is a suite of vocal & electronic music composed by Maria W Horn for an installation in the disbanded Vita Duvan panoptic prison (The White Dove Prison) in Luleå, Sweden.

Längtans Vita Duva

Hibernation

~ LAAPS 033 ~ [SEQ.05 - LP33]

artists : Benoît Pioulard & Offthesky
album : Sunder
duration : 40.24 mn
date : January 22nd, 2024

edition :
-  vinyl : limited to 300 copies / transparent LP / selective UV varnish / hand numbered 
- cd : limited to 200 copies / pantone / hand numbered + handcrafted, sealed

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pre-order : January 08th, 2024 / official release : January 22nd, 2024
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Recorded at La Berceuse (Brooklyn, NY) and Offthesky studio, Denver CO in 2022-23 with electric and acoustic guitar, voice, microcassette tape, field recordings, modular synth, strings and flute.

Special thanks to: Julie Slater for various string recordings & Shilpi Gupta for flute on "Guilt and Beauty".

Mastered by Taylor Deupree
Artwork by Benoît Pioulard
Design by Sprflxgrfzm
 
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Links :
https://laaps.bandcamp.com/
https://www.instagram.com/iikki_laaps/
https://pioulard.bandcamp.com/music
https://offthesky.bandcamp.com/

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℗ & © 2 0 2 4 - L A A P S - L A A P S 0 3 3

Sunder

Benoît Pioulard & Offthesky - Fed On Lilies

from the "CASINO 2233" 2xCS (NNF420)
Not Not Fun / 2024

JOKER'S WILD:
https://newmexicanstargazers.bandcamp.com/album/casino-2223

NEW MEXICAN STARGAZERS "SMOKING LOUNGE"

Get it here https://murkla.bandcamp.com
And https://soundcloud.com/murkla

Leviata is the result of the latest project by tapeweaver Mattias Lagerkvist, who’s foray in to delayed drenched guitar and drone compositions under the name Ekolali has echoed for over a decade.

However, this release splits the echo with a major shift in both approach and sound. 
A guttural declaration of throbbing bass lines and hypnotic melodies, pulsating drones and primal screeches is accompanied by field recordings and chaotic percussion. Mangled by broken tape delays, ground hum and a four track held together with gaffa tape, Leviata is like a road trip to Eleusis; it shakes, rumbles, squeaks and squeals.

Previously making his home on labels such as Not Not Fun, BAKK, Patience and Constellation Tatsu, Leviata sees his own 20 year old label being brought back to life.

Find yourself a place to hide, the primordial soup is back for revenge.

Music by: Mattias Lagerkvist
Artwork by: Tobias Lund
Mastered by: Mattias Lagerkvist

murkla@tutamail.com
info@tobiaslund.com
linktr.ee/murkla

Leviata

Murkla - Leviata

A brief live improvisation I recorded using the first voice patch I managed to program into the 1979 Crumar GDS shortly after I undertook the major restoration (previously owned by the late Klaus Schulze) of this extremely rare groundbreaking early digital synthesizer.   It is named in memory of the late Max Mathews who played a major role in developing the software routines and concepts behind key parts of the GDS as well as in many other areas of pioneering computer based music technology.

Original Composition & Recording Copyright D.A.Wilson 2014.

1979 General Development System: The Max Factor

A live improvisation by D.A.Wilson shortly following restoration of 1982 Digital Keyboards Synergy number 1032 at Hideaway Studio running in conjunction with the SynHCS host editor on a Kaypro II CP/M computer under HxC disk emulation.  

In this recording you can hear the Synergy's unusual continuously variable random vibrato in action.  The Synergy is an all digital synthesizer with 32 oscillators featuring both FM and additive synthesis.  It is a direct relative of the 1979 Crumar GDS.

Original Composition & Recording Copyright D.A.Wilson 2015.

1982 DK Synergy 1032 Awakens: Evolutions

A live improvisation by D.A.Wilson on an extremely rare 1982 Buchla 400-T computer controlled 6-voice hybrid synth (digital "arbitrary" oscillators into analog filters) running MIDAS-III complete with flat pressure sensitive Touch Controller housed in a custom Teak solid wood cabinet awakens during return to operation and overhaul and Lotharek Rev.F HxC virtual floppy disk retrofit at Hideaway Studio.

The touch keyboard was a nightmare to get used and it took a great deal of my concentration to perform this as the pressure-to-pitch modulation was pretty intense on the patch I'd dialled in that day but it certainly resulted in something from the heart.  The highly responsive playing surface opens up some interesting possibilites for expressive patch design and playing!

Original Composition & Recording Copyright D.A.Wilson, Hideaway Studio 2015.

1982 Buchla 400 Awakens: Haute Tension

Echo Bay

A live test improvisation recorded in front of a 1982 Rhodes Chroma analog polysynth after finally springing into life during a particularly arduous debug session to determine the root cause of a failed auto-tuning system during major overhaul at Hideaway Studio. 

Easily one of my favourite vintage polysynths (even over Prophet 5 and OB-X) and one I consider to be extremely underrated - a complex and remarkably flexible 16 oscillator beast with a warm but biting character all of its own!!

Original Composition & Recording Copyright D.A.Wilson 2017.

1982 Rhodes (ARP) Chroma: Autotune-ONE

Testing out my beloved 1986 Prophet VS after replacing all of the tantalum capacitors.  Twice in as many months this beast had let the smoke out due to failing caps so I though it was high time I did something about it!

This is a patch I programmed a few months ago whilst trying out the superb new Stereoping hardware patch editor - heck did that little box open up this wonderful digital-analog hybrid vector synth...

I have always liked the sonic aesthetics of cold crunchy digital into warm analog filters!

Original Composition & Recording Copyright D.A.Wilson, Hideaway Studio 2018.

1986 Prophet VS: The Rezzodrone...

An improvised montage of sounds recorded live from 1938 Hammond Novachord No.346 shortly after partial restoration to working order by vintage synth specialist D.A.Wilson in the UK in 2009.  It is very rare to hear a direct modern recording (non-acoustic through chorus/delay/reverb directly from the generator chassis)of one of these instruments in action as less than 50 remain in known working order.

The Novachord is generally accepted to be world's first commercial all electronic polyphonic instrument featuring dynamics control and specifically designed to emulate timbres beyond those of an organ such as strings, harpsichord and piano.

See more on this extremely rare beast at www.novachord.co.uk

Original Composition & Recording Copyright D.A.Wilson, Hideaway Studio 2009.

1938 Novachord #346: Creepy Montage (85 Year Old Tube Polysynth!)

This year London has experienced several weekends of the hottest summer and that moved the Australian sound artist Kate Carr, whose practice is centred on articulating the relationship between people and place through sound, to point her microphone at the city. This volume is based on her recordings during a particularly hot long weekend in a corner of very busy intersection in London, where she resides now. In Heatwave, Carr is interested in both the serious and also the more prosaic aspects of soundscapes related to climate change. She investigated the throbbing summer music from her neighborhood, people’s efforts to keep cool, and the uneasiness which accompanies these everyday activities in this moment of environmental crisis. The way these pieces construct and compensate, with all the tangible sounds that fold into larger moods via multiple instruments, exemplifies her acumen in creating sonic stories that reflect our multi-layered experience of reality.

Humidity - from Heatwave out now via Hasana Editions

Paralaxe Editions is based in Barcelona, and Ylia (a.k.a. Susana Hernández) has long been one of the city's most well-regarded musicians. A classically trained pianist who came of age DJing breakbeat raves in Andalucia, she easily maneuvers between disparate scenes and styles; she's as comfortable dropping electro and techno records as she is performing alongside experimental flamenco artist Niño de Elche (she's a member of his touring band).


Following her appearances on labels such as Lapsus and Hivern Discs, Dulce Rendición is Ylia's first full-length effort, a cinematic collection of meditative and richly melodic tracks that largely grew out of her intimate live sets. Weaving together analog synths, field recordings and fragments of her own voice, much of the music was directly inspired by her dreams—and more specifically, the seemingly impossible sights and sounds that populated them. Working to recreate their lingering silhouettes in the light of day, Ylia oscillated between moments of deep introspection and playful fantasy as she settled into the hazy space between sleep and consciousness.

Releases November 24, 2020.

Music by Perila.
Mastered by Rupert Clervaux.
Artwork by Oficina de Disseny.
Printing by L'automatica, Barcelona.
Words by Shawn Reynaldo.

You Were There Too

D.A.Wilson is an Electronic Engineer, Sound Designer & Vintage Synth Specialist with a particular interest in combining vintage tube, classic analog and modern digital technologies working as a synth engineer looking after a very considerable amount of vintage studio equipment for Will Gregory (Goldfrapp / Moog Ensemble) and a number of other internationally celebrated electronic musicians and producers.  Having undertaken several major restorations and produced custom electronic designs for a number of major artists including Jean-Michel Jarre, Dani is also known for fully restoring two out of the world's four remaining 1979 Crumar GDS and partially restoring 1938 Novachord 346 (the only known operational Novachord in the UK) to playable order along with developing and producing the popular MIDI Front Panel Animator (FPA), Filter Defeat Module (FDM) and XD-280 Drive Emulator upgrades for the AKAI S612 sampler.

Demos of the S612 Upgrades in Action: 

https://soundcloud.com/hideaway-studio/sets/hideaway-studios-s612-front


Hideaway Studio Kontakt Sound libraries may be purchased directly from: 
https://www.lootaudio.com/category/kontakt-instruments/hideaway-studios
 

..and a nice introduction by Cory Pelizzari to the Hideaway Studio Kontakt Libraries:
https://www.youtube.com/watch?v=k-C7a3ChC9U&feature=emb_title


For more on releases from Hideaway Studio for Kontakt please visit the blog at:  www.hideawaystudio.net

1986 Prophet VS: The Rezzodrone...

Hideaway Studio

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