maybe shining light through crystals could be interesting? i also wonder if you could make an instrument/do something neat using optical filters

Untitled playlist

Made by splashing water creating ripples in a pan whilst shining a bright light onto it and directly receiving the resulting audio frequency domain modulated reflected light some distance away with a photo sensor as sound.  The resulting raw audio was overdubbed 4 times at different points into the recording and various pan positions to create a pseudo-stereo effect. More sound from light recordings here: 

https://soundcloud.com/hideaway-studio/sets/sound-from-light-optically

Recording Copyright D.A.Wilson, Hideaway Studio, 2022.

Sound of Light Reflected From Water Ripples (Optical Sound Experiment)

Its all a bit hit and miss but its surprising what you can muster up with this thing..  this evening a sort of raspy bowed electric cello sound emerged which really came to life after putting it through a very short delay.  This is pure raw waveform generation from the analog optical waveform scanner - no dynamic filtering or even EQ has been used in this case.

A rough description of how my perceived analog recreation of Daphne's Optical Waveform Scanner works can be found in the playlist description.

Composition & Recording Copyright D.A.Wilson, Hideaway Studio, 2022.

Oramics Analog Optical Waveform Scanner Prototype: Bowed eCello...

From the new album - 'Sound Postcards from the Centre of the Periphery' by Manja Ristić and Mark Vernon.

We made this 13-track journey around the sounds and sonic histories of the island of Korčula. In addition to our own field recordings, we were given access to the audio archives of the local radio station, including recordings of folk customs, traditional songs, dances and music...

This album unites two specific sensibilities that for many years have been embedded in the domain of sound and radio arts. Although they arose from very different environments, their work explores similar issues around preserving personal sonic histories. By stirring up nostalgia and collective memory, both artists often refer to the importance of individual experiences in the poetic "body" of micro-communities.

The artistic practice of both creators has been deeply immersed in the sonic strata of space and the imaginary narratives that emerge from it. A dedication to the culture of memory, the sounding of lost voices and an unorthodox approach to re-composing the soundscape, conveniently unites these two experimenters in a collaboration that arises from research into one particularly inspiring locality – the island of Korčula.

In addition to their own field recordings the artists were given access to the audio archives of the local radio station, including sounds of local folk customs, traditional songs, festivities and music. The strong anthropological emphasis in this collection of works is intended to encourage a deeper consideration of the coexistence of people and the environment in a historically dense climate. The appropriation of the hidden narratives of a small town on the fringes of the European Union opens up new fields of reflection on identity that looks back at the "center of the periphery", pointing to the importance of "small" spaces in the creation of European heritage.

‘Sound postcards from the center of the periphery’ will be stored permanently in the audio archives of Radio Korčula. Who knows, maybe someone will dig them out in 50 years and say: "...there you go! This will make your head ring!"

Special thanks to Radio Korčula, Gordana Šuperak and Ivan Sardelic Šore. To Pere from the Marasa printing house and to all the fellow citizens of Korčula who found themselves on this album intentionally or accidentally.

Manja Ristić & Mark Vernon - Šaka soli

We invited our friend Fog Puma to play records with us at the wonderful RIAA Bar in Hamburg.
@andiotto: start - 01:18:30
@djfogpuma: 01:18:30 - 04:00:00
@heiko-h-gogolin: 04:01:30 - 05:14:00
altogether: 05:14:00 - end

photo credit: @lorrrb

Pingipung @ RIAA Bar: Andi Otto, Fog Puma, Heiko Gogolin (04.03.23)

https://motion-gallery.net/projects/toruyamanaka_conatala

toru yamanaka & teiji furuhashi - Empty Quest (庭園の黄昏)

8 Utopia [brain floss mix]

Dolby C [ambient Edit]

A new test with the latest developments in the NOISE/VCF and LFO modules of Heritage Modular polyphonic synth.
Created with four LFO modules that modulate various parameters: VCF frequency, resonance, noise color, and amplitude.
Plus some live manipulations on certain knobs.
At the output, the MULTI-FX module in Zita reverb mode.
Played on eight independent voices, so with 8x NOISE and 32x LFO.
It's a palindrome; I layered two tracks: the original and the reversed copy.
https://www.heritagesynthesizers.fr/

Palindrome

Space Hangar

Th1 [evnslower]

Aphex Twin - cottage4 af

Music composed for 'Descaler', a dance performance choreographed by Rafael Reynoso in collaboration with Nicholas Grubbs during his September 2017 residency at Otion Front Studio

Descaler I, II, & III

[p*dis] distribution sampler for February 2012.

Caustic Window -  Compilation - Cordialatron (Rephlex)

excerpt from live et JARDIN C

Tha2 [world scam mix]

D.A.Wilson is an Electronic Engineer, Sound Designer & Vintage Synth Specialist with a particular interest in combining vintage tube, classic analog and modern digital technologies working as a synth engineer looking after a very considerable amount of vintage studio equipment for Will Gregory (Goldfrapp / Moog Ensemble) and a number of other internationally celebrated electronic musicians and producers.  Having undertaken several major restorations and produced custom electronic designs for a number of major artists including Jean-Michel Jarre, Dani is also known for fully restoring two out of the world's four remaining 1979 Crumar GDS and partially restoring 1938 Novachord 346 (the only known operational Novachord in the UK) to playable order along with developing and producing the new Elfin family of 8-bit polysynths and the popular MIDI Front Panel Animator (FPA), Filter Defeat Module (FDM) and XD-280 Drive Emulator upgrades for the AKAI S612 sampler.

Demos of the S612 Upgrades in Action: 

https://soundcloud.com/hideaway-studio/sets/hideaway-studios-s612-front


Hideaway Studio Kontakt Sound libraries may be purchased directly from: 
https://www.lootaudio.com/category/kontakt-instruments/hideaway-studios
 

..and a nice introduction by Cory Pelizzari to the Hideaway Studio Kontakt Libraries:
https://www.youtube.com/watch?v=k-C7a3ChC9U&feature=emb_title


For more on releases from Hideaway Studio for Kontakt please visit the blog at:  www.hideawaystudio.net

Sound of Light Reflected From Water Ripples (Optical Sound Experiment)

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