orvoc (version 3)

Blending a few layers of samples taken from 1938 Hammond Novachord No.346 with some previous live recordings I'd captured from the beast suddenly had me daydreaming of Lulworth Cove and the Jurassic Coast which is one of my favourite places on planet earth.

Obviously the Novachord doesn't sound like this out of the box but it often amazes me how easily just a few carefully chosen layers of material from the beast can quickly end up producing huge ensembles and washes especially when some are played at half speed.  I think this is in part due to the Novachord's six free-running vibratos which produce a very organic sea of wobbly goodness.

Composition & Recording Copyright D.A.Wilson, Hideaway Studio 2023.

Jurassic Daydreams (Layered 1938 Novachord)

Experimenting layering sync'd harmony effects made with layers of 1964 Servomex LF-141 jumping between harmonics in osc-sync mode blended with a two speed sequence made with a 1985 Korg SQD-1 hardware midi sequencer driving the Alesis Micron in the workshop.

Composition & Recording Copyright D.A.Wilson, Hideaway Studio 2023.

1964 Servomex LF-141: Servomex-141..

Aphex Twin - London 19.08.23 / Body Pads [45 RPM]

An Amiga Protracker music module I wrote 30 years ago under the guise of BrokenARM Music for a game called !Phaethon on the Acorn Archimedes playing live out of one of my new prototype MODjack hardware Amiga module players in glorious 8-bit audio powered by a single AAA battery.

If someone was to tell me back in 1987, when Karten Obarski released his groundbreaking 4-channel 8-bit sample based Ultimate Soundtracker program for the Amiga, that one day it would be possible to play back my music modules on a single 8-bit embedded processor chip costing $1 running off an AAA battery using a playroutine written in C my jaw would have hit the floor.. but here we are now 37 years later thanks to Jarkko Lempiainen's nifty embedded playroutine and a world full of remarkably inexpensive little processors.

This is literally nothing but an 8-bit ATmega328P running at 16MHz and a bunch of resistors making up a 1R-2R DAC powered by an AAA battery from a high-frequency DC-DC convertor.. and it doesn't even sound at all bad.. TBH I'm pretty surprised.

The only downside is that the ATmega328P only has 32K of FLASH so you have to be a bit selective with the modules you can run on this thing..

I keep grabbing these things as convenient audio test sources so one day I might re-develop this concept for a wider audience using one of the new high performance embedded ARM processors.

Composition & Recording Copyright D.A.Wilson, Hideaway Studio 1993/2023.

MODjack: !Phaethon Interlevel (Tiny Amiga MOD Player on a 1/4" Jack)

SassyRicardo

A monthly collection of blurred collage, aural experiments, and tonal in-betweens with sound artist and musician Felisha Ledesma. 
https://www.nts.live/shows/felisha-ledesma/episodes/felisha-ledesma-4th-november-2023

Felisha Ledesma w/ Crisis Harp 041123

A surge of movement where each spark breathes with radiant force, rising and dissolving in waves of pure momentum. The pulse expands uncontrollably, yet retains a beautiful precision, a balance between chaos and clarity. Energy becomes language: fluid, infinite, and alive in all directions.

Solar Hollow

Dream//State

Underflowing

This will be on the ID#2 Project, once I've finished it (likley this year or the beginning of next)

I should be releasing something with https://soundcloud.com/mieke at some point soon.

(Mixed by https://soundcloud.com/dr-doctor)

ID#2 [NOTYETFINISHED]

Driving To Peebles

D.A.Wilson is an Electronic Engineer, Sound Designer & Vintage Synth Specialist with a particular interest in combining vintage tube, classic analog and modern digital technologies working as a synth engineer looking after a very considerable amount of vintage studio equipment for Will Gregory (Goldfrapp / Moog Ensemble) and a number of other internationally celebrated electronic musicians and producers.  Having undertaken several major restorations and produced custom electronic designs for a number of major artists including Jean-Michel Jarre, Dani is also known for fully restoring two out of the world's four remaining 1979 Crumar GDS and partially restoring 1938 Novachord 346 (the only known operational Novachord in the UK) to playable order along with developing and producing the new Elfin family of 8-bit polysynths and the popular MIDI Front Panel Animator (FPA), Filter Defeat Module (FDM) and XD-280 Drive Emulator upgrades for the AKAI S612 sampler.

Demos of the S612 Upgrades in Action: 

https://soundcloud.com/hideaway-studio/sets/hideaway-studios-s612-front


Hideaway Studio Kontakt Sound libraries may be purchased directly from: 
https://www.lootaudio.com/category/kontakt-instruments/hideaway-studios
 

..and a nice introduction by Cory Pelizzari to the Hideaway Studio Kontakt Libraries:
https://www.youtube.com/watch?v=k-C7a3ChC9U&feature=emb_title


For more on releases from Hideaway Studio for Kontakt please visit the blog at:  www.hideawaystudio.net

1964 Servomex LF-141: Servomex-141..

Hideaway Studio

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