The result of some of the many random experiments with sound in The Lab over the years...

All recordings copyright D.A.Wilson, Hideaway Studio.

Random Experiments With Sound in The Lab...

My studio archives are littered with long forgotten test recordings I made of vintage studio gear that has been through the workshop for clients. Sometimes I have fun throwing a few of them together and seeing what comes out. In this case its a couple of test recordings from back when I custom modified a number of Adrian Utley's wonders a few years back to be sync'able including his Bentley FR-6, TR-808 and a rackmount Oberheim Two-Voice (TVS-1).

Composition  & Recording Copyright D.A.Wilson, Hideaway Studio 2015.

Locked & Loaded: TR-808, Bentley FR-6 & Obi TVS-1 Sync Retrofit testing...

Ned's Den

Cerdo - Pig Bedit

🥚

1. Jerohme - Ovalbumin
2. lee - Big Jam Slade
3. love horses - be this horse or uhhhhhhh egg
4. The Simian - clandestine_retrieval
5. Anitta - holivokrizi
6. utopia cloak - egg moon
7. Greystar - Wake Up
8. Dollarstore Keyboard - CRACK
9. Purpledaughter - Kmart Holiday Spirit Tape #235790648

Mastered by Danny Playamaqui
Artwork by Jerohme
Tracklist curation by Purpledaughter

x4records.bandcamp.com/album/--6

clandestine_retrieval

Depth Percepth

NEWS UPDATE: The second batch of 25 pre-production units are nearing completion and am now taking pre-orders for delivery in June. A new Patch Editor/Librarian App & VST/AU plugin with full automation has also been developed complete with a new library of over 250 sound patches for Win/Mac/Linux and will be free to all Elfin-04 and 01 owners.

Introducing Elfin-04, Hideaway Studio's Compact New 4-Voice Polysynth Expander...
 
I have been working round the clock for weeks now on my dinky little 8-bit 4-Voice (4 x [2osc+1sub+LFO]) VA Poly Expander with 1960's style transformer-mixed output voicing and finally No's.000 thru 010 are born to the world and receiving very positive feedback from their new owners....... this 4-voice polysynth measuring just 16x12x3cm has full real-time control over her 32 parameters via simple midi ccs and 16 built-in patches. 

Based on an expanded form of a customized software synth-core design by ISGK in Japan, I think the Elfin-04's unique voice ouput/mixing transformers do add something for sure - they are driven full-swing with 60KHz PWM resulting in a lot of additional harmonics/mirror frequencies and some saturation that all gets trapped within the transformers which adds a richness/darkness to the sound (no-doubt inspired in part by my beloved DK Synergy). In the Elfin-04, the 4 voices are passively mixed but, unusually, by the topology of the output-transformers themselves which is a trick that used to be found in some more exotic 1960s valve test equipment where multiple signal outputs were mixed on isolated outputs (eg. my huge old Panoramic TTG-2 tube Dual Sinewave Generator). Also, each voice CPU is independently clocked so everything is genuinely free-wheeling across the voices so even the noise phases slowly when played on multiple notes and unison which is pretty cool.

Any questions, please PM me here on S/C or to EF86 on GearSpace.

All Sound Design & Recordings Copyright D.A.Wilson, Hideaway Studio 2025.

Hideaway's New Elfin-04 Polysynth: Detuned Unison Mode Montage 01

First track made in Ableton in quite a while after spending the last few months mostly with the cirklon. I still have so much muscle memory for Ableton. 

Lethsy

knlæglekerg asym29 v5

jenkagalaxy 02 3-13 (2007)

Reub = Cla

An 1969 Solartron Pseudo Random Generator modulating  a lab oscillator in a 5 level probability distribution of pitches mixed with three drones slightly modulated with the bandwidth filter set to 3.5Hz producing something a little more musical than I was expecting from an old piece of lab test gear!

Original Sound Design & Recording Copyright D.A.Wilson, Hideaway Studio 2019

1969 Solartron Pseudo Random Generator: JM1861 Bagpipes

Sampled bells made by pinging a hole saw in the workshop recorded with a classic Bruel & Kjaer measurement microphone and tube pre-amp blended with 4 lab sine wave generators vector mixed with the prototype MIDI Joystick driving 4 channels on a VM-3100 digital mixer to create long decaying tails with harmonic movement...

Sound Design & Recording Copyright D.A.Wilson, Hideaway Studio.

Vector Bells: 1 Hole Saw & 4 Vector Mixed Sine Waves!

TTSH Fokker

This thing is just plain nuts when you start injecting LFO signals onto the pins of the ADC MUX chip for the front panel control CV channels!!

All segments of this were made with a simple one note sequence whilst the pitch, sample, decay and repeat parameter CV channels were modulated by an LFO with a roughly time related period to the tempo thus causing all manner of evolving natural patterns - this includes the entire section at the end of the recording which was made the same way!..

I feel some serious circuit-bending coming on as none of these parameters are available via midi or CV in stock form...

Recording Copyright D.A.Wilson, Hideaway Studio, 2020.

1986 Simmons MTX9: Messin' With Its 'Nsides!...

Having just invested in a crazy number of never used, still in their boxes, JAN (GE) ECF82 Triode-Pentode tubes I spent the afternoon determining whether I'd got myself something worthwhile or a useless pile of glassware..

- the answer?  Well I managed to lash up a working pre-amp, VCA, ring-mod and superhet mixer and then proceeded to have great fun going a bit nuts with it all...  yup - I think there are some interesting projects to come out of all these tubes!

Composition & Recording Copyright D.A.Wilson, Hideaway Studio, 2020.

ECF82: SuperHet Soup

Testing a 1964 Mk 2 Watkins tube Copicat during initial wakeup and assessment on the bench on the isolated variac following essential repairs to free up a seized capstan motor...

Made with two overdubs - one with a lab sinewave generator through the Copicat and one with some drums from the little Alesis Micron in the workshop also being munged to great effect by this lovely sounding all tube tape echo!

Some people say they prefer the sound of the solid-state Copicats but having owned and worked on both I'd say I prefer the tube units for their mojo.

Recording Copyright D.A.Wilson, Hideaway Studio, 2020.

1964 Watkins Mk2 Tube Copicat Awakens: Drum & Sines...

D.A.Wilson is an Electronic Engineer, Sound Designer & Vintage Synth Specialist with a particular interest in combining vintage tube, classic analog and modern digital technologies working as a synth engineer looking after a very considerable amount of vintage studio equipment for Will Gregory (Goldfrapp / Moog Ensemble) and a number of other internationally celebrated electronic musicians and producers.  Having undertaken several major restorations and produced custom electronic designs for a number of major artists including Jean-Michel Jarre, Dani is also known for fully restoring two out of the world's four remaining 1979 Crumar GDS and partially restoring 1938 Novachord 346 (the only known operational Novachord in the UK) to playable order along with developing and producing the new Elfin family of 8-bit polysynths and the popular MIDI Front Panel Animator (FPA), Filter Defeat Module (FDM) and XD-280 Drive Emulator upgrades for the AKAI S612 sampler.

Demos of the S612 Upgrades in Action: 

https://soundcloud.com/hideaway-studio/sets/hideaway-studios-s612-front


Hideaway Studio Kontakt Sound libraries may be purchased directly from: 
https://www.lootaudio.com/category/kontakt-instruments/hideaway-studios
 

..and a nice introduction by Cory Pelizzari to the Hideaway Studio Kontakt Libraries:
https://www.youtube.com/watch?v=k-C7a3ChC9U&feature=emb_title


For more on releases from Hideaway Studio for Kontakt please visit the blog at:  www.hideawaystudio.net

Vector Bells: 1 Hole Saw & 4 Vector Mixed Sine Waves!

Hideaway Studio

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