Taken from 'Plasmodium I' compilation released on @myxoxymyxoxym October 30th 2021
Support here: myxoxym.bandcamp.com/album/plasmodium-i

All proceeds will be collected and transferred to ANIMA, a non-profit association active in the field of natural environment, with its main activity being the nursing and rehabilitation of wild animals in their natural environment.

www.wild-anima.gr/en/profile/
www.myxoxym.bandcamp.com

Support

Rask [MYXOXYM]

HD08 out on April 18th featuring @lux18 and @de_grandi + Le Diouck featured on "Amore" by Lux18 and reinterpreted by De Grandi
This will be out on tape, one artist per side
Visual by Karin Kimel
Mastering by Paulie Jan
"Amore" by Lux18 recorded at Elliot Brethault studio and mixed w/ @maoupa-mazzocchetti

04 De Grandi Amore Remix (ft. Le Diouck)

Ｂａｄ Ｔｉｐｓ🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬



Various - Promesses Vol. 2
Promesses, 2022
𝓑𝓾𝔂 👉🏾 https://promesses.bandcamp.com/album/promesses-vol-2

🔴 𝔽𝕠𝕝𝕝𝕠𝕨 𝔸𝕣𝕥𝕚𝕤𝕥
https://soundcloud.com/lotoretina
https://lotoretina.bandcamp.com/

🔵 𝔽𝕠𝕝𝕝𝕠𝕨 𝕃𝕒𝕓𝕖𝕝
https://soundcloud.com/prmsss
https://promesses.bandcamp.com/
https://www.instagram.com/professeur_promesses/

Promesses Vol. 2

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#044 📢 Loto Retina - Drop de Lutin [Promesses]

MODERN COLLAPSE - USUAL CASE SCENARIO
(DAWN014)
100 limited copies
CD
@modern-collapse
Produced by Gabriel De Sercey & Hugo Fabry
Mastered by @lastrackqlf
Photos by Melchior Tersen
Design by Hajj
Dawn 2022

Modern Collapse - Gateway To Nihilism

4. Felinto - Prisma (Ausschuss Bootleg)

SLIKBACK X BLACKHAINE - SLKBLKH FREESTYLE

Taken from SBKT057: mmph - Harvest

Release date: 26th April 2023

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It's been five years since Korean-born, Los Angeles-based sound designer and composer Sae Heum Han, aka mmph, released his last EP Serenade on the Tri Angle label in flurry of activity. "Harvest" arrives after an unintentional pause; three years ago, Han was diagnosed with an autoimmune disease that immediately changed his priorities. Bedridden and exhausted from medication, he was only able to work on music for around an hour each day - the rest of his time was swallowed by rest and precarious trips to hospital in the midst of a global pandemic. Now in remission, Han looks back on this period as a time of emotional evolution where the ideas behind "Harvest" could be unravelled. The album emerges from his desire to reconnect with the Korean music he heard when he was growing up in Seoul, using these discernible timbres as building blocks to decorate with his advanced palette of electronic sounds and processes.

Han's music has always balanced precariously between the rigor of classical training and the relative open-endedness of electronic experimentation. This duality is still present on "Harvest", but Han's canvas has widened slightly. He continues to blur the line between the traditional and the modern, emulating and mirroring Korean instruments with synthesizers and sound design elements, and blending them with acoustic sounds and live percussion samples. But where his previous records and scoring work highlighted his ability to weave baroque forms into tight, contemporary sonic tapestries, this album adds the drama, yearning and spirituality of folk. On 'Dialogue' for example, pitch-warped traditional vocals twist through an ensemble of bizarre future-ancient sounds; fluttering strings dissolve into spiked percussive barbs and synthesized wails cut through walls of industrial noise.

'Spirit' follows quickly, coaxing listeners into a trance state with its flurry of microtonal string plucks and irregular percussion. Han is a master of breath control, letting his brief moments of negative space interrupt any expected regularity and guide the track away from electronic music's expected grid. This just about prepares the ground for the title track, a labyrinthine maze of dramatic compositional motifs and dizzying sonics that mutates from gugak forms into a cacophony of pneumatic blast beats before snapping back. From here the album lurches towards the dancefloor for a moment, absorbing and contorting cantankerous club rhythms on 'Avnue' and 'Moon Jar', slowing to a crawl on 'Harvest II'. Despite hijacking its theme from the title track's blast beat section, it transforms into a ballad, acting as a fittingly tearjerking finale.

The record is rounded off by a trio of remixes that draw Han further into the SVBKVLT family. Egyptian producer ABADIR chops up 'Harvest' and reassembles it into a jerky banger, extracting its dancefloor potential and evolving hardstyle thuds into spectral concertina flexes. 'Moon Jar' meanwhile is turned into twitchy trance by Shade Seoul's NET GALA, and Yen Tech stitches together 'Avnue' and 'Dialogue', creating an anxious backdrop that shuttles mmph's android folk to the modern metropolis.

Artwork by Sae Heum Han
Mastered by Raphael Valensi

Harvest

mmph - Avnue

We have some lacerating, avant-club abstraction as @corinmusic returns to Lee Gamble’s @uiqmusic label.

Back on UIQ following 2021’s 'Enantiodromia' release. Where that explored ideas of machine learning, specifically memory retention in AI, ‘Lux Aeterna’ imagines sound as sentient across a suite of tracks indebted to sci-fi soundtracks and baroque-era beauty. It’s a fierce and forward investigation into texture through the prism of granular synthesis and club-focused concerns. 

Our premiere, ‘extasis’, finds the multidisciplinary artist marrying spectral trance and industrial maelstrom to exhilarating effect.

'Lux Aeterna' is out July 14th on UIQ.

Pre-order: uiqmusic.bandcamp.com/album/lux-aeterna

Lux Aeterna

Discover More

Premiere: CORIN - extasis [UIQ]

taken from the too oh won nein comp of edits and booties available at the above link as pay what you like

out to kryptic minds on the original

too oh won nein

PAY WHAT YOU LIKE

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MADE BY COLLECTIVE ORDER
ASCETIC HOUSE
2020

DivPro "Surge"

The aftermath of Tony Perez victory over the universal conspiracy : provocations, juicy blasts, a fountain of pleasant bouncery.
Humanity has not been saved again by the good old heroes, entering the new paradoxal flow of evil entertainment...

RITE

High Digital is a Paris based label run by @hanahmusic

Focus is directed toward bass music and its surrounding subgenres, with a progressive stance

Monthly show on @rinse_france every 3rd wednesday of the month, 9pm CET

contact: info@highdigital.eu

04 De Grandi Amore Remix (ft. Le Diouck)

HIGH DIGITAL

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