A partir do dia 1° de abril, o acesso ao eSocial passou a ser feito via Gov.br. Com isso, usuários que utilizam certificado digital para login, precisam exclusivamente fazer o acesso ao sistema por meio do Gov.br. A medida faz parte da iniciativa do governo federal de unificar os acessos para todos os sistemas federais.

Contábeis Tech #20: Acesso ao eSocial via Gov.br

The Director’s Cut of Dystopia IV expands the sonic universe of the original film into a fully immersive, alternate reality. Reconstructed from unreleased session tapes, extended compositions, and remixed sequences from the cinematic score, this edition reveals the raw emotion and hidden architecture of the Dystopian world.

Where the original soundtrack captured the chaos of a fractured future, the Director’s Cut dives deeper into the silence between explosions — the echoes of rebellion, memory, and loss. Futuristic percussion collides with haunting synth choirs, distorted strings, and the pulse of machine hearts. It’s not just a soundtrack — it’s the sound of a world trying to remember itself.

THE VOICES KEEP ME SAFE

VINTAGE

ghetto swag (ilydevon)

Il linguaggio della letteratura ha mostrato il legame stretto che intercorre tra parola musica città e poesia. Ogni città è tante città.
Abbiamo lavorato alla produzione da ottobre a dicembre, cercando una formula adatta alla condizione presente di pandemia.

Silvana Kühtz, voce in parola; Gerardo Tango, voce in musica; Nadia Casamassima, voce in parola
Carla Latorre, attrice – ausilio tecnico Gianrocco Bruno.

le città a parole - across the universe

la città a parole - la città è tutti i paesi

H!P GET IT IN PROD BY TFE Sensei

What It Is To Burn cover by Joe Hart MUSIK

dont listen to this on statement phillip banks, statement please...sir.

As We Weep

PURCHASE & STREAM 'A LOVELY DAY' https://distrokid.com/hyperfollow/krisbrooks1/a-lovely-day

Listen w 🎧👂🏾pls) 🚀🕊 This arrangement’s conception was originally to be a ‘lighter’ cover, but with recent events, honestly, producing this gave me solace from the reality of my frustration, sadness, disappointment, and a deep dive into my vivid imagination. I flipped this song into my motivation, to keep me moving forward, to remember that I come from resillent stock. I kept imaging a utopia for Black bodies to thrive without constant violence against them, simply for existing. A utopia where humans, no matter their ethnic background, wouldn’t be devalued because of their skin color, nor origin, but be accepted & celebrated for their uniqueness — to only be seen by their spirit. Like @lennykravitz said, "𝘓𝘦𝘵 𝘺𝘰𝘶𝘳 𝘚𝘱𝘪𝘳𝘪𝘵 𝘧𝘭𝘺, 𝘸𝘩𝘦𝘳𝘦 𝘸𝘦 𝘢𝘳𝘦 𝘖𝘯𝘦." I want to see a world where we do more collaborating and less isolating. I want to see real support for Black women, the same way that Black women always have, and always will give to ALL others. I imagine a world where Black bodies aren’t snatched up by the institution that is whiteness, and the collective energy for change really shifts our culture of fear and depression to abundance and the sharing of resources; where Black, Brown, & Indigenous peoples have institutional support and care. In the meantime, I will continue to strive for Black Joy, and choose the radical act of taking care of myself. Remembering Dr. MLK & Coretta Scott King on this day, and uplifting all of whom feel disheartened by these times. I see you 🖤🚀🕊✈️
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All a cappella minus midi bass line 🙃

H!P GET IT IN PROD BY TFE Sensei

Music by HighinPublic

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