Thank You for your artistic contribution. Refreshing... forsure. Press Play again!!

AWESOME MIX AND PRODUCTION, GOING TO UR PAGE TO HEAR MORE

Absolutely breathtaking. Goosebumps!!!!!!

What a sad / happy track .. ! Very nice ..

insp

Solage / Fumeux Fume Par Fumee [Alla Francesca]

Taken from the album 'Shaker Notes'
Released - 29/09/14

Pre-order the album from iTunes - smarturl.it/shakernotes
with an instant download of 'Honey Cats'

https://www.facebook.com/PaulWhiteMusic
https://twitter.com/paulwhitemusic
https://soundcloud.com/paulwhitebeats


Paul White - Honey Cats

Track taken from the Codes In The Clouds remix album 'Paper Canyon Recycled'
ORDER IT HERE*: http://erasedtapes.com/store/index/ERATP024


CODES IN THE CLOUDS vs. RIVAL CONSOLES – EU TOUR 2011

After they blew the roof off at this year's Erased Tapes special at Haldern Pop Festival, label mates Codes In The Clouds and Rival Consoles will challenge each other to a post rock vs. electronic duel.

To celebrate this exciting announcement here you find a good teaser of what to expect:
http://soundcloud.com/erasedtapes/codes-in-the-clouds-vs-rival-consoles

Hope to see you on the road...


Erased Tapes, Burning Eagle, Motor.de, Byte FM, Tonspion, Opak and WhiteTapes present
CODES IN THE CLOUDS vs. RIVAL CONSOLES

24.09. Portsmouth (UK) - Edge Of The Wedge*
25.09. London (UK) - Vibe Bar*
26.09. Brighton (UK) - The Hope*
10.10. Nijmegen (NL) - Merleyn
11.10. Gent (BE) - Charlatan Club
12.10. Hamburg (DE) - Prinzenbar
13.10. Copenhagen (DK) - PH Caféen
14.10. Berlin (DE) - Comet
16.10. Warsaw (PL) - Progresja Club
17.10. Lodz (PL) - Luka Club
18.10. Poznan (PL) - Fabrika Club
19.10. Nürnberg (DE) - MUZ
21.10. Innsbruck (AT) - PMK
22.10. Offenbach (DE) - Hafen 2

* UK warm-up shows without Rival Consoles

http://facebook.com/codesintheclouds
http://facebook.com/rivalconsoles
http://erasedtapes.com/kidvelo

*Every remix sold will help Friends of the Earth’s vital campaigning work for a safe climate and a healthy planet.

Paper Canyon Recycled

Codes In The Clouds – You Are Not What You Think You Are (Rival Consoles RMX)

The artistic collaboration between Giuseppe Cordaro and Marco Giambrone is an immersion into sonic exploration, born from the convergence of distinct musical perspectives and backgrounds. Despite living in distant cities, both share roots firmly planted in a remote mountainous village in Sicily, a wild terrain that has shaped their work.

The focal point of this musical journey is the Platani River, known in ancient times as Alico (derived from 'Halykòs,' which means 'salty' in Greek). It's from this river that the entire concept takes shape and evolves, following its sinuous course from the source to its mouth in the sea. Each track of the album is named after the river's tributaries, often little more than thin streams of water that dry up in the summer, leaving muddy beds. This intricate and sensitive path culminates with the Alico River finally merging into the Mediterranean Sea, embracing Capo Bianco.

These wild and captivating places have been the source of inspiration for the two musicians, who decided to capture the sensations experienced during their explorations and transform them into a sonic journey. Water, rock, sand, and the vibrant life along the riverbanks are transfigured by modular synths, guitars, and field recordings.

The album was created by adopting an instinctive and authentic approach, avoiding overdubs to favor the genuine essence of analog instruments. The result is a sonic journey that captures the raw and magnetic essence of these places, transforming visual suggestions into an immersive and engaging auditory experience. Listening to this work, one is immersed in a sonic world that mirrors the irregular beauty and wild vitality of the Sicilian landscape, uniting past and present in timeless sonic snapshots.

Written by Giuseppe Cordaro e Marco Giambrone
Recorded by Giuseppe Cordaro at Home Studio Boschi di Puianello - Marco Giambrone at Home Studio San Giovanni Gemini
Mixed by Marco Giambrone
Mastered by Giuseppe Ielasi

Credits:

Giuseppe Cordaro : Modular Synthesizer, Programming, Field recordings, (AL)chemy
Marco Giambrone: Guitars, Effects, Autoharp, Solina

"Platanis oritur inter Castrum Novum et Cammaratam, novi nominis oppida, ex parvis quidem fontibus"

Alico

Giuseppe Cordaro & Marco Giambrone - DellaTerra

Taken from "Marking A Boundary With The Turning Point"

Pre orders start 31.5.2024 / Release date: 7.6.2024 

All tracks played, recorded, mixed, edited and mastered by Ard Janssen & Radboud Mens 

Artwork by Aldje van Meer and Radboud Mens / Design by Ard Janssen 

https://shimmeringmoodsrecords.bandcamp.com

SHM 302
Shimmering Moods Records

This album explores the interplay between horizontal and vertical musical elements, where subtle acoustic events challenge perceived stillness. In the realm of drone music, these nuanced occurrences shape its immersive nature, injecting unpredictability into sustained tones. They blur the distinction between stasis and movement, fostering diverse listening experiences. Ultimately, these tiny acoustic events enrich the sonic landscape, challenging conventional musical narratives.
 
Creating electronic music blends sound design and composition. For this album, we've incorporated sounds from our experimental installations, emphasizing exploration over virtuosity. This process of crafting instruments and sounds enriches our music, capturing the essence of sonic exploration.

Ard Bit & Radboud Mens - Projection

Jasmine Guffond - Useful Knowledge

Vega (Summer Triangle)

Final Decision

https://www.facebook.com/highlucia/
https://twitter.com/highlucia

Chromatics - Yes (High Lucia Edit)
Crystallise 
Leave There 
Cord 
Dull 
Beacon

Dull_Garden

Houndstooth store http://store.houndstoothlabel.com/of-matter-and-spirit-remixes.html | iTunes/Google Play http://found.ee/OMASR-DL | Bandcamp http://found.ee/OMASR-BC

In October 2015 we released Aïsha Devi's Of Matter and Spirit LP. The album encapsulated the spiritual metamorphosis and transcendental journeys of this otherworldly figure. The Swiss/Nepalese-Tibetan producer mentions Sufism and Tibetan monks as her major influences. Aïsha Devi published the LP under her birth name, adding further integrity and candor to this already intimate piece. Houndstooth now returns with the Of Matter and Spirit remixes EP to remind us about the sonic wonders hidden in Aïsha Devi's debut album. 

On this soundcloud stream Irish duo and Houndstooth favs @lakker open the cast of remixers with their take on Anatomy of Light adding a heavy dose of syncopated percussion. No Pain In Pop/New Ninja Tune signing @throwingshade transforms Kim & the Wheel of Life – Aïsha Devi's comment about contemporary idols being channels of commerciality rather than spirituality – into a session of brief introspection. 

The remix EP also boasts two reworks of Aïsha's hit single Mazdâ. Berlin's @mindbodyfitness interprets the track as a whirlpool of trance. The cherry on top is the spooky Killing Sound (@blackest-ever-black) version of Mazdâ with grime MC Rider Shafique and Bogues. 

The Aïsha Devi remixes EP exhibits the ethereal beauty within Of Matter and Spirit and should give more club airplay to this singular artist who perceives music as just another form of meditation. 

Track list 
1. Anatomy of Light (Lakker remix) 
2. Kim & the Wheel of Life (Throwing Shade remix) 
3. Mazdâ (Mind:Body:Fitness remix) 
4. Mazdâ (Killing Sound Version feat. Rider Shafique & Bogues)

Of Matter And Spirit Remixes

Anatomy Of Light (Lakker Remix)

Download

Aïsha Devi - Anatomy Of Light (Lakker Remix)

Eric Chenaux • Slowly Paradise

Out 9 March 2018
CD • 180gLP • DL
Constellation
cstrecords.com/cst131

Eric Chenaux
ON TOUR IN EUROPE • SPRING 2018
cstrecords.com/eric-chenaux

Slowly Paradise

Eric Chenaux • "Wild Moon"

Ben Lukas Boysen shares a second single, the atmospheric yet hyper-dynamic Clarion, taken from his much anticipated new album Mirage out May 1. Opening with subtle piano and the delicate strings of cellist Anne Müller, it suddenly morphs into a colossal ensemble piece with heavy drums and electronics. 

· pre-order Mirage: https://idol.lnk.to/ben-lukas-boysen-mirage

"This song started as a simple piano line and while listening to it on loop over and over again some of the elements started to form one after the other, and depending on each other. I was working on a different song at the same time that had the drum section as a central instrument, and felt it was not going anywhere... In one of the sessions with Robert Raths (creative producer and founder of Erased Tapes) he suggested fusing the two songs together, which resulted in this faun-like version of Clarion after a few adjustments were made. It captured the foreshadowing character of the one piece, with the drive and rush-like feeling of the other piece, and therefore creating a very interesting tension" — Ben Lukas Boysen

The third album recorded under his own name, Mirage is Ben Lukas Boysen's most progressive and shape-shifting album to date. It follows 2013’s Gravity and the acclaimed 2016 full length Spells, a record as much admired by his peers as it was loved by fans that not only yielded remixes from Max Cooper and Tim Hecker, but also opened Jon Hopkins’ Late Night Tales compilation. Since then, Ben has been in demand for writing scores including his collaboration with cellist and composer Sebastian Plano, on the soundtrack for David OReilly’s landmark innovative video game Everything — the first video game ever to qualify for an Academy Award.

"With Spells and Gravity I was trying to hide the machines. On Mirage, I’m trying to hide the human”

Mirage

Clarion

Buy LP · CD · DL

Ben Lukas Boysen - Clarion

<b>Magnificat in D major BWV 243</b> / Et misericordia eius (TA) (Luke, 1, 50):

<i>Et misericordia eius a progenie 
in progenies timentibus eum</i>

Akira Tachikawa, alto 
Gerd Türk, tenor
Massaki Suzuki / Bach Collegium Japan, 1998

Johann Sebastian Bach / Magnificat in D major / Et misericordia eius (frgmnt)

from 'Where We Were' [CD|2xLP|DIGITAL]
available from May 2013 on all formats at [http://denovali.com/greghaines]

ON TOUR

21.04.2013 London (uk) - Denovali Swingfest

08.05.13 Eindhoven (nl) - Muziekgebouw
10.05.13 Groningen (nl) - De Oosterpoort
11.05.13 Amsterdam (nl) - Paradiso
12.05.13 Trier (ger) - Synagoge Schweich
13.05.13 Paris (fr) - Café de la Danse

17.05.13 Münster (ger) - Black Box
18.05.13 Utrecht (nl) - Le Guess Who Festival May Day
19.05.13 Essen (ger) - Welterbe Zollverein
20.05.13 Brussel (bel) - Ancienne Belgique Club
21.05.13 Hamburg (ger) - Nachtasyl
22.05.13 Bielefeld (ger) - Nummer Zu Platz
23.05.13 Hannover (ger) - Feinkost Lampe
24.05.13 München (ger) - Einstein
25.05.13 Geneva (ch) - La Graviere
26.05.13 Varano Borghi (it) - La Sauna Recording Studio
28.05.13 Bratislava (slovakia) - Atelier Babylon
29.05.13 Budapest (hun) - Akvárium Klub
30.05.13 Prag (cz) - Palac Akropolis
01.06.13 Gdansk (pl) - Club Zak
02.06.13 Warsaw (pl) - Cafe Kulturalna



Denovali Records is happy to announce the release of Greg Haines' new album WHERE WE WERE on cd, double vinyl and digital, as well as the release of 2006-2012, a collection of Greg's first three albums Slumber Tides, Until The Point of Hushed Support and Digressions as triple cd and 5 x vinyl collector's box in May 2013.


WHERE WE WERE [CD|2xLP|DIGITAL]

“WHERE WE WERE”, the new album from GREG HAINES, may come as a surprise upon first listen. The cascading strings that played such an important role in his prior work have disappeared, and in there place are intricate layers of tape-worn synthesizers. Any recordings of piano have been transformed and affected until their sound is at times barely recognizable. Moments of quiet, slowmoving textures can still be found, but they are nestled between upbeat, rhythmically-driven tracks that at times could even be considered for deployment on open-minded dancefloors. Although taking a year to complete, the nature of this record is born in its spontaneity and impulsiveness. The acoustic instruments such as piano, vibraphone and other percussion that found there way on to the album were not the result of months of composing - rather they were entirely improvised and often left completely unedited and raw. At first the idea was these rough tracks, full of noises and hiss, would later be re-recorded, but as the process drew on, it became clear that these kind of loose, half-thought moments were what defined the album - often “out-oftime” or “out-of-tune”, but always adding another dimension to the hazy, analog world of sound. This hand-crafted approach led to almost everything being constructed in the old-fashioned way; not with mouse-clicks, but with two hands moving dials and everything running to an aged tape machine.

This album is the result of one person sitting alone in a room and creating something entirely personal, without the frustrations of organising large-scale sessions for other players or the laborious work of preparing scores. In fact, the few scored moments that were written were later disregarded, with a whole string session with PETER BRODERICK ending up on the cutting-room floor (sorry, Peter!), along with endless hours of other material. What is left is the condensed diary of a year of exploring old tape delays, analog synths and percussion - some of which played by percussionist/composer SYTZE PRUIKSMA (a member, along with Haines, of THE ALVARET ENSEMBLE, whose debut album was released in December 2012 by Denovali Records), and some of which played and recorded in a midnight daze at Haines' studio in Berlin. Working in this way led to a whole host of other long-term influences feeding into the music that had never found an outlet before. The experiments in dub conducted by the likes of KING TUBBY or LEE PERRY and continued by the likes of RHYTHM & SOUND had a profound effect, as did the iconic work of TONY ALLEN and other African composers. The spaced-out soundscapes found on early TANGERINE DREAM and KLAUS SCHULTZE had always had a subtle influence on Greg's work, but now armed with an arsenal of dusty studio toys, those sounds became warmer, richer and more prominent.

The influences evoked here may at first appear at odds with Greg's previous work, but an affinity between the dense poly-rhythms of Africa and beyond have long been an influence for contemporary composers such as STEVE REICH, and their reach and importance on western music is undeniable. But now the lines have been blurred, and its impossible to say where one “style” or influence stops and another begins – something that was perhaps the only concept for this record. The symphonic synth crescendo of “So it Goes” would not have the same impact if it were not following the head-nodding drive of “Something Happened”. The delicate arpeggios of “Wake Mania Without End II” only exaggerate the unrelenting, rhythmical explosion of “Habenero”, and without starting with the intimate piano of “The Intruder”, the album's cavernous ending wouldn't feel so otherworldly. Its all in there or at least whats left of it after the hiss, the dirt and the degradation of the tape machine destroyed it, reworked it, and spat it back out fullyformed.

Mixed and mastered together with NILS FRAHM at his Durton Studio, Berlin.

Dull_Garden

High Lucia

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