Bachmann, Ingeborg: es könnte viel bedeuten

Re - Cog

He No She

Nohe Noshe 222

MINOR TOM

"Нежность" (Tenderness) 

Ekaterina Efremova – vocals, guitar, electronics 
Andrey Gaiduk aka 23:59 – computer 
Hilary Jeffery – trombone, computer 
Svetlana Matveeva – vocals, keyboard, electronics 
Timur Mizinov – guitar, electronics 
Anna Rotar – trombone 
Maria Rusinovskaya – production, logistics, co-curator and facilitator 
Victor Skorbenko – vocals, guitar, electronics 
Kristin Alsos Strand – cello 

composed by Aleksandra Pakhmutova, lyrics by Nikolay Dobronravov and Sergey Grebennikov (1966) 
recorded live at Murmansk Spaceport on 28 November 2015 
edited and mixed by Hilary Jeffery at Berlintune Studio 2022 

Hilary Jeffery’s Murmansk Spaceport was an environment designed for exploring unknown territories. During November 2015 musicians from Murmansk(RU) and Bodø (NO) in the Barents Region worked together with Hilary Jeffery to perform Murmansk Spaceport. A port is a place of departure and arrival, of temporary transactions and unstable conditions. Murmansk Spaceport encouraged the musicians to travel imaginatively into areas they do not know, to explore dark territories of which they have little or no experience.

For Hilary Jeffery this meant exploring the atmosphere and mood of Murmansk in November, which for him was unusually dark. Additionally, he attempted to enter into the sound of Russian, a language unknown and new to him. In a similar way each musician was asked to explore areas in which they are non-expert, to literally enter the dark and unknown. With music as a central focus, various means were used for navigation, including solo and group improvisations, introspective language explorations, sound and image recording, associative writing and map making.

Commissioned by Sonic Acts and Hilde Methi for Dark Ecology (2015)

https://minortom.org/spaceport
sonicacts.com/portal/dark-ecology-project
www.hiljef.com

Murmansk Spaceport

Murmansk Spaceport – Tenderness

Inflorescence

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Future Sounds Of Kraut Vol. 3

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Organza Ray & Fred und Luna - Water Map [Compost]

Zinc & Copper

Elena Kakaliagou - horn
Hilary Jeffery - trombone
Robin Hayward - tuba

spaced out well tuned brass for tuning baths

Well Tuned Brass_excerpt nr.2

Hatebomb by Paintbox

Claron McFadden - voice
Hilary Jeffery - composition

a sound space of phonetic sounds projected into a space in which a singer moves and freely associates

a series of short samples of Claron McFadden’s voice speaking and singing vowels, consonants, phonemes and syllables were recorded and assembled to create a sound space filled language elements – a moving sound collage, a sea of potential language

during a performance of this piece the singer moves through this continuously shifting sea of potential language and attempts to find words emerging from out of the sound collage – she might find already existing words, new words or words in a language she does not know – the emergent language of new words, known words, unknown words, cut-up words and semi-formed sentences provide clues and keys to her thoughts and associations

Linguistic Music

Language Sea

hilary jeffery composes, plays and teaches music

plays in 
Organza Ray, Zinc & Copper, Inconsolable Ghost, Mullet + many more

works at
Berlintune Studio
with Eleni Poulou

Language Sea

hiljef

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