Name: HARBOUR BY HILRANT/INGRAM by hilrant in MUSICIANS WITH VISION ON SOUNDCLOUD 4 @pangaeas_people
Duration: 3 min 51 s
Description: HARBOUR IS A SONG WRITTEN BY HILRANT AND CHRIS INGRAM

me like the ambient in and , thanx for sharing also .. (Y)

Added to THE COPING MECHANISM OF MUSIC  https://soundcloud.com/gothic-funk/sets/the-coping-mechanism-of-music

MUSICIANS WITH VISION ON SOUNDCLOUD 4 @pangaeas_people

***Tribute to the people of Ukraine, who have lost their lives in the current 2022 power struggle for territory...Also to the Russians that have been killed, because they were forced to go to war & it was unnecessary in the first & worst place! 
May your suffering & injuries cause the world to put an end to this disastrous dictating. I hold you in my healing & comforting thoughts!

The Avenged Soldiers

Rock A Car / 2022 Open Collab
At the request of several listeners I have removed the noise at 36 seconds and declared the track as open collaboration. 109 BPM.
Bass, Music and Mix Paploviante
Logic Pro X
Free Download
The track is downloadable as a mp3 file!
You can complete what you want!
If you publish it, you have to mention me in the description and title!

Rock A Car - Paploviante

Suspensex

Single from album CHROMAZONES out now https://chromadome.bandcamp.com/album/chromazones

Longyearbyen

NADA TAN SENCILLO

Nada Tan Sencillo

Living High

弦楽アンサンブルによる渋めのクラシック系オリジナル曲です。

二つの主題を含み、一つ目の主題は2021年作曲、二つ目の主題は2022年作曲になります。

今回はソフト音源のclose定位の音を多少、強めにしてあります。全体的に若干ノイジーに聴こえるかもしれませんが、以前の弦楽アンサンブル曲より弦の生々しい感じが強めに表現できたと思います。

※使用音源はNative Instruments社のString Ensembleのみ。

music composed by MASAYOSHI MATSUNAGA (mappu) in 2021 ,2022

practice musics for Cubase

Study for Strings No.6 Adagio - Andante ～ 弦楽アンサンブルの為の習作 No.6  ～

Original music by: FPMORINSTUDIO/Francois Pierre Morin

FOLK POP 2022

Caramelo🍭🍬

Recording sessions from 25-07-2022 / 30-07-2022.
3 MOOG Modular (vst Arturia) & VCV tracks,
presets, mixing, processing and editing: Pier WILL.

________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Dell, Focusrite, Hewlett Packard, Logitech, Korg, M-Audio, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental
________________________________________________________________________

❤️Love, 🕊️Peace, 🙏Respect

Presence

Loop Out Of Blue

OUR LIVES MAY BE WORTH LESS THAN GRAVITY
BUT WE ARE WORTH SO MUCH MORE....IN TOTALITY
BUT WE CAN'T IGNORE OUR OWN MORTALITY
AND WE CAN'T IGNORE OUR OWN CATASTROPHE

WE CAN'T IGNORE OUR DESTINY
REFUSE TO CHANGE OUR MENTALITY
WE REFUSE TO REARRANGE OUR DIARY
CHANGE THE WAY WE VIEW SOCIETY
CHANGE THE MAN THAT LIVES INSIDE OF ME
CHANGE THE MAN

ONE STEP AHEAD OF DEVASTATION
TWO STEPS AWAY FROM TRIBULATION
THE GRAVITY OF THE SITUATION
WE INFLICT UPON THIS THING WE CALL....CREATION

ALTHOUGH WE SHARE COLLECTIVE VISION
EACH OF IS ON A DIFFERENT MISSION
TO SERVE THE ID THAT LURKS WITHIN
OUR SUPEREGO JUST A SKIN

THIS THING WE CALL CREATION

SOON AFTER OUR FIRST LOBOTOMY
WE VENTURED....DEEP INTO....BLACK COMEDY
PULLED BY THE STRINGS....OF HISTORY

THE ARCHITECTS OF.....OUR OWN STUPIDITY
BEGINNING WARS WE NEVER WIN
WE ARE THE PUPPETS, NOT THE MANNEQUINS
SWALLOWING OUR OWN PHILOSOPHY
CENSORING OUR OWN HUMANITY
EXPELLING NATURE, WE BREATHE IN NURTURE
WE THINK THE CURE LIES IN THE FUTURE....

WE THINK THE CURE LIES IN THE FUTURE - Ray Scott & Ste Van Horne (vocals) first edit

HARBOUR IS A SONG WRITTEN BY HILRANT AND CHRIS INGRAM

Unknown album (25/02/2020 13:56:21)

HARBOUR BY HILRANT/INGRAM

13-homeless man-01.mp3

TRANQUIL LIZA (recorded 1980)
>
HIS HEART HANGS HEAVY
LIKE A ROAD TAX LEVY
BUT SHE KEEPS HER WILL ALIVE
DETERMINED TO RECOVER
FROM THE KICK IN THE EYE
FROM THE KICK IN THE EYE
>
SHE'S TRIED A THOUSAND TIMES
TO BLEED HER BODY DRY
BUT THE MONKEY ON HER BACK
WHISPERS GIVE IT ONE MORE TRY
>
NOW LISA'S CRANKED UP REALLY HIGH
>
TRANQUIL LIZA, UNDER SEDATION
TRANQUIL LIZA, DROPPED SOME TUEES, AND BACK-STREET BLUEYS
TRANQUIL LIZA, UNDER SEDATION
TRANQUIL LIZA, BLOCKED ON TUEES, AND BACK-STREET BLUEYS
>
SHE FUMBLES FOR THE £5 WRAP
STASHED AWAY IN THE LINING OF HER MACK
ON A CHARCOAL SPOON SHE EMPTYS OUT THE SMACK
ADDS A DAB OF LEMON, AND TWO MILLS' FROM THE TAP
>
SHE HEATS THE FLUID GENTLY, WHILE STIRRING WITH A MATCH
THEN DRAWS IT THROUGH A FILTER INTO THE ROCKET MADE OF GLASS
SHE WRAPS THE MAKE-SHIFT TORNIQUE 'ROUND HER DARTBOARD ARM
WITH SPIKE ATTATCHED SHE POPS HER SKIN
A>ND CRANKS THE JUICE INSIDE

TRANQUIL LIZA, UNDER SEDATION
TRANQUIL LIZA, DROPPED SOME TUEES AND BACK STREET BLUEYS
TRANQUIL LIZA, UNDER SEDATION
TRANQUIL LIZA, BLOCKED ON TUEES, AND BACK-STREET BLUEYS
>
BLOCKED ON...BLOCK...BLOCK

TRANQUIL LIZA (recorded 1980)

Anyone seeking authenticity, imagination & personality, in creativity should explore unsigned music; that's where my faith in the future of music lies!

UNSIGNED MUSIC isn't inferior to SIGNED by any stretch of the imagination! Look past the illusion, find out what you're missing!
>
REALITY CHECK! Most LIKES are FAKE, no LISTEN took place! Only FEEDBACK that in some way describes the substance of the tune proves that it was actually played and HEARD!!! #SatiricalStevenSays #SixFootUnderground #MusiciansWithVision

FEEDBACK FAMILY: REPOSTS no longer work and LIKES make no difference whatsoever; ONLY positive FEEDBACK makes a difference, a BIG difference. Feedback makes your account more VISIBLE so it brings MORE TRAFFIC, MORE LISTENERS—it also serves as GENUINE HYPE, visitors see the amount of feedback you receive and that arouses their curiosity to listen, and when they listen, seeing all that genuine hype influences the way they listen—they hear your music through POSITIVE EARS. 

The ABSENCE of feedback has the reverse psychological effect, it KILLS CURIOSITY, and those who do listen, listen with NEGATIVE EARS. Potential listeners rarely find your page in the first place because the LACK OF FEEDBACK means your music posts don’t appear in THE FEED, quickly disappearing from view. The music of those who DO enjoy feedback REMAINS in the feed, visible to viewers, and the visibility of their latest post is far greater than those who don’t receive feedback. 

The result, some of best music on Soundcloud goes UNNOTICED, which is why I propose the idea of a FEEDBACK FAMILY as a way of raising the profile of all those who joined this initiative. Twitter is a good place to coordinate such a project and I have an account set up on there specifically for that purpose. 

If you are interested in joining contact me on here or on Twitter and I will fill you in on how the whole thing works. FEEDBACK BEGETS FEEDBACK! https://twitter.com/Feedback_Family

MUSICIANS THAT HAVE A DIFFERENT ATTITUDE TO THE REST, TEND TO MAKE MUSIC THAT IS DIFFERENT TO THE REST!
It is common practice for musicians to click the like button on #Soundcloud without ever listening to the tune! There is no proof it was listened to, so it's impossible to know who genuinely likes a track! Only actual #feedback proves it's been heard!

I use to follow musicians back that clicked the like button, but it becomes very obvious that only 10% actually listen, when you receive five times as many likes as listens. This has made me extremely wary about being the first to leave feedback, and that kind of wariness spreads like wildfire!

Because of this, I only follow musicians back that leave feedback, or share one of my posts; and I will only leave feedback once if the favor isn't returned. it is better to keep searching for musicians who have enough #class and #humility to return the #respect!

#Musicians that have those qualities clearly have depth, creating tunes for the love of it, rather than simple to fuel their own ego, and fatten their bank accounts!

MUSICIANS THAT HAVE A DIFFERENT ATTITUDE TO THE REST TEND TO MAKE MUSIC THAT IS DIFFERENT FROM THE REST!

SUPPORT: I’ll show you mine if you show me yours!!! FAIR EXCHANGE!

FAIR EXCHANGE: Listen 4 Listen, Comment 4 Comment, Share 4 Share!

HARBOUR BY HILRANT/INGRAM

hilrant

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