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Now That The Buffalo's Gone

Now That the Buffalo's Gone

James Vincent McMorrow - Higher Love (C-ro Edit)

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All rights reserved by James VIncent McMorrow. No copyright infringement intended. No commercial purposes, for promotional use only.

Free Download

James Vincent McMorrow - Higher Love (C-ro Edit)

*** Evolution EP out on iTunes NOW - po.st/EvolutionEP ***

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Evolution

Evolution (Radio Edit)

One True Vine

I Like The Things About Me

Mavis Staples - I Like The Things About Me

SOLD OUT

It was after hearing Katie Gately's remix of Schemawound back in February - incredibly one of the first pieces of music that she had made - that we immediately began hassling her to do a tape for us.

The result is Pipes, a piece that is both concise and ambitious. A 22nd Century pop song made out of nothing but the massed tones of the human voice, so complex that it took six painstaking months to assemble, but dropkicks the seratonin-releasing pleasure centres of the brain like the most immediate and narcotic of pop hits.

Influenced by Arthur Russell and Gregorian chant, Pipes is a kind of future choral music. In its soundworld, synthesizers have been superseded by lungs, and soundscapes are no longer programmed, but can be projected into the air at the speed of thought.

If you loved Petra Haden's classic 2005 acapella reading of The Who Sell Out, but thought it would be loads better without all The Who bits, then you'll love this. If you love pop music, but hate dumb lyrics, then this is for you. If you've ever felt a surge of energy from the sound of another human singing - whether it's opera or death metal - then this is a substation. This electric is natural and now.

Disclaimer: NO INSTRUMENTS WERE USED IN THE MAKING OF THIS RECORDING.

Praise for Katie Gately:

"You can hear that escalation in Gately's work as you can in Parmegiani's 1990s-onwards work or in Oswald's Plexure and Grayfolded." - Simon Reynolds

"Fantastic bionic structures. Rhythms bob beneath, but are switched around intuitively and with a sense of fun... vocals are layered and stepped up and down in bold, jarring brushstrokes." - The Wire

"...the sound of deconstruction... hinting at pop only to take delight in crumbling from within. Countless timbres and textures jostle within her tracks, either crammed together in a sonic maelstrom, or separated by what feel like blasts of chilled air." - Resident Advisor

“With pure, ethereal vocals poured over an industrial and sluggish beat... sounds like Gately found the hidden door to the intersection of light and shadow, planting her flag solidly at its nexus.” - XLR8R

“On her self-titled debut EP, Katie Gately weaves silky pop vocals and field recordings processed beyond all recognition into cold, abrasive soundscapes.” - FACT Magazine

“Pop music that can’t sit still, is exploding with ideas. Sometimes it sounds overloaded with thoughts, which find literal expression in Katie’s dense Disco Inferno-like lattices of words. But then on other tracks her vocals pull back and space out, disassociating from the rhythms and finding unlikely companions in choirs of pitch-shifted and manipulated vocals – her voice made into marching, chirruping armies of munchkins, automatons, Substance D-stretched friend-apparitions.” - 20 Jazz Funk Greats

"'Pipes' is a vocals-only track, a wonderful piece of ethereal breathing and crystal Pop constructed in what sound like infinite layers of dazzling landscapes, her stunning voice invading each corner of the music." - The 405

"Leftfield Katie Gately creates a weird discordant form of avant-garde Pop that keeps us coming back for more. There’s something within its ever-changing skin that keeps us listening, keeps us guessing and keeps us attempting to unravel the songs and their bewildering construction." - Bowlegs

"Falling somewhere between the icy, high resolution electronic experiments of Holly Herndon and the sunkissed pop of Julia Holter, Gately’s self-titled debut sees her combine her own heavily treated vocals amidst an occasionally bewildering array of sample-based scrapes, cracks and drones that somehow shape themselves into an avant-garde form of pop music, manifesting itself as “Fractured vocalisations, bittersweet harmonies, freaked alien voices all living, breathing in deep fried motherboards of acute computer programming and field sound.” - Juno Plus


blue eight: Katie Gately - Pipes

Uncomfortably Numb - MPSO

Tycho "Awake" LP on Ghostly International
Release date: MARCH 18, 2014

Purchase "Awake": shop.iso50.com/collections/awake

formats:
CD/LP/DIGITAL

Design and layout by Scott Hansen

For nearly a decade, Tycho has been known as the musical alias of Scott Hansen, but with the release of Awake – his second LP for Ghostly International – the solo project has evolved into a three-piece band. Relating closer to post-rock than ambient soundscapes, the record is situated in the present, sounding more like Hansen than drawing from his influences. “This is, in many ways, the first true Tycho record.”

Following 2011’s Dive LP, the San Francisco-based designer toured extensively, and with a full band on stage, his sound coalesced into a percussive, organic whole. Zac Brown (guitars, bass) rejoined Scott on the road for this tour, but it was the particular addition of Rory O’Connor’s live drumming that ultimately sent Hansen back to the studio with a more precise vision. “After the tour, I decided that I wanted to capture the more energetic, driven sound of the live show on the next album,” Hansen recalls. Bringing musicians into Tycho’s creative process was a step towards expanding his own songwriting and advancing the project beyond its current sound.

In a cabin near Tahoe last winter, Zac and Scott began fleshing out the structure of the new record, but it wasn’t until they set up shop in the hills of Santa Cruz with Rory that it all fell into place. “It crystallized the vision of how the drums would come to the forefront on this record,” says Hansen. The sound was much more stripped-down and concise with more organic instruments in the fold. Songs like “Montana” and “Awake” are a departure from Tycho’s previous material – unique to the group effort poured into the songs on the new record – while “See” and “Dye” echo ideas from previous works, bridging a middle ground between the old and new. Working with Count Eldridge, who also engineered Dive, the team could fixate on the pulses that Tycho might previously layer under synthesizers and exhume them with distinct bass and guitar patterns.

Also known for his design work as ISO50, Hansen’s visual and sonic efforts have dovetailed throughout the course of his career. “This is the first time in my life I've dropped everything to focus on one artistic pursuit,” notes Hansen. Previous Tycho releases came to fruition when an amalgam of songs were nearing completion, but Awake is where music becomes the focus and true expression becomes the result.

WEB - http://www.tychomusic.com 
TWITTER - http://www.twitter.com/iso50 
FB - http://www.facebook.com/tychomusic 
YOUTUBE: https://www.youtube.com/user/iso50 
INSTAGRAM - @iso50 


Plains

Of Night - Extended Rework

Acoustic Classics from Richard Thompson. Pre-order now: http://smarturl.it/RTAcousticClassics

01 I Want To See The Bright Lights Tonight

What happens if you bring together two of Norway’s most special voices, both in terms of songwriting, performance and presence in music. 
How will it work to merge two creative worlds into one beast. 

Jenny Hval & Susanna's collaboration 'Meshes of Voice' from 2009 will be released as an album on the label SusannaSonata in August 2014. 
Recorded live at Henie Onstad Arts Centre together with Jo Berger Myhre and Anita Kaasbøll. Jenny Hval & Susanna has composed the music and lyrics. 

Album released: 
in Norway and Germany 15th of August 2014
in UK 18th of August 2014
in USA 19th of August 2014

Order at Itunes: http://bit.ly/1le1Zcw
Order the album directly with the label here: http://bit.ly/1l52JAq
Order at Boomkat: http://bit.ly/1lJGIat
Order at Rough Trade: http://bit.ly/1lJGOyP
Order at Platekompaniet: http://bit.ly/VOOtpv
Order at CDON.com: http://bit.ly/1tPWztq


www.susannasonata.com
www.jennyhval.com
www.susannamagical.com

Buy on Itunes

Jenny Hval & Susanna  "I Have Walked This Body" Album out on LP, CD and digital services!

Buy Circles  >>>> https://itunes.apple.com/gb/album/circles/id907050540?i=907050647

FREE Download of I See MONSTAS "Circles" Remix - po.st/ISMCrmxDL

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Download

I See MONSTAS - Circles

Lips Like Wine

CHROMATICS / BLUE MOON

Black Dynamite

09 SomeoneToWatchOverMe

http://www.daniellanois.com/store/

Daniel Lanois is a Canadian record producer,guitarist, vocalist, and songwriter. He has released a number of albums of his own work and has produced albums for a wide variety of artists, including Bob Dylan, Neil Young, Peter Gabriel, Emmylou Harris, Willie Nelson,Brandon Flowers and Ron Sexsmith. Lanois is best known for his work with Brian Eno, producing a number of platinum albums for U2, including The Joshua Tree. Three albums produced or co-produced by Lanois have won the Grammy Award for Album of the Year, and four others received nominations.

From THE OMNI SERIES
Three new albums of Daniel Lanois  instrumental music. 

STEEL--A collection of Steel Guitar recordings spanning many years and geographical arrangements, but with an intact melodic theme running throughout.

Daniel Lanois-- Love Come Back To Me

Fight

Daniel Lanois and Trixie Whitley (Black Dub) Performs "You're Meant to Be Mine" Live on the Ron and Fez Show

Daniel Lanois and Black Dub - Surely You're Meant To Be Mine

EVOLUTION EP OUT NOW - po.st/EvolutionEP

I SEE  MONSTAS

FREE DOWNLOAD of GONE here: https://soundcloud.com/#monstacloud/monsta-gone

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