Nirali Kartik a Hindustani Classical vocalist and leading vocalist of the band Maatibaani. Nirali’s versatility lies in her understanding the various genres of music and treating them in her own unique style.

Listen to her more songs at www.songdew.com/niralikartik

Albela Saajan Aayo Re by Nirali Kartik

A song sung in Priti's Residence Bangalore in Jan 2015. This talks about the last journey the bride makes to the house of her beloved. It signifies death and our last journey.

Bahut Rahi Babul

Sung at Priti's Residence, Bangalore, Jan 2015. With a Banjo played like a tamburi

Ud Jayega Hans Akela

Mukhtiyar Ali sings 'Chadariya Jheeni Re Jheeni' - Bangalore Festival of Kabir, 2009

live at ninasam 

hirna ninasam mp3

Mahesha Ram sings 'Main Vaari Jaun Re' - Rajasthan Kabir Yatra, 2012

In a radical departure from the norm of pursuing wealth and success, in this song the poet Kabir celebrates the joy of poverty, and the beauty of simplicity. Kabir claims that this joy is far greater than the joys afforded by material comfort or luxury. This audio is from a live performance at Lamakaan in Hyderabad. With Venkataraman Ramachandran on the kanjira.

Words and a translation at: https://cityoffeeling.blogspot.com/2018/02/mann-laago-yaar-fakiri-mein.html

Mann Laago Yaar Fakiri Mein | Kabir

Poetry of 15th Century poet Kabir - fusion of folk, rock, reggae, carnatic music

Moko Kahaan  Master

Jamuna Ke Teer-Bhimsen Joshi

I was trying Raag piloo and donno why suddenly started playing this beautiful composition by A R Rahman
many thanks to my guruji

A r rahman-rangeela flute-raag mishra piloo

I belong to a "gharana"(heritage) which is the pathfinder of solo harmonium playing in India. My great great grandfather Sangeetacharya Montu Banerjee introduced the new style of harmonium playing which had the illusion of "meend" (extension of notes) which was almost an impossible task. The correct blend of "layakari" (rhythm section) and "raagdari" (raga section) made Harmonium an equally strong instrument as sitar and sarod. My grandfather Pandit Deb Kumar Banerjee introduced the "gayaki" (vocal nuances) to our ghrana which made our style of harmonium playing even more appealing. I have been learning harmonium from my grandfather since the age of 7. I had rigorous sessions of "talim"(learning) as well as "reyaaz"(practice) every day under the strict guidance of my grandfather. Prior to this, in order to enhance my rhythm sense, I learnt tabla from legends like Ustad Sabir Khan, Pandit Shankar Ghosh and Sri Bickram Ghosh. I have also taken vocal training from Pandit Kumar Prasad Mukherjee. Since childhood I had the privilege of meeting musical maestros like Ustad Zakir Hussein, Pandit Ravi Shankar, Ustad Ali Akbar Khan, Pandit Ajoy Chakravorty and many more, and got their blessings. I have had the honour to be very close to Padmabhushan Sri Manna Dey since my childhood. Eminent music director duo Kalyaji- Anandji(bollywood) invited me to Mumbai where I had the fortune to perform under their banner "The Small Wonders". I have done my MSc in Advanced Computer Science from the University of Manchester (2010 -2011). I want to establish my "gharana", my instrument Harmonium and myself in the global arena. I want to win the hearts of millions of music lovers throughout the world and establish my instrument as a solo instrument.
EMAIL: dadam_1986@yahoo.co.in
TELEPHONE: +919163637658/ (INDIA)(033) 24543983

Solo Harmonium by Suvendu Banerjee,raga: mishra Sindhura

for my flute video go to youtube -http://www.youtube.com/user/himanshoobakshi?blend=2&ob=5


A r rahman-rangeela flute-raag mishra piloo

himanshub

Recent comments

ahsan memon

Usman Waheed 4

Jamuna58

Related tracks