Suri Go'ali Yah
Maher v'ha Hesh Pedut, 
Ya'aleh Yefefiyah

Adapted from a traditional Sephardic adaptation of "tzur Yisrael," Rock and Redeemer of Israel, rise up and bring redemption. Rise up, it says, Beautiful One. 

Suri Goali Yah (Hillel Tigay)

Yedid Nefesh by Eitan Katz

Fabreng, Vol. 2

Hashiveinu

Forget Your Perfect Offering

Melody by Sol Yael Weiss, harmonies by Aly Halpert

Words brought by Batya Levine, text from the very end of the Shmoneh Esrei / Amidah (silent standing prayer in every Jewish service): Y'hiyu l'ratzon imrei fi v'hegyon libi lefanecha adonia tzuri v'goali

"May these words of my mouth and the meditations of my heart be favored in your presence, eternal One, my rock and redeemer." 

Dedicated to Ratzon: Center for Healing and Resistance in Pittsburgh PA, and all of us working to build the world we know is possible.

Y'hiyu L'ratzon

Want to start getting ready for the High Holy Days? We are loving how these choir tracks came out!

Kol Haneshamah (Taize)

Psalm of the Invalids - Tyler Vile

There are Stars - Hannah Senesh

I have a deeply reverent relationship with Birkas Kohanim and it feels *very* edgy for me to even make, let alone share a recording of it. This prayer feels too potent, too powerful, too real for internet listening. It's meant to be done in ritual, in person, in community, with deep attention and channeling. And yet... with yirah(reverence/fear/awe) & emunah(faith) I'm choosing to share this recording - knowing that so many don't or haven't had access to this ritual - with the intention of it being a tool for learning, a healing salve, and a small taste of this ritual - especially in these times when we can't gather as we used to. 
In this recording I sing the "call" of the prayer, as if I am the shaliach tzibur (prayer leader) and I do not do the "answer" which would be done by the Kohanim in the congregation. I also say "ado-shem" instead of "adonai" to avoid saying the name of G!d in this recording. The melody is a traditional Ashkenazi melody I grew up with. 

Birkas Kohanim, The Priestly Blessing, is a ritual that goes back to Temple times when Kohanim (priests) would use this ritual to bless the people. In many Jewish communities today it is still practiced - traditionally by those with Kohen lineage for the congregation. It is often referred to as “nesiat kapayim,” meaning the raising of hands or as “duchenen,” a Yiddish word, referring to the platform Kohanim often stand on when they bless the congregation.  Birkas Kohanim is (I believe)one of the only rituals left from temple times that we still practice today as it was done then.

Every yuntif, my mom and I would make sure to get to shul in time for Birkas Kohanim, no matter what. Her father, my Zaydie, was a Kohen, and on Pesach, he would walk around to the various shuls in town to make sure they had a Kohen to do Birkas Kohanim. If they didn’t, he would stay and do Birkas Kohanim with them. He wanted everyone to get those potent blessings. I have vivid memories of being blessed by my Zayde, my uncle, and all the Kohanim at shul each year. In Ashkenazi tradition, it is only done on the shalosh regalim (three pilgrimiage holidays) and the yamim noraim (high holidays). From a young age I could feel the immense spiritual power of this ritual as it reverberated through my body and soul, and I still do...every time. 

Text from Shmot/Numbers 6:23-17
Traditional Ashkenazi melody
The words used are from the Torah, they are the words Hashem/Spirit/Godexx commanded the Kohanim to use to bless Bnai Yisrael.

יְבָרֶכְךָ ה' וְיִשְׁמְרֶךָ
Yivarechicha adonai v’yishmirecha
May G!d bless you and protect you

יָאֵר ה' פָּנָיו אֵלֶיךָ וִיחֻנֶּךָּ
Ya’er adonai panav eilecha vi’chuneka
May G!d illuminate their face for you and be gracious to you

יִשּא ה' פָּנָיו אֵלֶיךָ וְיָשם לְךָ שָׁלום
Yisah adonai panav eilecha v’yasem licha shalom
May G!d turn their face towards you and establish peace for you

Birkas Kohanim // The Priestly Blessing - Traditional Ashkenazi Melody & Nusach

Music: Katie Hicks
Lyrics: Wendell Berry

I learned this song from Allie Comet who learned it from the Art of Mentoring.

Lyrics:
To go in the dark with a light is to know the light.
To know the dark, go dark, go without sight.
And find that the dark, too, blooms and sings,
And is traveled by dark feet and dark wings.

To Know The Dark (Music: Katie Hicks, Lyrics: Wendell Berry)

Koidonover Nigun - Koidonover Hassidim as taught by Joey Weisenberg.
Sung by Batya Levine, Sol Weiss, Aly Halpert, Margot Seigle & Chana Rusanov.

Psalm of the Invalids - Tyler Vile

Hinenu: The Baltimore Justice Shtiebl

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