hectic as phu this is the new wave in modern tunezzz

Leusurephysics P1

Taken from the album 'Agent Im Objekt' released as LP and Download

Jung An Tagen '20:02 [3] starts logging #public / 23:08 <Y> THIS WAS THE LAST MESSAGE' (EMEGO 248)

Be Alright | Music Video Out On Youtube!

Transriver- Track 1 Headwaters, Hinterding - CD published as a part of The immaterial's Language, Molecules and Vibration,  Haines/Hinterding with essays by Ann Finegan and Amanda Williams. Composition based on the Electromagnetic Field recordings of the Parramatta River Headwaters.

Transriver - Track 1 Headwaters

This audio clip is from the following article:

Toop, J 2012 Sounding the Object: a Timebase Archive. Journal of Conservation and Museum Studies, 10(1). DOI: http://dx.doi.org/10.5334/jcms.1011203

Toop: Sounding the Object: a Timebase Archive, audio clip 1

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Orpheus Variations (After Stravinsky) 31:23

Orpheus Variations is a new composition by Alvin Lucier for solo cello and seven wind instruments. It is based on a particular sonority from the first movement of Igor Stravinsky’s ballet score, Orpheus; a sonority that has haunted Lucier for decades. 

Orpheus Variations is one of eight large-scale compositions made expressly for Charles Curtis by Alvin Lucier in the last 15 years. This performance was conducted by Petr Kotik, with Charles Curtis playing solo cello alongside members of the SEM Ensemble.

“Lucier speaks first of a sonority, and only then of a chord. He discusses the chord, its notes and their disposition, but what haunts him is a “particular sonority.” A sonority is the product of physical action on physical materials: the instruments, the registers in which they are activated, the breath of the musicians, the waveforms thus produced, their merging and interfering, and finally the moment and place of these actions. An energy field, certain to vanish completely once the musicians put down their instruments. However concrete and real the actions and materials, the sonority they produce is a phantom.”

Alvin Lucier - Orpheus Variations - Charles Curtis & SEM Ensemble -

Artist duo David Haines and Joyce Hinterding interviewed by curator Nina Stromqvist May 25 2019 for the occasion of the opening of the exhibition Within Deep Time: scratching the surface of the antipode, at Blue Mountain Cultural Center.

Haines & Hinterding Interview 2019

A psychedelic deep-listening mix of past/present/future music ritualism for these uncertain times, aimed at focusing attention and opening the gates to the fourth world.

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Transparent Isolation (Flashback) w/Torben Tilly aka DJ Droszkhi - 25-Apr-20 (Threads*sub_ʇxǝʇ)

Vincent Morris (Outpost) presents a concept mix which explores the atmospheres of stars. Using Maia of the Pleiades open star cluster as a starting point, this soundscape moves through the corresponding layers of stellar atmosphere - photosphere, chromosphere, etc,) - rupturing with radiation fields and deep space signal emissions.

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Stellar Atmospheres w/ Outpost - 06-Jun-20 (Threads*sub_ʇxǝʇ)

Haines and Hinterding live in the Blue Mountains World Heritage of NSW, Australia and have been practicing artists for over 30 years. This program focusses on our work in atmospherics that stretches from the terrestrial to the outer reaches of the cosmos. www.haineshinterding.net.

Haines and hinterding are represented by Sarah Cottier, Sydney

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Aerosols w/ Haines and Hinterding - 06-Jun-20 (Threads*sub_ʇxǝʇ)

In memory of Grant Tilly (December 12th 1937 - April 11th 2012)

Composed by Bryn Tilly/Miles Tilly/Torben Tilly

Produced by Brüder & Droszkhi

Recorded at Milestone Audio, Sydney, April 2013



Tunguska

Explorations into acoustic and electromagnetic phenomena with custom built field recording and monitoring technologies. VLF antenna, experimental graphite drawings and radio of all shapes and sizes

Transriver - Track 1 Headwaters

Joyce Hinterding

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