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Mix's and tune I like and hope you enjoy!!! Brap brap brap!!

Track #3 from Freddie Joachim's "In With Time" Album (http://www.discogs.com/Freddie-Joachim-In-With-Time/release/2107855)

Son Of Ran - The SO (Freddie Joachim Remix)

Fooling around. #diffrnt comes Neveruary 1st!

Chicago Zoo

First single from the debut album '@Peace And The Plutonian Noise Symphony' 
Out March 2014. Preorder now at http://at-peace.bandcamp.com/

@Peace - Gravity

Penthouse Penthouse - Last Stop (Flamingosis Edit)

Album Art - davidabadesbarclay.wordpress.com/

Summer Vibes (Prod. Flamingosis)

Written and Performed by Red Pill
Produced by Ill Poetic
Photo by Ron Jude

Mello Music Group rapper Red Pill is releasing the second single off of his upcoming album Instinctive Drowning. The song, Gin & Tonic, is a spiritual sequel to his 2015 song Rum & Coke, but with a disenchanted tone and a discouraged outlook. Maybe Red Pill is a hip-hop curmudgeon, but the new album demonstrates his ability to make himself vulnerable, wear his heartbreak on his plaid sleeve. 
The new album is entirely produced by Ill Poetic, swinging the production towards creative abstractions while preserving the intimacy and honesty of Red Pill's previous works. Instinctive Drowning will be here 8/26

Written by Red Pill (C.Orrick, Red Pill ASCAP). Produced by Ill Poetic (T. Gmeiner, ReDefinition Publishing ASCAP) for SoundRzn Graphic & Sound-Design. Trombone by Evan Oberla (Evan Oberla Music, BMI). Guitar by Alex Schrock (ASCAP). Additional Vocals by The Ingrid Rachel Project (Idonis, ASCAP)

itunes http://tinyurl.com/h6rhx6a
amazon http://tinyurl.com/hfdtk4h
vinyl http://tinyurl.com/hgkmknt
cd http://tinyurl.com/jhd2kvd

Red Pill - Gin & Tonic (prod. Ill Poetic)

Since the original "Day Drunk EP" release, Red Pill has added three new bonus tracks from the sessions he created with production from Paul White, Black Milk, and Illingsworth. We decided to add the new bonus tracks and turn it into the "Day Drunk LP." Enjoy the first single.

Day Drunk

Probably Not

Red Pill - Probably Not (prod. Illingsworth)

No one confronts the abyss better than Chris Orrick. The Michigan ex-factory worker formerly known as Red Pill has spent the last half-decade documenting industrial decay, familial pain, and struggles with addiction better than almost anyone inhabiting this poisoned soil. It’s somewhere between Charles Bukowski and Michael Moore, or maybe Atmosphere if he couldn’t ignore the arsenic in the air. 

As Orrick tells it, “Portraits,” his latest album for Mello Music Group is a return to form. 

“I tried to strip everything down to what I think I'm best at: simple, concise portraits of who I am,” Orrick says. “Whether that be finding myself through self-portraits, portraits of everyday workers, portraits of the current political moment or portraits of myself told through the eyes of people I encounter daily.” 

From the corroded arteries of the blue-collar heartland, Orrick emerges as one of the most incisive and savage critics of Trump’s America. If the American dream is dead, he unflinchingly lays the blame on avaricious corporations, crude demagogues, and structural racism. There’s nothing polemical about it: just warm-hearted, sad-eyed, gin-flooded depictions of a life where there are few right answers but a litany of wrong ones. 

The Michigan native is an acerbic poet, but too unpretentious and sarcastic to ever call himself that. In his love letter to his long-time girlfriend (“Lazy Buddies”), Orrick fantasizes about the pair decamping to a town an hour outside of Paris, where they can blissfully split a bottle of cheap wine. Then he mocks himself for being a little corny. But that’s part of its charm—through his ruthless honesty, we can see ourselves as we actually are—prone to idle delusions, indolence, and self-obsessed. 

“Portraits can often be overlooked, but there are so many details in the face that tell innumerable stories about what the person portrayed might have been feeling or going through,” Orrick continues. “I'm trying to find those details, within myself and within America today." 

On “Anywhere Instead,” he grouses about how most days he doesn’t want to leave his bed until noon, staring at his phone, wishing for imminent death. It’s a nothing matters, gallows humor that anoints him a laureate of existential dread. He captures the terror of the void, the ambiguity of not knowing where or when your next direct deposit will hit. He’s wise enough to understand how little he understands, allergic to cheap irony or forced symbolism. As he points out on stories, “not every story has a meaning, not every moment has a reason, sometimes you just let the music play and tell you what to say.” 

It’s obvious how loudly the music speaks to Orrick, who is rarely short of opinions or serrated observation. The somber piano-based melancholy and rugged drums of “Portraits” thump via a gifted arsenal of producers including Nolan the Ninja, L’Orange, Exile, Apollo Brown, and Onra. Only two guest rappers appear, Fashawn and Orrick’s partner in Ugly Heroes, Verbal Kent. Orrick carries the rest of the weight and you sense the Atlas burden he shoulders. 

But for the all the poignant complaints, there’s a soulful profundity at the core of the album. It goes further than stress over bills, nicotine and liquor compulsions, and a search for deeper revelation. If you can hear a song like “Mom” without slightly crumbling, you might be iron-born. It’s a eulogy for Orrick’s late mother, dead at 45 without seeing her children grow up, without the opportunity to take pride in her son’s ability to realize his dream—however flawed it can occasionally seem. It’s here where you sense the power of these Portraits. They capture the pain that too many of us feel, that manifests itself in so many distinct ways. For a little while, we understand the raw f&cked up complexity of what it means to be a human being in a lunatic world. The portrait is personal, but it’s all of us too. 
credits

Portraits Mp3

Lazy Buddies

Chris Orrick -  Lazy Buddies (prod. Apollo Brown)

@WizeTheProducer

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Wize - Letter To My Ex

Bob Marley and The Wailers - Jammin (Benny Benassi Remix) is out now: https://BennyBenassi.lnk.to/JamminRemix

Download the Benny Benassi podcast on Apple Music: https://BennyBenassi.lnk.to/BeardoPodcast
Subscribe to his playlist on Spotify: https://bit.ly/WTMHplaylist

FOLLOW BENNY BENASSI:

WEBSITE https://bennybenassi.com 
STREAM https://BennyBenassi.lnk.to/Listen 
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Stream/Download

Bob Marley and The Wailers - Jammin (Benny Benassi Remix)

Scales Empire - Bright Lights, Big City (1996)

K-Os | Astronaut (Beatchild Remix) |

Only For Tonight feat. Sasha Keable

dec 2012 crack house mix with tippa on the mic. please d/l share blog enjoy etc.

ZINC + TIPPA DEC 2012 CRACK HOUSE MIX

http://twitter.com/StyloGee
http://www.facebook.com/stylog

Stylo G - Soundbwoy (Original Explicit Mix)

Collab track with LuzID and Stanley Ipkuss

Himjal (feat. LuzID and Stanley Ipkuss)

Ellis Dee Liquid session

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Wize - Letter To My Ex

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