Chapter: OCD011 

A scientific study has taken place exploring the experiential difference between 'Black Body music' and 'other music'. The noticeable difference music lovers and musicians have noticed with 'Black Body music' is that it is not only more beautiful and harmonious to the ears, but it also induces a more inward experience that is felt inside the body and along the spine. 'Other music' was felt as a more outward and mental experience, and felt at the side of the head, which projected outwards. Audiophiles have also stated 'Black Body music' seems to be more spiritual and mathematically consistent with the universe, whereas 'other music' can be perceived as unnatural and can ultimately lead to emotional distress, destruction and war.

“The overall sound difference was noticeable, 'Black Body music' sounds warmer, clearer and instantly sounded more listenable but 'other music' felt tighter, with more aggressive energy.” – Anonymous guitarist 

Scientific studies also reveal that Black Body are able to unify the properties of light, time, space, matter, gravity and consciousness. When listening to their music our atoms and DNA start to resonate in harmony and our sense of connection to nature is said to be magnified. ‘Black Body’s music’ is also reflected in ratios of the Sun, Earth, and the Moon as well as the precession of the equinoxes, the Great Pyramid of Egypt, the Sri Yantra, Stonehenge and many other sacred sites.

"If you want to find the secrets of the universe, think in terms of energy, frequency, vibration and Black Body" – Nikola Tesla (Inventor)

“What we have called matter is energy, whose vibration has been so lowered as to be perceptible to the senses. There is no matter. Only Black Body” – Albert Einstein (Physicist)

Black Body - Tomorrow Never Comes (Vocal Mix)

Just what it says in the title
"Don't know how he lights his crack pipe while he's up there? must be a pirate trick." - Ruf Dug.

Ruf Dug - Guybrush Threepwood Takes DMT And Goes Paragliding At Sunset

wanted to post this one for ages. Feeling Free to do so now. It's just an extended version that I made to play it out wherever I can. ummhh and sorry for the image. I googled Fühl Dich Frei and when I saw this i really had to ...

Wolfsmond - Fühl Dich Frei (Basso's Maxi Edit, 2011)

📀📀📀📀📀📀📀📀📀📀📀📀📀📀📀
📀📀📀📀📀📀📀📀📀📀📀📀📀📀📀

#lofi #boombap #ambient

soul sample demos! ep - mix of jazz soul & funk samples from 1970's & 1980's united states

sound design, production, mixing, & mastering via - stracct

samples are used

artwork - stracct

contact me if you are interested in using any of my beats/instrumentals for whatever reason.

gorgeous lover! [stracct] [76bpm Gminor] [soundcloud exclusive]

Deux!!

Herbert - Smart (Crewdson Remix)

Musically and emotionally, Superpitcher’s third full-length studio album, The Golden Ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus- years, emotionally. And full-length it is: The Golden Ravedays is an epic album of 24 longer than usual tracks that was released in January 2017 and is stretching over 12 respective chapter albums during a one-year period.

The 12th and final edition of The Golden Ravedays album will be released on record label Hippie Dance in December 2017.

Side A is the ballad of Late Night Skanking. True to the soul of skanking this track is weaving its delicate elements between the rise and fall of a monumental wave that teasingly never breaks. The main melody so seduces and hypnotizes that before you know it you’re a wide-eyed cobra waving away in a basket.

Standing ovation! Hands in the air! He made it! The very last track of Superpitcher’s epic Golden Ravedays odyssey is a jovial spree, a hullabaloo of merrymaking, the perfect celebration of the beginning to end of this heroic album. Punky Reggae Party is a fantastic collision of festive sounds, beats and voices that bring us undecipherable messages and everything else that is far beyond nice, nice, nice. Encore! Encore!

@superpitcher_official

The Golden Ravedays

Superpitcher - Late Night Skanking (SNIPPET)

Sillyboy’s Ghost Relatives can proudly claim to be “Greek radio’s favourite soft rock band”. The Athens-based quartet – fronted by bass-wielding former TV commercial composer turned Balearic popster Charalambos Kourtaras – are rising stars in their home country, with listeners warming to their distinctive blend of atmospheric guitars, retro-pop synths and head-in-the-clouds grooves.

So far, international stardom has passed them by, though their distinctive songs have caught the ear of a range of DJs across the globe. One was Claremont 56 founder Paul ‘Mudd’ Murphy, who has worked his magic on one of the band’s previously unreleased gems, “In A Small Place”.

Perfectly capturing the claustrophobic reality of life in a small, remote town or village where everyone knows everyone else’s business, the song sees Sillyboy plan his escape over a mesmerizing backing track rich in ghostly synthesizers, chunky bass guitar, spacey electronics and a shuffling groove that sits somewhere between pitched-down dub disco and early ‘80s West Coast AOR.

Murphy’s “Extended Version” allows the track room to breathe, teasing out the clandestine and atmospheric instrumentation – eyes-closed guitar solos included – before introducing Sillyboy’s rueful and paranoid vocals. You’ll find the Greek band’s slimmed-down – and arguably even more trippy – original version on the B-side, completing a fittingly high quality musical package to kick-start Claremont 56’s 2019 release schedule.

In A Small Place (Mudd's Extended Mix)(Clip)

Jamie Lloyd follows up his last12 inch Adori’s Kitchen with an EP of low-slung disco grooves, vocal cutups and great songwriting showing another side of this talented Australian artist. New York’s Brennan Green opens proceedings with his Movin’ Out remix, a tasty 8 minute slab of disco space funk with slippery squelching lead synth runs and cheeky breakdowns throughout. Jamie’s original continues in the 107bpm disco electric vibe with nice sounds and a cool sense of space. Flip for Zooptron, a quirky, chopped up party tune in the spirit of Jamie Lidell and All The Honey, a spaced out minimal disco gem in a Metro Area or Kelley Polar vibe.

FEEDBACK

“one of my faves at the moment… supertrack” - Ame / Sonar Kollektiv

”Such a killer groove.  I’m playing it EVERYWHERE” – Daniel Wang / Balihu
 ”Really like the Brennan Green mix. Charted and played” - Charles Webster

“the brennan green remix is really good !!!!” – Lindstrom

“A few days ago I bought your jamie lloyd record! it´s really really great! I love the brennan green rmx. and I´m gonna play it for sure! amazing mixture of rocky, clubby and raggaeish feels! a perfect summer track!” 
– Trickski / Sonar Kollektiv

“Will defo get many many more plays” – Prins Thomas / Eskimo

”Was really, really into the Jamie Lloyd, I thought that was truly outstanding proper future funk!!” – Envoy / Soma

Feedback on Jamie’s last record on Future Classic … FCL1204 – Adori’s Kitchen
 ”Really into both Jamie Lloyd 12”s – have played them out regularly – especially the Putsch 79 remix – which rocks! Really like Prince-esq grooves of ‘Zoopton’ as well. All round quality! - Will Saul / Simple 
      ”I really like the 'Zoopton' track... really cool in an Akufen way, and I will play the 'Adori's Kitchen' remix by Putsch 79” - Agoria 
"The Jamie Lloyd record is bit of a cult classic round these parts " - Andy Whittaker / 20:20 Vision

“I like the new release by jamie lloyd very much. it is a funky dancefloor record!!!! in my bag!!!” - Steffi / Klakson 

Movin' In (Brennan Green's Movin' Out Remix)

Edits by CVLT (Lux/ Fungo, Lissabon) 
Ltd edition of 300 hand-numbered, hand-stamped 12" vinyls. No repress.
Discos Capablanca 2013. Distributed by Clone.

http://www.facebook.com/CVLTSPACE
http://www.facebook.com/DiscosCapablanca



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Tensnake - Bliss

Welcome to Hippie Dance. Independent record label founded in 2011 by two boys.

Superpitcher - Late Night Skanking (SNIPPET)

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