This had me at the intro bro! Reminds me of kill bill soundtrack. Really nice

J'ai acheté l'EP dés les premières notes entendues, c'est excellent !!!

Artist: DEATH AND VANILLA
Album: EP (Vinyl Edition)
Cat#: HITD 001

Limited edition of 500 copies on black vinyl (w/ poster + mp3 download voucher)
Release date: 8th January 2014
www.deathandvanilla.bandcamp.com

Label, orders: www.handsinthedarkrecords.com

DEATH AND VANILLA - Ghosts In The Machine

New song, I tried to go really atmospheric this time :)

Endless Void

ORDER "ARENA NEGRA" HERE: http://beyondbeyondisbeyondrecords.bigcartel.com/product/the-myrrors-arena-negra

The Myrrors - Arena Negra

Colin Stetson and Sarah Neufeld - "The sun roars into view"
from 'Never Were The Way She Was'

available 28 April January 2015 on Constellation:
cstrecords.com/cst113

Never were the way she was

Colin Stetson and Sarah Neufeld • "The sun roars into view"

from the "Natural Phenomena" CD/LP (NNF317)
Not Not Fun / 2015

NATURALISM:
whitepoppy.bandcamp.com/album/natural-phenomena-2
midheaven.com/item/natural-phenomena-by-white-poppy-cd#.VVUXTmYflpk

White Poppy "Confusion"

Widely acclaimed experimental-post-punk outfit Fufanu have shared the second track taken from their forthcoming second LP ‘Sports’ – agitated, dark, brooding single ‘Bad Rockets’. The ground-breaking band have also revealed that their highly anticipated sophomore album will be released on 3rd February 2017, supported by a UK tour throughout February.

Produced in Iceland by Nick Zinner of the Yeah Yeah Yeahs, ‘Bad Rockets’ along with first single ‘Sports’ sees Fufanu return with a palpable sense of urgency and a fresh spin on their dark, new-wave-esq electronic-driven post-punk.

Pre-order the new album 'Sports' here: https://OLI.lnk.to/Sports-LPSo

Sports

Bad Rockets

http://hyperurl.co/human-age

From forthcoming EP Last Breath/Human Age. Due for release on 28th October via digital download, accompanied with Zine, Print and T Shirts.

Fehm are a post punk band from Leeds. Originally consisting of singer Paul Riddle, bassist Amy Fishlock, and drummer Chris Lodge. The band released their debut EP Circadian Life on Art is Hart Records in 2016. Shortly after members of fellow Leeds band Gundogs, Darren Lord on synths and Ben Holmes on guitar joined to complete the lineup. Since then the band have been earning acclaim for their live shows and working on new material.

The songs represent a transitional period for the band. The first songs written as a five piece, they demonstrate the beginnings of a new direction in Fehm's sound, experimenting further with electronic elements and fuller arrangements. They are being released as a double-A side digital single in Autumn 2017 to bridge the gap between Circadian Life and the bands forthcoming album, to be recorded in 2018.

Last Breath is about being surrounded by people at the end of their lives, when their sickness is too much to keep going but once you let go it's the end, you finally get the release you need but it's life's final bittersweet moment. 

'I look upon his face, he's ready to go, the salt that binds the sea into the waves. The white in the toes, from the man I'll never know, that bitter sweet moment you taste'

The EP was recorded, mixed and mastered with Matt Peel at the Nave recording studio in Leeds in 2017. 

www.fehm.co.uk
www.facebook.com/fehmband
www.instagram.com/fehmband

Last Breath

Forthcoming and unreleased tracks from Bristol's INVADA label. 
Selected  Geoff Barrow [PORTISHEAD/BEAK] and founder of INVADA. 

This comp features 11 'just' released or to be released tracks on INVADA
DROKK [music inspired by Mega City One]-  the first tracks to be heard from this album made by Barrow and Ben Sailsbury , 
Anika delivers cold hearted twisted version of Disco with 'In The City' [Chromatics cover]
BEAK - first tracks streamed of long awaited second album set for early 2012 release.
Thought Forms after supporting Portishead on their US tour use their relentless pedal worship to create another creep/gaze monster
The Fauns deliver a  lo-fi fuzzed out shoegaze stonker.  Toronto's DDMMYYYY provide a killer brain burster of a  track as part of their BEAK split 12"/LP
also first digital single of very serious young Bristol band Scarlet & The Trainwreck whilst invada new bass/drums/vox trio The Veees drop a french/anglo punk funk number. 
Quakers/Stones Throw producer Katalyst brings some new unheard 2012 hip-hop gems  to roundoff the comp before the Mc's start ripping them apart.

Look out for future releases and more info on the above compilation
www.invada.co.uk
www.twitter.com/invadauk
www.facebook.com/invadarecordsuk
www.invadauk.tumblr.com/


BEAK> - Eggdog

Sonic Jesus - Transpose

'Destroyer' is taken from The Green Child's self-titled debut album out January 12th through Upset The Rhythm.

Available to pre-order here now:
http://upsettherhythm.bigcartel.com/

Artist:  The Green Child
Title: The Green Child

Label: Upset The Rhythm
Catalogue Number:  UTR102
Release Date:  Friday 12 January

Track listing:
01. Traveler
02. Her Majesty II
03. Bertha
04. New Years Eve
05. 46 Timelines
06. Walking Distance
07. Marie Elene
08. Destroyer

The Green Child is the long distance musical collaboration of Mikey Young and Raven Mahon, who met in 2013 when their bands, Total Control and Grass Widow played a show in Oakland, California. They started writing songs together in Australia in 2014 and the project has been on a slow burn since. Their self-titled debut album is the culmination of few years of putting ideas together internationally and periodically recording in Mikey's home studio. Some of the lyrical content and the band's name was inspired by Herbert Read's 1935 utopian, communist, sci-fi novel called The Green Child. 

With such a choice name, it’s no surprise that The Green Child draw their sound from an illusory past as much as they stalk into pastures new. Broadly retro-futuristic in scope, verdant acres of lushly evocative synthesizers and blippy drum machines underpin most of their upbeat yet decidedly uncanny songs. Raven’s calmly scenic and measured vocal flits like a will-o’-the-wisp throughout the tracks, proffering a guiding hand as she walks us through the often eerie, electronic concoctions. 

‘Traveler’ opens the album all redolent, beat-minded and labyrinthine. Twisting melody lines swirl and envelop like a sandstorm, whilst Raven coolly projects on a “solitary man” lost to “green oblivion”. Similarly, ‘Her Majesty II’ glistens with its playful yet plaintive vocal and iridescent arpeggios, whilst ‘Bertha’ slows things down with tumbling chimes and stately use of space.

The Green Child are adept at atmosphere, their songs are refined from gently unfolding ideas that never fail to realise and build to their potential. Tracks like ‘Walking Distance’ (featuring Al Montfort on saxophone) and ‘New Years Eve’ are exercises in evolved composition with ideas budding off and blossoming into truly resonant dimensions. The band’s cover of ‘Marie Elene’ (by Keith Pearson) and closing track ‘Destroyer’ are further crowning achievements, both pieces subtly handled with poise and ample melancholic grandeur. The Green Child fix their sights on the heights they want to reach within their songs and much like the project itself don’t want to rush to the finish line. When it becomes more about the unfurling journey, why not take the time to enjoy the trip and burn slower?

‘The Green Child’ is due for release on January 12th through Upset The Rhythm on 180g black vinyl, accompanied by some spirited sleeve design by James Vinciguerra.

DEATH AND VANILLA - Ghosts In The Machine

Hands In The Dark

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